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You’re probably thinking, what do I mean by Visual Whiplash? It was mentioned in a comment left on one of my recent photos posted to my photostream, where right next to each other is a 4×5 image that’s sharp, crisp, and clear…and then a pinhole photo that’s rather soft. Visual Whiplash. I was at first a bit disappointed at these, I mean they’re not what I’m used to getting out of my trusty Pentax 645, they look like something a bit out of a toy camera. But oddly enough they’ve started to grow on me. So what got me into Pinhole photography after avoiding itRead More →

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August 19th has become known as World Photography day, as it celebrates the anniversary that France, where modern photography was born gave the secret to the world, for free for all. How about that. This year it sadly crept up on me so I had to rush to get a couple cameras into the field over the course of the work day. But I was actually really pleased with the results I got, not to mention the stares and comments about using an old Polaroid Pack Camera. Polaroid Automatic Model 250 Land Camera – Polaroid Chocolate Olympus Trip 35 – D.Zuiko 40mm f/2.8 – KodakRead More →

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Comrades! May 1st (well the whole week apparently) was International Commie Camera Day. Of course to the average person wouldn’t know a communist camera from a regular one. So what makes a camera communist? Last time I checked Cameras don’t hold to political ideologies (or do they?), but rather what makes a camera communist is where it was made and when. For the most part a camera is communist when it it well made in a communist country (so yes, those Chinese cameras that are still produced today, yep, communist). But for the most part a “Commie Camera” was one that was produced in theRead More →