It was the 6th of November 1837, and Lower Canada had erupted in open armed revolt against the Colonial Government. The Patriotes under Louis-Joseph Papineau and many others fuelled by the ideals of the American Revolution, French Liberty, and Republicanism. They decided that they would only rid themselves of the influence of the British Ruling Class, a group of Tory elites organised into a group known as the Chateau Clique was to begin a revolution when their demands for reform were ignored. There had been some communication between Lower Canada Patriotes and the radicals in Upper Canada under William Lyon MacKenzie. And while a coordinatedRead More →

Up until 1834, there had been a conflict between those in Upper Canada who were reform-minded and those who were allied with the Conservative Family Compact. But those in the reform movement had no desire for radical change or an American style republic, but there were also some that were. The same remained on the Tory side, there were those who were moderates who thought that some change might not be a bad thing, but others who wanted stricter controls, those who wanted to turn Upper Canada into a perfect England, where English was supreme, and the only church was the Anglican church. But likeRead More →

Svema, or by its proper name, Свема, is a film stock that is relatively unknown here in North America. But if you’re a fan of the Film Photography Podcast you will have heard of Svema. It would be Svema Foto 200 that first burst onto the FPP scene, and quickly became a favourite film of Leslie Lazenby. The name comes from the combination of two Russian words, Светочувствительные Материалы, translated means Photosensitive Materials. While Svema collapsed when the Soviet Union died in the 1990s, another Eastern European film manufacture, Astrum, continues the legacy of Svema using some of the old machinery in a new factoryRead More →

If you’ve seen this camera before in my reviews, you’d be partly correct; the Leica R3 is the cousin of the XE-7; both are internally the same camera with some external differences (also the obvious being the lens mount). The XE marked a new era for Minolta as it introduced the idea of a semi-automatic camera and a confident professional air to their cameras, not to mention a unique style of names, the X rather than sticking with the old SR nomenclature. While many companies went with smaller form factors in the 1970s, Minolta stuck with their bulky designs, at least for a while. ButRead More →