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Last year, when Foma announced the release of a new film, I’ll admit, I was immediately interested. What drew me into the film is that it was an orthochromatic film and not sensitive to the red end of the visual spectrum. I’ve worked with these films, notably Ilford Ortho+ and Rollei Ortho 25 plus. The trouble with these is that they are slower films, rated at ASA-80 (or ASA-40) and ASA-25, respectively. I’m not one to shy away from slower films, but it can get rather dull and grey here in Ontario during specific points in the year. So, having an Ortho option rated atRead More →

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I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

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The third in the Elan series of semi-professional cameras released by Canon and the direct successors to the original EOS 650, but why not call it the Elan III? Well, that’s because Canon makes weird choices with their camera names. In the case of the Elan 7, the number seven has nothing to do with the number of models but rather the seven focus points in the new AF module installed in the camera. Unlike my previous Elan camera, the IIe, the Elan 7 I’ll feature in the review is the model without eye control. But the difference between the IIe and the 7 isRead More →

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Shooting X-ray films has been relatively niche in the still photography field, but it can often be a lower cost per shot when shooting sheet film. This isn’t the first time I’ve reviewed or used a former medical X-ray film stock; the first was Washi F, which produced some magical results. The second was a non-medical X-Ray film, Washi I. So when I was offered a chance to try out the FPP X-ray film in 35mm, I wasn’t about to say no. This is a reasonably fast film for what it is, rated at ASA-200 but can be shot up to ASA-400. It is uniqueRead More →

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I first discovered a package of Kodak Microdol-X in the back of an old camera shop in Pittsburg, PA. Microdol-X was Kodak’s original fine-grain developer before being supplanted by Kodak Xtol. Although both But Microdol-X was much loved by those who used it and I’ll admit, it’s an excellent developer. Thankfully as a powder developer even those old pouches have a long shelf life, but the supply is limited. Thankfully the fine folks at LegacyPro have an answer, Mic-X, a complete clone of the original Microdol-X that uses all the original times and dilutions. Technical Details Manufacturer: LegacyPro Name: Mic-X Primary Developer: Metol Type: Reusable/One-ShotRead More →

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While every type of review I write comes with unique problems, nothing is more challenging than writing a film review. Film reviews have been done for years, mostly in dusty photographic journals and magazines and reviewed under exact conditions and in large quantities. If I tried to follow these methods, it would take me years to complete and require a large volume of films, cameras, lenses, and equipment I need more room for. Like all my reviews, I set out my method to work within the realms of what I wanted these reviews to cover: the basics. I’ve aimed these at beginner and intermediate photographersRead More →

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Hot show based lightmeters are nothing new, one of the first accessories I got for my Barnack Leica was a Voitlander VCII and even before that Leitz released their own dedicated shoe mounted meter for the M-Series of rangefinders. But ever since the release of the Reveni Labs LM-1, there has been a massive upsurge of similar OLED based shoe meters. So when I was contacted by AstriHori if I wanted to review their newest shoe meter, the Lightmeter II or XH-2 I jumped at the chance. I had heard of AstriHori in passing mostly through ads on my social media feeds but also withRead More →

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Have you ever wanted to see outside of our visual spectrum? Well then maybe infrared photography is for you! While true Infrared films are long gone, these days we have a tonne of films that can, when properly filtered expose the infrared light. Among these films sits FPP Infrared B&W, the original film stock is unknown, but it does do exactly what it says on the tin, it is a film that can be shot both filtered and unfiltered and produces images that can only be described as magic! For this review, I went with a mixed approach to filtration, shooting the first roll withoutRead More →

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Like the legend of the phoenix, huh All ends with beginnings What keeps the planet spinning, ah The force from the beginning, hm, look Get Lucky – Daft Punk ft. Pharrell Williams, Nile Rodgers If there was one thing I did not have on my 2023 Bingo card was the release of a brand new colour film, at least not from Harman Photo. Harman Photo is under the same umbrella of Ilford Photo, but is colour film side of Harman Technologies. Now, you’re probably wondering why I waited until the spring of 2024 to review the film? The reason is simple, the first several monthsRead More →

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What was I thinking…. If there is one negative size format that I have been actively ignoring since I started to review cameras is half-frame. And there is a good reason for this, I struggle to finish off a roll of 36-exposures. And when it comes to half-frame in the realm of 35mm, 36 exposures turns into 72-exposures on a roll, even if I got a 24-exposure roll I’m still staring down the barrel of 48-frames. But it seems that half-frame has gotten a bit of a revival with more people wanting to increase the number of shots on a roll especially with the costRead More →