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Well we made it through another year. Like every years things did not always go to plan and that’s okay. Because it’s important to be flexible, especially when this blog and other channels is not a full time job. The year was a lot of fun despite being a little chaotic. I always have hope that things will eventually calm down, but they do in fact always calm up. There was a rather unfortunate bump through the fall with a five week support staff strike that did reduce some capacity for creation, but I had the chance to play catch up through October and NovemberRead More →

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I’m starting to think it’s a miracle that any of my shots have turned out The one thing that will always keep a photographer humble is that we all make mistakes, some big, some small, some fixable. So join the gang as they talk about foul gear, forgotten steps, chemical mix-ups, and general issues that keep us humble. Yes, mistakes were made. Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). In Quebec, Photo Service (Montreal, QC)Read More →

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In: Film Review Blogs
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Fujifilm Neopan Acros 100 II, a reborn version of the classic Fujifilm Acros 100. A film with a near cult-like following and one that is known best for having a low reciprocity failure. But when it comes to latitude, it is often seen as narrow. Even when pushed in processing, it can often result in dark, under-exposed, and under-developed images. So, it makes for the perfect film to kick off a new series of reviews to see how Diafine handles this legendary film. Film Specs Manufacturer: Fujifilm Name: Neopan Acros 100 II Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-100 Formats Available: 135 (35mm),Read More →

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In: Developer Review Blogs
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Like my last developer review (Fuji Microfine), Fuji Super Prodol (SPD) has little information online about the developer. SPD is the faster version of Prodol and according to what I could find online says that this developer is designed for push-processing films. And to make things even more interesting is that looking at the chemical formula it shares similar characteristics to Crawley’s FX-37. This was part of the care package from a reader that included Microfine which turned out to be an amazing developer with Fuji Acros 100 II. The package does appear to be a modern pouch, and appears to be still in productionRead More →

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In: Musings
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This year marked a major milestone for my podcast, the Classic Camera Revival. And while I call it ‘my’ podcast, unlike other content I’ve posted in this series of entries, CCR is far more a community effort. I wanted it to be not on my shoulders only but rather based around a team of dedicated people who can take on every duty along the way. It’s only fair that the final entry in the series is centred around creating the podcast. Since we started in 2015, a lot has changed in almost every aspect, from how and when we record to the production and evenRead More →

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It’s been a while since we’ve done one of these shows. It was back with the Nikon FA, and in that case, we just passed the camera around the table. But today we have something special, the Pentax MZ-S, the last professional camera from Pentax/Asahi with a rich history. The camera was provided by John Roberts (who is back on the show today). It was used by Alex, James, and Bill, along with the three limited-edition lenses that were released with the camera. You can read more on the Pentax MZ-S Alex’s Written Review & Video Review James’ Review Bill’s Thoughts Looking for a goodRead More →

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In: Between Darkness & Light
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If there is one thing that I didn’t get enough of when exploring it was old industry, massive sprawling complexes that were built up slowly over their life span. And Flintkote was one that I only visited twice, but it certainly matched what I wanted in an old location. Buildings that were slowly being absorbed back into nature. You had to know what to look for when trying to check the spot out as it was mostly hidden by trees with only a rusted water tower and brick smoke stack sticking up behind a rusted fence. For almost every site I’ve featured in this series,Read More →

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In: 1812:Revisited
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The war had ground to an unceremonious stalemate; it had not gone to plan for both the British and Americans. The Americans continued believing that the Canadians would welcome them as liberators rather than invaders and join them in an easy campaign to free them all from the shackles of the Crown and a distant parliament. The British believed that once Napoleon was safely taken care of, a series of campaigns on the eastern seaboard would help the Americans sue for peace on British terms. None of that happened. Instead, the Americans were left to command a small sliver along the Detroit River of UpperRead More →

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In: Optical Review Blogs
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Nikon is known for many things; among them is its insane level of detail regarding its macro lenses, or micro lenses in Nikon parlance. For those who aren’t in the know, macro photography is photographing small objects and reproducing them at life-size. Nikon produced its first macro lens in 1956 for the rangefinder or S-Series of cameras, a 55mm f/3.5; this got carried into the F-Mount in 1961, the Micro-Nikkor 1:3.5 f=5.5cm. This lens was improved through its lifetime, eventually becoming the legendary AI-S Micro-Nikkor 55mm 1:2.8, then got an AF make-over and eventually was superseded by this lens, the Micro-Nikkor 60mm 1:2.8. First introducedRead More →

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It’s still 2025, and it’s still Leica’s 100th birthday. And as part of the global celebration, they recently released their first Leica-branded film, Monopan 50. And the Internet was abuzz with speculation about what the film was under the cover. Well, all signs point to Adox HR-50, which makes sense. HR-50 is sharp, fine-grained, and high-resolution. That got us thinking: why not discuss other ASA-50 films? This includes Ilford Pan F+, Adox HR-50, Ferrania ORTO, Velvia 50, and even a mention of Efke 50! We also discuss overexposure and pulling film in development, mainly because there are more 100-speed films out there these days thatRead More →