The idea of a monobath is not a new one. If you’ve followed my online work you’ll know I’ve made my own based on a formula first put forward by Donald Qualls back in 2004 based on the HC-110 developer (a favourite of mine). When Michael Raso (of the Film Photography Project) started talking about their own Monobath I didn’t give it a second look (to be honest). While I enjoyed the ease of a single step that will develop, stop, and fix a roll of film a welcome break from the amount of work that goes into developing a roll of film, it feltRead More →

With my film photography, I have had limited experience with the Fomapan products. I’ve shot Fomapan 200 with okay results and the surveillance variant of Fomapan 200 available through the Film Photography Project with much better results. I’ve tried Fomapan 400 in sheet film and got no results. But after seeing some amazing work with Fomapan 100, I decided to pick up four rolls in 120 from Argentix.ca to give it a try. I certainly found the film pleasing to work with, a classic response with the four different developers I worked with over the course of shooting the film in several different situations. ProductRead More →

When the fine folks at Lomography began their Art lens line, they caught my eye right off the bat. Their first generation Petzval lenses looked amazing. And who wouldn’t want to have that retro style lens coupled with a modern camera system in either 35mm or digital? Sadly I would miss the boat on these lenses, not trusting in crowdfunding that could have given me the lens at a good price point. And the regular retail cost would be far out of reach for me. But as the saying goes, good things come to those who wait. When Lomography announced, they would be continuing toRead More →

For anyone who shoots a large volume of film and doesn’t always process it right away or sends it off to get processed. It can be difficult to retain a lot of the details in your head. So when I began to send film away to the awesome folks at Old School Photolab and The Darkroom. I needed something to record the date, camera, location, lens, film, and any other details that I may need for when I posted the images. I started carrying around a simple notebook and pen to record all this in. It worked! When I started shooting large format, I wouldRead More →

So I’ve managed to shoot through my brick of JCH Streetpan 400 film and feel I’m good to begin writing an in-depth review of the film. I’m going to start off with saying that this is a fantastic film! Well worth the time and effort that Bellamy has put into researching, marketing, and tweaking to suit his amazing photography and now has taken the bold step in bringing it to the rest of us. You will have probably heard a lot of negative press related to this film, even recently someone put a comment on one of my Streetpan images to a video review ofRead More →

The final film in the RPX line is their fast film, RPX 400. RPX 400 is not my favourite film of the trio; I’m not saying it’s a bad film, it’s just not my favourite. As the name says this is an ASA-400 film but has a substantial exposure latitude going down to 100 and up to 3200 but I would recommend that you stick to the 200 to 800 range for the best performance. Product Highlights Type: Panchromatic B&W Negative Film Base: Triacetate Film Speed: ASA-400, with a Latitude between ASA-100 and ASA-3200 Formats Available: 35mm/120 Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4Read More →

I’m not often one to give the first impression of a product, especially after only shooting it once. In fact, I think I can count on one hand the number of times I’ve been so impressed with a product I had to write a ‘first impression’ blog. The Nikon F2, Nikon F5, Sony a6000 are all cameras that I was so happy with I couldn’t wait to tell the world, now I add a fourth thing to the list, Japan Camera Hunter’s Streetpan 400. So when my order arrived the next photo walk, I went to I make sure my Nikon F5 was loaded withRead More →

Next in line is the middle-ground for the RPX line, RPX 100. And frankly, this is another winner in my book. Beautiful tones, fine grain structure and a tremendous latitude! The film is seriously the Portra 400 of the RPX line. I may even go as far to say this film is just a little better than my two favourite mid-speed films, Kodak TMax 100 and Ilford FP4+. Product Highlights Type: Panchromatic B&W Negative Film Base: Polyester (PE) Film Speed: ASA-100, with a Latitude between ASA-25 and ASA-800 Formats Available: 35mm/120 Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4 (Red) – Rollei RPX 100 –Read More →

When I first learned about the RPX line of film I was pretty excited, these days we often get news of discontinuation of films more than the addition of a new film stock. I was also excited when I learned that these would be the modern reincarnation of the legendary Agfa APX films and what a return to the photographic stage. Now these films are produced by Agfa but marketed under the Rollei Name. So with my on going 52-Roll project just past the halfway mark I figured now would be a time to give them a bit of a review! So to kick itRead More →

Sometimes simple is the best way to go about things, and what could be easier than Kodak D-23. So with today being George Eastman’s birthday, I figured I’d dig into this wonderful developer that is new to me and give some of my first thoughts on this developer. Now for those who have been in the photography field for some time you probably are wondering why I’m reviewing a developer that hasn’t been commercially available for many years now. While I can’t pinpoint when D-23 was released, all I know is that Ansel Adams used the stuff. Downtown Cambridge, Ontario Rolleiflex 2.8F – Carl ZeissRead More →