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I have a troubled history with 200-speed films. They’ve always given me more trouble and often try too hard, which can be detrimental. I struggled to find a way through Fomapan 200 and Rollei Superpan 200. Both Svema and Derev Pan 200-speed offerings were far more trouble than they’re worth. And then last year, along came Kentmere 200, a middle child for the Kentmere budget offerings. In all these colour film releases, Kentmere 200 took a backseat. But I latched onto Kentmere 200 almost right away. I already enjoyed Kentmere 100 and Kentmere 400, and the first flush of Kentmere 200 proved a solid performer.Read More →

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I had a lot of fun last year working through some of my cameras and picking a different camera and film each month and shooting them for the enjoyment of photography. Often I would tie the roll to a YouTube video, specific blog post, developer review, or a podcast episode, but sometimes it would be for the fun of photography. These were always posted to Instagram and I worked again in collaboration with the community of folks through the 12monthsonfilm account. For 2025 I’ll admit there were repeat cameras from last year, but I did make a point to include some new arrivals and thoseRead More →

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Well we made it through another year. Like every years things did not always go to plan and that’s okay. Because it’s important to be flexible, especially when this blog and other channels is not a full time job. The year was a lot of fun despite being a little chaotic. I always have hope that things will eventually calm down, but they do in fact always calm up. There was a rather unfortunate bump through the fall with a five week support staff strike that did reduce some capacity for creation, but I had the chance to play catch up through October and NovemberRead More →

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Back in May the fine folks at Harman Technologies, the parent company of Ilford Photo and Harman Photo announced their newest film stock, Kentmere 200. The Kentmere line of film is designed to be a more budget friendly film stock, lower silver content than the main line of film stocks. Now I did not like this film when I first ran them through reviews, I did like Kentmere 100 more than Kentmere 400. But now I like both, so I was notably excited when Kentmere 200 was released. This puts the Kentmere line in the same range of the other budget friendly films, Fomapan. NowRead More →

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When it comes to point-and-shoot cameras, they still remain very much in vogue with a certain cross-section of film photographers. While I don’t often reach for these cameras, it is always fun to try out something outside of my usual selection of cameras. This is my third Pentax Point-And-Shoot; I’ve used the first point-and-shoot, the PC35AF, and one of the Espios, a more high-end offering. The Zoom 280-P is a clunky, early ’90s brick of a camera with a bit of ergonomics. And you know, despite being a P&S, the Zoom 280-P is a decent little camera that does the job of taking photos, butRead More →

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The folks at the Film Photography Project have once again reached into their bag of tricks and brought out the latest addition to their line of monster films, in this case Jiangshi 400. The name Jiangshi honours the jumping vampire (and ghosts) of Chinese legend. The film itself comes from China and is relatively new to the North American market. While rated at ASA-400, most signs point to the fact the film responds better when over-exposed by a stop at ASA-200 and pulled in development, so I’ll be shooting all four roll at that ASA-200 mark. Although like many films out of China the emulsionRead More →

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There are small cameras; then there are small ones; the Pentax MX is one of the latter. Released as Asahi’s response to the Olympus OM-1, the Pentax MX took things to the next level with the size. The M-Series of Pentax SLRs are strangers to me; I’ve used the ME, ME Super and even an MG, but never an MX. Save for a brief encounter with an MX in Bill Smith’s collection for a CCR Episode (Ep. 36 – Last But Not Least) So when I started to look for one a few years back I found that they were rare on the used marketRead More →

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There’s a delightful irony in publishing this post on the 4th of July, a post celebrating Canada. I started working on this post in April after hearing about a list of the ultimate Canadian travel guides being put together by CBC Radio. Now, my travel within Canada is limited. I’ve only visited a handful of provinces. I wanted to put together a post about my seven favourite places I have visited in Canada during my various travels. Some I have visited more than others, but all seven hold a special place in my heart. These are also presented in no particular order. Stratford, Ontario IRead More →

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At the end of my 24mm f/2.8 review I asked: Do I now need to find and invest in the 20mm? Well if you’re reading this review, the answer was yes. I enjoy working with wide-angle lenses, and while I do have the lovely 17-35/2.8-4 D ultra-wide zoom, there’s something special about an ultra-wide prime lens. I started looking at getting this particular lens after I finished my 24/2.8 review for the A-Mount. The desire to add one to my A-Mount kit only increased after picking up the 14mm f/2.8D for my Nikon kit. I was always concerned about the cost of these lenses; usually,Read More →

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The Minolta Zoom 24-105mm is Minolta’s late-model elevated kit lens, released initially with the Maxxum 7. It was designed to be better than the lower spec kit lens, the 28-100mm. And you know, when you put the two lenses next to each other, the 24-105 is a far better lens and doesn’t carry a hefty price tag. In all fairness, I was not happy with the results I got from the 28-100, and my copy broke and had to be fixed with a doner lens. However, the 24-105 is only slightly better as a lens because despite being an elevated kit lens, it is stillRead More →