When it comes to rangefinders, if you know me, I’m not a fan; they just don’t fit, I struggle to use them, and generally, I am more likely to reach for an SLR. But then there’s my Contax IIIa; for some reason, this is the rangefinder I just won’t let go of; it’s far from perfect, needs a bit of work, and often is a bit frustrating to use. It suffers from frame spacing issues, and I’m sure it will give up the ghost one day. Yet, since I picked it up off John Meadows the first time, I am often drawn back to itRead More →

I don’t remember what drew me to purchase the Horizon Kompakt; I had worked with the panoramic format before, but in the digital sphere, I stitched images together by shooting multiple frames to capture a unique take on an environment. But in 2011, I walked along Queen Street to a Toronto UER meetup, stopped in the Lomography Store (sadly closed), and picked up the Horizon Kompakt. In hindsight, I spent the extra money on the Perfekt. I immediately loaded up a roll of film (with the help of the store staff), went out, and shot through the roll. Well, I was hooked and hit theRead More →

The bakelite beast, the snap shot camera of the 1950s and a staple camera in most every antique camera store I’ve visited. The Brownie Hawkeye flash was one of many cheap Kodak snapshot cameras that was a staple of plenty of families and still stands up today as a solid starter 620 camera because you can actually use a 120 spool in the camera providing you have a 620 spool in the take up! But although it works, I really don’t recommend it, as you’ll often damage the film itself. Disclaimer: This is an old review, and is scheduled for an update and may lookRead More →

Even though it looks like the iconic Kodak Brownie, we’re going to clear the record; this camera is not a Brownie. And although this model came after the Brownie, it is a camera that has its origins before the Brownie and flexible films. The Hawk-Eye is a camera that I don’t take out that often the reason being that it stands at over 100 years old. I did get it before it joined the century club and at that point, I still thought it was part of the Brownie family. I took it out for review shortly after its 100th birthday. A basic, no-nonsense cheap,Read More →

While many continued to use and love the all mechanical Nikon F2 the F3 was a departure of sorts for Nikon moving towards an electronic-based camera and a very stylish one at that. Designed by the noted industrial designer Giorgetto Giugiaro who introduced the red strip that still appears on Nikon SLRs today. This is the camera that got me back into semi-automatic manual focus photography after I received it as a gift from a photojournalist with a vast collection of lenses and the MD-4 motor drive. While heavily used, this camera has seen a lot of action in the past and continues to seeRead More →

I haven’t been able to write a wedding blog in a while so it’s actually really nice to be able to celebrate the marriage of these two awesome folks! But despite all the stress that surrounds weddings Mike & Vesna were really easy to work with and were all prepared well before I was! They had a location, permit, and even a timeline all laid out, all I had to do was turn up and push the shutter release. And they were open to shooting some stuff on film, so they’re now one of a few modern couples who actually have a darkroom print fromRead More →

I remember the first time I saw the Pentax 645; it was at Belle Art Camera in Hamilton, Ontario. It was sitting there in all its medium format beauty with the 75mm f/2.8 lens. The store employee told me all about the camera, what it did, how it worked. And I was looking to up my medium format game. The price was right, so I dropped the cash and left with a camera that would come with me on future trips, projects, and even some weddings. As a camera, the Pentax 645 is a workhorse and a working man’s camera, it has everything you wantRead More →

Anyone who has been in photography for a long time will remember the legendary Kodak film, no, not Kodachrome, the other one…Panatomic-X. Panatomic-X was first released in 1933 and continued until 1987 this fine grain ASA-32 panchromatic black & white film produced a huge tonal range and allowed for even 35mm negatives to be printed extremely large without noticeable grain…and when there was grain is was very pleasing. These days you cannot find fresh film, or even another film on the market like it. Most of the film I’ve shot expired back in the 1970s but can still be shot at box speed (ASA-32). TheRead More →

There’s something strange about the Smena 8M, it wasn’t my first experience with Soviet cameras and certainly wasn’t going to be my last. But the Smena 8m made me both loved and despised the cameras from the Soviet bloc. The camera is simple to the point of being demining, a chunk of plastic that has little to offer a photographer. Other than a strange joy and annoyance in general operation. Every time I used it, I wanted to give it away, tossing more images than those I kept. Yet now looking back at the three rolls I shot through the camera the resulting photos aren’tRead More →

When I call the Rolleiflex 2.8F the oldest camera in my toolkit, that doesn’t mean it is oldest by age, rather oldest having been in my toolkit the longest of any other cameras. I got the camera in 2010 after buying it from the original owner. The original owner having purchased it in Germany in 1969 along with most major accessories, and since then it became a near-constant companion. And the camera saw a lot of action from trips to abandoned buildings, nature to weddings and other portrait sessions. The Rolleiflex 2.8F is my third and honestly final TLR in my kit having solidified myRead More →