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Despite being a cheap alternative the folding SX-70, the OneStep is an icon among camera collectors, and instant photographers, the white plastic and more importantly the rainbow strip are so iconic it graced the first icon for Instagram. The Polaroid OneStep is a white plastic camera, and this is a black one! I can honestly say I’ve never seen one like this before. But I couldn’t well forget an icon in the world of Polaroid, and unlike many of the older models, this one still works. Special thanks to Knox Presbyterian Church in Milton, Ontario for this camera. Camera Specifications Make: Polaroid Model: OneStep SERead More →

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Often overlooked by many photographers in favour of Portra 400, Portra 160 is a different film altogether and one that is not a particular favourite of mine. Part of the early resurgence of film from Kodak that brought us Ektar 100 and Portra 400. Portra 160 is the combination of the two early films Portra 160NC and 160VC. As the name suggests, the film is designed primarily for Portraits and presents a low contrast almost pastel look a clear departure from the vibrant colours you get from Ektar 100. Film Specs Type: Colour Negative, C-41 Process Film Base: Acetate Film Speed: ASA-160, Latitude +/- 2-StopsRead More →

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It’s the rumble in the professional jungle! Yes, I’m pitting the two mid-1990s pro bodies I have in my toolbox against each other in a friendly competition! This contest isn’t to see which is better than the other, I use and work with both cameras often side-by-side. And honestly I consider them both equally amazing cameras in my mind, I mean look at the glowing reviews I’ve given both cameras. For this little contest, I’ve set a few rules. First, this contest saw completion on the same day, shot-for-shot. Also, I set both to matrix/average metering and full Auto Exposure. In both cases, I mountedRead More →

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Ektar 100 is one of my favourite colour films, and that’s saying a lot because I don’t shoot a lot of colour film. But when it comes to Ektar 100, it is the first of many ‘new’ colour films to come out of Kodak since I first started shooting film. The name itself, a historical word in the Kodak Dictionary is an acronym for Eastman Kodak TessAR the lenses produced between 1936 and 1962 and I own a 203mm Ektar which I still run on my Crown Graphic. Then it became a line of professional films rated at 25, 100, and 1600 starting in 1989,Read More →

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I have to say, Kodak took the photography world by storm when they announced the return of Ektachrome. Kodak got out of the colour reversal game in 2013, after over 70 years of production dating back in 1940. But in 2018 they announced the return of Ektachrome in a new formulation called E100. It again took some time, with a re-release of TMax P3200 keeping us teased, but it finally hit the market with an initial release which was snapped up, but now the supply is flowing! I never shot a lot of slide film and stuck mostly with Fuji products. But when I shotRead More →

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I’ll be the first to admit, I’m a sucker for professional 35mm cameras, and there are two that I’ve always wanted, the Nikon F5 and the Minolta Maxxum 9. While I loved working with the Maxxum 7, the 9 still drew me in just that little bit more. And while the 7 and 9 share many similar features and design cues, the Maxxum 7 to the Maxxum 9 is what the Nikon F100 is to the Nikon F5. All solid cameras, just the 9 and F5, are aimed more at the professional than the advanced amateur. I was sold on the 9 as soon asRead More →

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There are many iconic cameras out there, the Nikon F, the F2, the Leica Rangefinders, Rolleiflex, Stylus Epic, Crown Graphic, and many more. And while many films have achieved popular success, there is only a single one that has captured the imagination of thousands if not more through its life, and that film is Kodak Kodachrome — introduced in 1935 as one of the first commercially successful colour slide film. Launched initially as a colour movie film, it soon flooded into the still photography market. The Kodachrome I shot was introduced in 1974, although the first ASA-64 Kodachrome was released as Kodachrome-X in 1962, however,Read More →

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One of the biggest things in film photography these days is taking old ‘dead stock’ and respooling it for regular photographic use, and the most recent addition to these boutique films is Street Candy ATM 400. As the name suggests, the film is aimed at street photographers (or those who identify as street photographers), and ATM means this is a former film used in surveillance cameras on Automated Teller Machines. And since most modern ATMs use digital technology to fill the need for security surveillance. While originally available only in Europe it’s been recently brought into North America through the Film Photography Project. It certainlyRead More →

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When it comes to 160-Speed film, to mee it seems like a bit of an odd duck, 100, 125, are pretty standard, but 160 I’ve only seen colour films rated that way. But enter Silberra Pan160, a touch faster than it’s 100-Speed Cousin, but not as fast as the 200-Speed. It must be a Russian thing moving from the GOST scale. Either way, I like Pan160, probably a little more than Pan100. It’s sharp, but grainy, fantastic contrast, and responds well to contrast filters, especially a pale yellow. And while there’s still plenty of supply issues to us here in North American, and the 120Read More →

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Certainly an odd-ball in the 600-Series line up from Polaroid. The Impulse is actually my favourite format for the 600-Series cameras from Polaroid, with the grey plastic and rubberized grips. It’s almost as if Polaroid wanted to try out the style that would eventually go into the Polaroid Spectra line of cameras before actually building it. Gone is the typical clam-shell design that is iconic of the 600-Series cameras. The Impulse is a fixed focus, point-and-shoot with a pop-up flash. They also released two sub-variants of the Impulse, the Portrait (which has a selectable focus via an auxiliary lens) and the AF which features Polaroid’sRead More →