It was the 6th of November 1837, and Lower Canada had erupted in open armed revolt against the Colonial Government. The Patriotes under Louis-Joseph Papineau and many others fuelled by the ideals of the American Revolution, French Liberty, and Republicanism. They decided that they would only rid themselves of the influence of the British Ruling Class, a group of Tory elites organised into a group known as the Chateau Clique was to begin a revolution when their demands for reform were ignored. There had been some communication between Lower Canada Patriotes and the radicals in Upper Canada under William Lyon MacKenzie. And while a coordinatedRead More →

William Lyon MacKenzie, not to be confused with William Lyon MacKenzie King (remember that for later), is more myth and legend that man. Cloaked in a persona often of his own making, MacKenzie was at the heart of the Upper Canada Rebellion, his push towards radical reform and public speaking skills caused many to flock to his cause. His use of twisting the facts, overblowing situations and the ability to turn men against each other and himself forced the issue in 1837. But much of what we know of MacKenzie is often more myth than fact, which has like much of Canadian history of theRead More →

The 28th of April marked two major events, the first being the official Spring Meetup for the Toronto Film Shooters Meetup which this year was hosted by our good friends at Burlington Camera, under the direction of James McFarlane and the first event being hosted by Burlington Camera which is celebrating their 60th Anniversary this year, for Worldwide Pinhole Day! The event saw only three pinhole cameras in use, two being actual pinholes and three folks (Alex included) used a pinhole adapter. We’d like to thank Burlington Camera for not only planning and hosting the event but allowing us to record, even though the audioRead More →

It’s fun to change things up every so often. And what better way to do it than adjust when the Spring meetup for the Toronto Film Shooters! This year our spring meetup saw several changes from the normal flow of the event. First off it happened on a Sunday; secondly, we had a company host the event, Burlington Camera and the reason behind these two things was so that it fell on World Pinhole Photography Day! And while the weather had been looking terrible even as late as Thursday, when I arrived at the Burlington Camera parking lot, the sun was shining, and while chillyRead More →

Found in a dusty warehouse, based on where the film came from, Sweeden, Lomography promoted their Berlin 400 as an iconic cinematic film. 400-Speed, Black & White, and from East Germany. Well, that certainly narrowed it down to only one film, thankfully it is one that I did have planned to review at a later date, so why not discuss it under the Lomography Brand! The film, if you haven’t already guessed is ORWO N74, which made collecting developing formulas easy. Shooting cinematic film in still cameras is nothing new, at least for me, I still love shooting Double-X for urban work, so getting intoRead More →

If anyone has read any of my classic film reviews, you’ll know I have a taste for out-of-production films, especially Kodak Plus-X and Panatomic-X. For several years I’ve participated in an event called Expired Film Day. This is an online celebration of shooting film past its due date and it usually is a single day, the 15th of March, but this year the mind behind it decided to give three days to get out and shoot. In the past, I’ve only gotten out and shot a single roll of film on that day, but now that I had three days to play I could getRead More →

Like Ultrafine Extreme 100, the 400-speed flavour is another mystery as of where the film stock comes from. But when it comes to a budget-friendly film, it might be best not to ask too many questions. Extreme 400 is a stock that I have little experience with before I started this review, I had shot a single roll several years back for a camera review. And while, like Kentmere 400 I expected Extreme 400 to be of similar style and class, with heavy grain and low contrast in general. However, the film stock quickly proved me wrong as being inexpensive but far from cheap. FilmRead More →

I’m keeping with the budget-friendly theme here and going with the Ultrafine Extreme films for this month. I’m not exactly sure where Ultrafine gets its film stocks from, but it certainly knows how to get a decent product. Ultrafine Extreme 100 appears to be a classic grained panchromatic film that offers fine grain and excellent sharpness. And it certainly does not break the bank. The film isn’t so much cheap as it is inexpensive, a roll of 35mm 24-exposure runs about five dollars Canadian. I can honestly say I’m impressed by this film and it certainly stands up to most conditions you can throw atRead More →

Out of all the projects I have done in the past, this is the only one I can say has been a long time coming. But when I look back at how long it took me to prepare this project from conception to final project, it has not been that long. I mean I spent five years working on my War of 1812 project, but that was a logistical mess from the start. Acts of Confederation has been a slow burn, I started working on the framework in 2017, completed most of the writing in 2018 while collecting all but a single final roll ofRead More →

Like Svema Foto 400, I’ve only ever shot a single roll of Kentmere 400, and that was when it was being bulk loaded by the Film Photography Project as their EDU line of films. And yes, like Kentmere 100, this film stock is also produced by Ilford/Harman for their export market. While I personally think the film is best for students and those photographers on a budget, I don’t mind the film. It’s a lot closer to the old Ilford Pan 400 than their HP5+ stock, and that’s not a bad thing. And while I can still only find the film in the old packaging,Read More →