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Hot show based lightmeters are nothing new, one of the first accessories I got for my Barnack Leica was a Voitlander VCII and even before that Leitz released their own dedicated shoe mounted meter for the M-Series of rangefinders. But ever since the release of the Reveni Labs LM-1, there has been a massive upsurge of similar OLED based shoe meters. So when I was contacted by AstriHori if I wanted to review their newest shoe meter, the Lightmeter II or XH-2 I jumped at the chance. I had heard of AstriHori in passing mostly through ads on my social media feeds but also withRead More →

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Have you ever wanted to see outside of our visual spectrum? Well then maybe infrared photography is for you! While true Infrared films are long gone, these days we have a tonne of films that can, when properly filtered expose the infrared light. Among these films sits FPP Infrared B&W, the original film stock is unknown, but it does do exactly what it says on the tin, it is a film that can be shot both filtered and unfiltered and produces images that can only be described as magic! For this review, I went with a mixed approach to filtration, shooting the first roll withoutRead More →

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It should only be fair that my fiftieth lens review be of a 50mm lens, these are often the first lens that a budding photographer will pick up when getting into the wild world of film photography. And often it is the only lens that they continue to use long after. With my first two SLRs (SR-T 102 and X-7a) the 50mm lens was my go-to choice for most of the time shooting with them. I have since moved on and now am more likely to reach for a 35mm lens, the 50mms still hold a place for my work and I still grab oneRead More →

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Like the legend of the phoenix, huh All ends with beginnings What keeps the planet spinning, ah The force from the beginning, hm, look Get Lucky – Daft Punk ft. Pharrell Williams, Nile Rodgers If there was one thing I did not have on my 2023 Bingo card was the release of a brand new colour film, at least not from Harman Photo. Harman Photo is under the same umbrella of Ilford Photo, but is colour film side of Harman Technologies. Now, you’re probably wondering why I waited until the spring of 2024 to review the film? The reason is simple, the first several monthsRead More →

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What was I thinking…. If there is one negative size format that I have been actively ignoring since I started to review cameras is half-frame. And there is a good reason for this, I struggle to finish off a roll of 36-exposures. And when it comes to half-frame in the realm of 35mm, 36 exposures turns into 72-exposures on a roll, even if I got a 24-exposure roll I’m still staring down the barrel of 48-frames. But it seems that half-frame has gotten a bit of a revival with more people wanting to increase the number of shots on a roll especially with the costRead More →

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It has been some time since I wrote a verse post, so it’s time I tried this again. But rather than pitting cameras against each other, I will be pitting developers against each other. The idea behind this came from my good friend James Lee, who loves to show off the power of the Fuji Acros 100 when it is slightly overexposed and developed in Ilford Perceptol. I’ve worked with this combination, and it is impressive. Recently, James has also been working with 510-Pyro. I asked myself which is better, namely when put head-to-head, Perceptol and 510-Pyro? The setup is a simple one, I haveRead More →

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Writing reviews on cameras is easy; I’ve been working on those since 2015, and while the style and depth of those reviews have changed since I first started, I have also begun to include other pieces of camera kit into the cycle. One of the two newest reviews I have written is on lenses. These days, many lens reviews are out there, with most focusing on modern digital glass. Some vintage glass is starting to be reviewed online thanks to the ability to adapt these lenses to modern mirrorless cameras used in the cinematography industry. These are also the hardest reviews to write for twoRead More →

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While my tastes in developers do lean towards the more exotic, something is refreshing about a standard baseline developer. In my books, that developer has always been Kodak D-76; these days, you can get the stuff in many different forms from different manufacturers. The first developer review that I wrote was on D-76 and I have since done Ilford’s version, ID-11, and Flic Film’s Classic MQ. It’s no secret that D-76 is one of the team’s favourites at the Film Photograph Project. The idea that you can get results from almost any film stock by using D-76 Stock for six minutes has been promoted byRead More →

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It’s always exciting news when a new film hits the market, and it seems that the folks at FilmFerrania are certainly working hard to bring back as much B&W stocks from the original version of Ferrania as possible. Last year we saw the introduction of Orto their newest film since the initial release of P30. And earlier this year they announced the reintroduction of Ferrania P33. P33 is another classic film stock from the Italian manufacturer. With a sensitivity of 160 ASA, the P33 ensures a simpler and more versatile photographic experience compared to the past. Designed to overcome the processing and printing challenges facedRead More →

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I’m still fond of lenses with a 28mm focal length, despite having other lenses (in different systems) that are wider, but sometimes all you need to get the job done is a 28mm. The Canon FD 28/2.8 fits that bill; it is essential and no-nonsense, with nothing overly interesting about the lens or optics. The FD 28/2.8 gets the job done without any fanfare. There are two versions of this lens available in Canon’s FD-Mount: the original collar-lock version (FD) and the button-lock version (FDn), which allows for easier mounting and dismounting of the lens from the camera body. After picking up the AE-1, whichRead More →