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There’s a delightful irony in publishing this post on the 4th of July, a post celebrating Canada. I started working on this post in April after hearing about a list of the ultimate Canadian travel guides being put together by CBC Radio. Now, my travel within Canada is limited. I’ve only visited a handful of provinces. I wanted to put together a post about my seven favourite places I have visited in Canada during my various travels. Some I have visited more than others, but all seven hold a special place in my heart. These are also presented in no particular order. Stratford, Ontario IRead More →

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At the end of my 24mm f/2.8 review I asked: Do I now need to find and invest in the 20mm? Well if you’re reading this review, the answer was yes. I enjoy working with wide-angle lenses, and while I do have the lovely 17-35/2.8-4 D ultra-wide zoom, there’s something special about an ultra-wide prime lens. I started looking at getting this particular lens after I finished my 24/2.8 review for the A-Mount. The desire to add one to my A-Mount kit only increased after picking up the 14mm f/2.8D for my Nikon kit. I was always concerned about the cost of these lenses; usually,Read More →

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The Minolta Zoom 24-105mm is Minolta’s late-model elevated kit lens, released initially with the Maxxum 7. It was designed to be better than the lower spec kit lens, the 28-100mm. And you know, when you put the two lenses next to each other, the 24-105 is a far better lens and doesn’t carry a hefty price tag. In all fairness, I was not happy with the results I got from the 28-100, and my copy broke and had to be fixed with a doner lens. However, the 24-105 is only slightly better as a lens because despite being an elevated kit lens, it is stillRead More →

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While my initial plans for March were to attend the monthly regularly scheduled Toronto Film Shooters Walk, when the date didn’t work with my schedule, I went ahead and planned a bonus walk earlier in the month! So, the small group met at Dineen Coffee Co on Yonge Street before heading out. The weather had been looking pretty dreary since Monday, and by Saturday, there was still the threat of rain, but we got rain, shine, or snow. I had made a point to get into the city early to shoot through a couple of other rolls for future reviews (Sensorex and Elan 7 withRead More →

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I remember not being overly excited about Rollei Paul & Reinhold when it was first announced in September of 2020. I mean, yes, it is great to see a special edition film released to celebrate the 100th Anniversary of a premier and historic camera maker (Franke & Heidecke later Rollei). There was little data on the film at the time, and there are still many gaps. Given that the actual film stock is unknown, it’s either a limited edition run (made in Italy, not Belgium) or a found stock that has been rebranded. Either way, Rollei has been tight-lipped about the film’s source. Given thatRead More →

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When I first started working with the Maxxum system, there were two lenses recommended; the first is the 35-70mm f/4 (which will get a review next year) and the 70-210mm f/4; these were both parts of the original lineup of lenses in 1985 and have stood the test of time. Affectionately known as the ‘beer can’, a name was applied to several different lenses of the same type. While it might not be a fast lens (f/4), it still produces fantastic results, and despite the solid metal construction, the lens remains a well balanced long lens for outdoor use and one that works perfectly withRead More →

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The Hasselblad V-System, one that has achieved legendary status within the photographic community. I’m surprised that I actually own the original 500c, and while I don’t use it as much as I used to, it remains a popular tool in my kit. But what about going with something a little newer? The original 500c saw its initial release in 1957 and certainly has flaws, but as a system camera, it started something. While the 503cx isn’t the newest horse in the stable, it adds a pile of features that makes up a greatly improved camera system but allows the use of the older accessories. AndRead More →

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Two weeks in a row outside of Halton Region? Yes, the continuing lockdown has made me go stir-crazy, and you can honestly only find so much to photograph within your own little part of Ontario. Plus, I have to keep a few ideas in the back pocket as backups if something big prevents me from getting out. After doing plenty of these types of projects, you need some ideas as backups. But this week, we’re back into rural Ontario and the community of St. Jacobs, home to an amazing farmer’s market, a tourist railroad, Mennonites, and a cute little downtown. While I would have likedRead More →

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It felt good to get up and out of my own little part of the province, and a solid drive (only an hour and a half) put me well outside the paved sections of the Greater Toronto Area to the small community of Palmerston. A community that owes its founding to the railroad, a rarity here in Ontario where most communities were founded along a river, canal, major road, or post-war colonization. While you can walk end-to-end in a short time, there is a lot more to Palmerston than the railroad alone; there is also some medical history to the community that helped defeat aRead More →

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While these days the old standbys are still excellent choices to develop your film and offer up a great deal of variety there’s something to be said about having a universal one-size-fits-all developer. I first discovered this last year with Adox FX-39 II. But I quickly fell a rabbit hole of similar developers. And I’m not talking about Diafine, but rather Rollei Supergrain. Supergrain is an updated version of Amaloco AM 74. Supergrain offers up a series of dilutions and times that will develop most films at the same associated times. Perfect if you’re shooting a whole bunch of different films but have limited timeRead More →