This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

When it comes to the names of the Fathers of Confederation, those men who attended the conferences at Charlottetown and Quebec, most Canadians can only list a handful, or just one. That name is Sir John A. MacDonald. And while MacDonald certainly made a name for himself in his roll in what could almost be seen as bullying the other Provinces into Confederation, we often will overshadow the man who could almost be considered the architect of Confederation, George Brown. The eldest son of six, born to Peter and Marianne Brown on the 29th of November 1819 in Clackmannan, Scotland. George grew up among theRead More →

When it comes to political change in Canadian history, there has always been two behind any major change. Robert Baldwin and Louis La Fontaine for example, and while George Brown would play a major role it would be George-Étienne Cartier who would provide political support to John A MacDonald but ensure that French-Canadien culture would not be lost. Born the 6th of September 1814 in Sainte-Antonie-sur-Richelieu in Lower Canada. Baptised with the name George in honour of King George III. But George’s family already had a long history in the new world, even claiming relation to Jacques Cartier (although there is no evidence to supportRead More →

There are many iconic cameras out there, the Nikon F, the F2, the Leica Rangefinders, Rolleiflex, Stylus Epic, Crown Graphic, and many more. And while many films have achieved popular success, there is only a single one that has captured the imagination of thousands if not more through its life, and that film is Kodak Kodachrome — introduced in 1935 as one of the first commercially successful colour slide film. Launched initially as a colour movie film, it soon flooded into the still photography market. The Kodachrome I shot was introduced in 1974, although the first ASA-64 Kodachrome was released as Kodachrome-X in 1962, however,Read More →

Ever since I started doing the scanning of my film my workflow has remained static, an Epson flatbed film scanner, the V500 first and the V700 currently. It worked, I got decent quality enough to get lab prints of my film scans up to 11×14 and be able to share around Flickr, 500px, Facebook, and Instagram. Now a dedicated film scanner is a different animal from a flatbed like the Epson. Names like Imacon, Plustek and Nikon I knew about, but they always were outside of my price tag. And as a photographer who shoots multiple formats and doesn’t have a lot of desk space,Read More →

This past Tuesday, the Ides of March, is also Expired Film Day. So I figured I would do a post about shooting expired film along with tips/tricks that I’ve come across with shooting old/expired film stocks. While I do a majority of my shooting with fresh film stock there is a certain level of fun and intrigue when shooting with expired film stock. 1. You can Shoot Film that is no longer available fresh. There are plenty of film stocks out there that is new that you can often make behave like well loved film stock in the past but it just never will beRead More →