By:
On:
In: Film Review Blogs
With: 0 Comments

You may have a couple of questions when looking at this review. First, haven’t I already reviewed Kodak Tri-X? To answer that, yes, it was one of the earliest films I reviewed, but this isn’t 400TX. This is Tri-X Pan or 320TXP/TXP, a more classic version of the modern classic emulsion. The second is, how can it be a classic review if the emulsion is still being made? Again, the sheet format of 320TXP is still in production, but the roll film was discontinued in 2010. But I quickly learned that I shot this film a lot more in sheet format than roll film format,Read More →

By:
On:
In: Between Darkness & Light
With: 1 Comment

If you had to pick the epicentre of abandoned buildings in the American Rust Belt, many cities can claim that title. The 1970s were not kind to North American industry, and cities like Buffalo, Cleveland, Detroit and many more still feel the sting of that troubled decade. Then there is Gary, Indiana; you can throw a rock in many parts of Gary and break the window of an abandoned building. And despite the stories I had heard about the city being a murder capital with rampant crime and watching not only your car but your wallet. I never once felt uncomfortable in Gary, unlike Detroit,Read More →

By:
On:
In: Between Darkness & Light
With: 1 Comment

Regarding locations, the former Indiana Army Ammunition Plant is by far the largest location I ever explored and only a tiny percentage of the total area. This massive factory is terribly repeatable, as it was designed to be an enormous plant for the production of smokeless powder during the Second World War. Based on what I’ve read and seen, I spent almost all the time at the Indiana Ordnance Works No. 1 and a bit of the Hoiser Ordnance Works. Either way, this was a single location I spent five hours at, but I still feel that I only saw a little but at theRead More →

By:
On:
In: Between Darkness & Light
With: 0 Comments

Something is fascinating about exploring Northern Ontario; it is a whole different world, with different people and a totally different way of life. Even the towns feel different, almost as if Northern Ontario is a different province from Southern Ontario once you’re past North Bay and Sudbury. Historically, northern Ontario is entirely different, having only been added to the province in 1874, and it wasn’t until 1912 that the modern boundaries of Ontario were established. But this is not a post about Ontario history; it’s about a mine, the Ross Mine. Located in the small, mainly French-Canadian town of Holtyre, the entire area was foundedRead More →

By:
On:
In: Film Review Blogs
With: 3 Comments

This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

By:
On:
In: Film Review Blogs
With: 4 Comments

It seems that Fuji enjoyed cutting off film stocks that had become rather popular among photographers, and most are legendary and much-loved colour-negative film stocks. Recently we saw the end of the Fujifilm Pro 400H along with Superia 200 and Superia C200. But one of the earliest discontinuations I remember that caused ripples through the community is Fujifilm Superia Reala 100, or Reala (the older version of this film). I’ve only tried this film in 120 formats after being gifted several rolls from my good friend Andrew Hiltz and picked up a few more along the way. I always thought it was a 120 onlyRead More →

By:
On:
In: Developer Review Blogs
With: 0 Comments

The year was 2013, a new voice had recently joined the Film Photography Podcast, one Mat Marrash. Mat had dived headfirst into the world of film photography and had not looked back and begun speaking about a type of developer I had never heard of before, Pyro developers. Well, I was instantly interested, having myself dived headfirst into the wonderful world of home B&W development. I was also looking for something outside the normal D-76, HC-110, and Rodinal developers. Well, this Pyrocat-HD stuff seemed interesting, but getting it shipped to Canada proved difficult at the time, so with a trip to New York City inRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

When I was starting to shoot film seriously, I stuck mainly to negative colour stock but started experimenting with black & white, but slide film was something that I avoided. Slide film was for professional photographers or travel photographers who wanted to share their trips on a slide projector. My first experience with slide film was Fuji Sensia and I was hooked. So I decided to jump right into the iconic Fuji slide film, Velvia. The original Kodachrome killer, and yet I only started shooting the stock after it got discontinued, the first roll running through my camera in 2009. Film Specs Type: Colour ReversalRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

When it comes to the name Velvia, most photographers will often latch onto the cult classic Fuji Velvia or its modern form, Velvia 50. But Fuji also released a one-stop faster version, Velvia 100 or 100F, which offers everything you like about Velvia 50 but in a slightly faster form. While I’ve shot plenty of slide films, Velvia 100 is one that I have far less experience with; again, I’m more likely to shoot Provia, Ektachrome, or Astia (RIP) when shooting a 100-Speed slide film. But Velvia 100 is an interesting animal and one that I’m not likely to shoot again. So I wasn’t tooRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

While Fuji Velvia was not my first experience with slide film, it is certainly is the one that made me like slide film. First released in 1990, the film became an immediate threat to Kodachrome, especially Kodachrome 25. And unlike Kodachrome, Velvia used the standard E-6 process that could be done in any lab that covered the process. No need to send it to speciality labs, and you could have your slides back the same day from the right lab. The name itself comes from combining Velvet and Media to describe the smooth images produced by the stock. While the original version was discontinued inRead More →