History is far more complicated. And when it comes to the history of the railroad in Ontario, there are many more moving parts to the story than most people think. The history of the railroad does not begin in the 19th Century; rather, the events of the early 19th Century are simply a culmination of a vast array of the human need to improve our own mobility beyond that of our own two feet or the control and domestication of animals. As I am fond of saying, there has to be context to understand. While this is not the furthest I’ve gone back in time,Read More →

It’s been a long hot summer, and Alex sits down for a rare CCR Solo show to talk about his experiences with Adox. If you haven’t heard of Adox, then prepare to have your introduction made to the oldest name in film photography chemistry and supplies! While the original 1860s Adox is long gone their name and experience live on with the modern form of the company started by Fotoimpex as a way to preserve not only the intellectual properties of Adox but also Agfa! You can order Adox products and other film photography projects through Fotoimpex. Also, make sure to follow them on FacebookRead More →

When you read the datasheet for Adox Silvermax Developer, you almost can think that this is the secret cypher key to unlock the best possible results when using Adox Silvermax film as the developer is used to unlock a secret silver reserve in Silvermax films and use it to the best photographic potential. Now I’m no language expert, especially German, but I feel that something got lost in translation. (Checks translation), okay, dormant reserves. Either way, this developer is best used with Silvermax films, as it couples with the specialised sensitiser used in that film’s production. But don’t let that stop you as the developerRead More →

When a developer and a film stock are so intertwined or one was made for the other it makes you think of a closed image system. I have plenty of experience working with those, not surprisingly also from Adox, but also Kodak Techincal Pan comes to mind. While the film and the developer are specifically designed for each other, both can be used in other developers and on other films. However, don’t think of Adox HR-DEV as a one or two-trick pony as despite the name it is a wonderful developer that does more than just develop Adox HR-50. While the bottle only lists twoRead More →

There are a couple of highly specialised and mysterious developers out there, both made by the same company. While most people are drawn towards Diafine (which I plan on reviewing next year), Acufine is the cousin of that magic bullet developer. Like Diafine, Acufine’s chemistry is a trade secret; even the datasheets are redacted in that sense. But Acufine is a rare bird; it has the capability to increase the speed of most film stocks. But without all the drawbacks of push processing, increased grain, over the top contrast. While I have worked with Acufine before the stuff was way out of date, and IRead More →

There’s been an awakening; have you felt it? Oh it feels good to have another FP4Party, an official one, unlike the one I happened to complete all by my lonesome last year. And since we’re still in the middle of a global pandemic, such events are perfect for a little bit of escapism and out to do something close to normal. But since I still actually had to work, I needed to figure out how to get maximum enjoyment out of this party. I ended up going with three rolls of medium format this time around, running each through my Hasselblad 500c and developing inRead More →

I have this memory that recently floated up to the surface of a camping trip I took many years ago with my dad and brother. We were camping at Sherkston Shores a camping resort half-way between Fort Erie and Port Colborne. While I have excellent memories of swimming in the old quarry and the three waterslides, but less clear is a visit we made one trip to the Welland Canal. We’re all unclear as to what lock we visited. My brother remembers stores. And there was also the stranger who gave us chocolate bars (through our dad) on that same trip. I’m sure buried inRead More →

These days I will rarely work with Ilfosol 3, but it remains a developer that I always keep in the back of my mind. After learning how to develop my own black & white film from my good friend Julie using Kodak D-76, it would be a few more years before I started taking on the process full time. When I went into Burlington Camera to get all the equipment I needed to take on the daunting task some eight years ago, Joan pointed me towards Ilfosol 3 as a good starting point when you didn’t want to keep a large quantity of developer mixedRead More →

When you think of all the developers out there, D-76, D-23, HC-110, DK-50, Rodinal, these are all designed specifically for developing standard black & white films, but there is another developer that often flew under the radar mainly because it proved so industry-specific that the home photography wouldn’t even think of using the developer in their own processing. That developer is D-96, originally created by Kodak for use to develop black & white motion picture film. But the average photographer cannot get small quantities of D-96 but that’s where Cinestill stepped in releasing their own version of D96 along with the Film Photography Project. IRead More →

If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →