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It’s always interesting to see what you can do with what Adox calls a ‘closed imaging system.’ CMS 20 II is a film that is specifically designed for one developer, and one developer only that is Adotech II. In fact, in their datasheet, they even discourage the use of traditional developers as they could yield poor and unpredictable results. But thanks to the power of the Internet and having a bit of an experimental side and writing these blogs for you, my dear readers let us continue and say you can use traditional developers with CMS 20, and the results are rather stunning. Film SpecsRead More →

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When it comes to Retro 80s, it’s a somewhat fickle film. At least for me, I find it hard to get good images out of the film stock. But when you do get images out of it, they are some of more unique in the world. For me, the film ranks among those speciality films such as Ferrania P30 and Eastman 5363, high contrast, slow, with a look closer to a black & white slide film than a negative film. Not to mention, the extended sensitivity into the Infrared spectrum makes it a good IR film in a pinch. Film Specs Type: Panchromatic B&W, ExtendedRead More →

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The name Bergger has been until recently been relatively unknown here in North America (at least to me) until recently when I learned that they were planning on introducing a new film stock, Pancro 400. While, Pancro 400 is the only offering from the company, and while you might still find their older BRF400+ film stock, Pancro 400 is a beautiful classic film emulsion. When I heard about the film through the Film Photography Project when they were just releasing the stock, I made a point to pick it up. I found a surprisingly beautiful film, despite the increased amount of grain. I would wagerRead More →

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When it comes to T-Grained (modern films like TMax and Delta) I can be fairly picky, the 100-speed ones I tend to like while the faster 400-speed ones I can be overly critical about. That being said I’ve found that recently I’ve been warming up to these faster emulsions the more I experiment with them. As with Delta 400, I’ve warmed up a little to TMax 400. Oddly, TMax 400 was the first roll of film I processed on my own under the watchful eye of Julie Douglas back in 2010. Film Specs Type: Panchromatic B&W, T-Grain Film Base: Acetate Film Speed: ASA-400, Latitude: 50-3200Read More →

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At your first glance, you see this Soviet Styled space-age packaging, and you know you’re in for a treat. In full disclosure, Mono 100 is not a new film stock, it is repackaged Fomapan 100 with the times adjusted to fit the reseller’s personal choices to get the best results. When I first learned that Kosmo Foto was working towards releasing a brand new film I jumped. And while I know today that film is just Fomapan 100, I still buy it on occasion because I like to support a fellow Alliance Member, and that Soviet-Style box art is just fantastic. The Lowdown Type: B&WRead More →

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Oh Emulsive, I think through your little contests you’re going to keep film alive ensuring that everyone goes out and buys the stuff to join in these fun little games. After joining in on the Summer Film Parties, the next step is the Delta Def Jam. Wait What? Like the TMax Party, Delta Def Jam celebrates Ilford’s tabular grained film, known as Delta. Also of note, the Delta series of film comes in 100, 400, and 3200. Now when it comes to the Delta series I really only like one of the film stocks, Delta 100, although I may play with Delta 400 see ifRead More →

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This previous year I took two chances to visit the lovely historical village of Elora, Ontario in Wellington County. The first trip with my lovely wife in the summer, and a second time on a very dreary Fall day with the Toronto Film Shooters Group. Both trips in addition to shooting plenty of black & white film I shot a roll of colour film each. And in my own typical fashion, that film sat on a self. Now, in my own defense I thought I was going to shoot a lot more slide film this summer than I actually did, so when I realized IRead More →

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Nikon has an uncanny ability to build amazing cameras, not always but sometimes they get one just right, but then it just slides through the cracks. The Nikon F90 (N90 for you American readers) is one such camera, one from a proud line of SLRs that stretch back to the 1960s with the original Nikkormat. While often overlooked against such professional bodies like the Nikon F4 and Nikon F5 which the production of the F90 overlaps. The F90 can be had for a song these days and yet performs well both on its own and when paired with one of those bodies. And while IRead More →