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I guess you could say that this post comes out from a short I released on YouTube last month about why photo walks are important and that you should go on photo walks. When the average person hears the term ‘photo walk’ they tend to think of a group usually medium or large. And I’ll admit, large groups of strangers can be a bit iffy. But a photo walk doesn’t have to be in a group, you don’t even have to have another person with you. My good friend and fellow photographer, Michael Hurley, goes on solo photo walks all the time. In fact, he’sRead More →

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It’s always good to get out from the familiar especially with a photo walk group. While the Toronto Film Shooters has always been centered around Toronto, Ontario and a majority of the events take place in different parts of the city. The group has on several occasionally spread their wings and headed outside the normal area and into different parts of the province. We’ve had events in Guelph, Unionville, Elora, and even Niagara-On-The-Lake. So at the end of September I decided to host a bonus event in Dundas, Ontario. A small historical town, today a part of Hamilton, Ontario on a Sunday afternoon. While BillRead More →

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While I’ve always known that Fujifilm produces chemistry for film development, I had always assumed it was primarily aimed at colour processing. Since they still manufacture (possibly) mini-lab processing systems for labs to develop C-41. But black & white chemistry? Then I received an email. A reader graciously offered to mail me some developers that were difficult to obtain in North America. I initially thought of Europe, but then a lovely package arrived from Japan and inside were two pouches of Fujifilm Microfine and two pouches of Fujifilm SPD. Well, I was touched, but Microfine was a name I had seen before on the massiveRead More →

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Dear Chicago, I like ketchup on my hotdogs, sorry, I do, but I don’t when I’m in Chicago. I’ve done a shot of Malört, it was interesting for sure. I’ve visited a bunch of cities of various sizes throughout the US, but the one that I honestly thought I could live and survive in was Chicago. There is something about the city that attracted me, I felt comfortable here. And that’s saying something because I don’t like big cities. The first time I visited it was almost as if I was returning to a friend. My first tastes of the city came from the showRead More →

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Back in May the fine folks at Harman Technologies, the parent company of Ilford Photo and Harman Photo announced their newest film stock, Kentmere 200. The Kentmere line of film is designed to be a more budget friendly film stock, lower silver content than the main line of film stocks. Now I did not like this film when I first ran them through reviews, I did like Kentmere 100 more than Kentmere 400. But now I like both, so I was notably excited when Kentmere 200 was released. This puts the Kentmere line in the same range of the other budget friendly films, Fomapan. NowRead More →

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There’s a delightful irony in publishing this post on the 4th of July, a post celebrating Canada. I started working on this post in April after hearing about a list of the ultimate Canadian travel guides being put together by CBC Radio. Now, my travel within Canada is limited. I’ve only visited a handful of provinces. I wanted to put together a post about my seven favourite places I have visited in Canada during my various travels. Some I have visited more than others, but all seven hold a special place in my heart. These are also presented in no particular order. Stratford, Ontario IRead More →

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At the end of my 24mm f/2.8 review I asked: Do I now need to find and invest in the 20mm? Well if you’re reading this review, the answer was yes. I enjoy working with wide-angle lenses, and while I do have the lovely 17-35/2.8-4 D ultra-wide zoom, there’s something special about an ultra-wide prime lens. I started looking at getting this particular lens after I finished my 24/2.8 review for the A-Mount. The desire to add one to my A-Mount kit only increased after picking up the 14mm f/2.8D for my Nikon kit. I was always concerned about the cost of these lenses; usually,Read More →

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If you have never heard of FX-37, don’t worry. I didn’t know about the developer either until I saw a post from Flic Film about it on their Instagram feed. It fits in with the plethora of other “FX” developers, some of which I have reviewed on the blog (FX-39 II and FX-2). FX-37 is the invention of noted British photographer Geoffrey Crawley to solve the problem of sharpness in T-Grained emulsions. As a developer, FX-37 is a non-solvent developer designed to maximise the sharpness of these modern emulsions but can also work with traditional cubic-grained films. Technical Details Manufacturer: Flic Film Name: Crawley’s FX-37Read More →

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The Minolta Zoom 24-105mm is Minolta’s late-model elevated kit lens, released initially with the Maxxum 7. It was designed to be better than the lower spec kit lens, the 28-100mm. And you know, when you put the two lenses next to each other, the 24-105 is a far better lens and doesn’t carry a hefty price tag. In all fairness, I was not happy with the results I got from the 28-100, and my copy broke and had to be fixed with a doner lens. However, the 24-105 is only slightly better as a lens because despite being an elevated kit lens, it is stillRead More →

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In: 1812:Revisited
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The simple matter was that neither the Americans nor the British were ready for a renewed conflict in North America. The British were fully committed to the invasion of Europe in the Peninsular War, secured Portugal, and invaded French-occupied Spain when the war broke out in North America. While many in the United States wanted to teach the British a lesson, they were not in the best position to fight a war. Even as the declaration of war made its way through the US Congress, the plans and preparations for the war were being made. The American plan was a coordinated three-prong assault across theRead More →