As much as I would love to get my hands on enough APX 25 to run a classic film review of that legendary stock, sadly they are few and far between, and when they are sold, often it’s at a premium. In the meantime, how about its faster cousin, APX 100. But the two films are wildly different, APX 100 is a silver rich film that produces amazing sharpness, detail, and contrast. For this review, I got lucky and found 50-sheets of APX 100 in 4×5 which made shooting the film all the more enjoyable. Film Specs Type: Panchromatic B&W Film Base: Acetate Film Speed:Read More →

If you’re a fan of the Polaroid Automatic Land Camera or old school pop-out folders, then the Lomography Belair X 6-12 will be a familiar camera. I’ll be referring to the camera as the Belair from now on. And while the Belair shares some design features of the Auto Land Camera, the two are very different cameras altogether. The Belair doesn’t try to be anything but a fun camera that sits nicely on the edge of being a toy camera. A fairly simplistic camera, but has one thing that drew me in, the giant 6×12 panoramic images and the interchangeable lens. Special thanks to AngelaRead More →

One thing that is always satisfying is being able to come up with new processing details for rare films. I did some extensive testing with Eastman 5363 back when the Film Photography Project began to release it for general photographic use. But now I have a new challenge from the group, Derev. Of course, there has already been some testing of the film by the Alpha team over at FPP HQ in New Jersey which gave me a baseline, so I went and checked over my extensive list of films looking for similar film speeds, film feel, and developing times to see if other developmentRead More →

Earlier this year Ilford teased us with a simple way to get into home black & white developing. Now as a long-time home developer I knew right off the mark that the pack is not aimed at photographers like me. I had no intention of trying it out because of that fact, but when I saw that my local dealer, I mean camera store, Burlington Camera & Digital had them for sale, I knew I had to give it a go. Even if it was just for writing about it here and discussing it on a future Classic Camera Revival episode. The box is attractiveRead More →

Svema, or by its proper name, Свема, is a film stock that is relatively unknown here in North America. But if you’re a fan of the Film Photography Podcast you will have heard of Svema. It would be Svema Foto 200 that first burst onto the FPP scene, and quickly became a favourite film of Leslie Lazenby. The name comes from the combination of two Russian words, Светочувствительные Материалы, translated means Photosensitive Materials. A film stock I have limited experience with, having shot a couple of rolls beforehand. And while those first two rolls I was not too pleased with the results, I now haveRead More →

Well, it looks like Christmas came a little early for me with the arrival of the first round of Silberra films from their Indigogo campaign. And while I’m still waiting on the 120 film I got, I figured might as well give you my first impressions of the film before the full reviews drop in the Spring. For those who followed the crowdfunding campaign and subsequent rough ride following the end of the campaign, like our friends at Film Ferrania, Silberra faced several challenges in getting the new film mass produced and out to a broader market. But when I found the box waiting forRead More →

Many Kodak films have gained almost a cult following over the course of their run, and while many are general purpose films, Kodak produced many film stocks designed for specific tasks, and one such film is Technical Pan. Designed specifically for technical, scientific, and military applications the film can work as a high-contrast pictorial film and is one of the more unique film stocks I’ve had the pleasure to shoot. While it was out of production well before the official discontinuation date in 2004 due to the finding of a large master roll the film remains rather stable due to its lack of a boxRead More →

Like the Nikon FA, the Olympus OM-4 when it was released was a game changer for Olympus. The OM-4 saw a radical shift in how the camera metered. Where Nikon used a ‘matrix’ meter, the OM-4 used a multi-spot system to determine the shutter speed. And yet it maintained a classic OM look and feel, with almost everything unchanged in the layout from the earlier OM-1 and OM-2 cameras. Certainly a worthwhile addition to any photographer who is a fan of the classic OM cameras. Thanks to Bill Smith for loaning this beauty out for review. The Dirt Make: Olympus Model: OM-4 Type: Single LensRead More →

I will always be the first to say I don’t like a film, and I usually have good reason to. And while RPX 400 remains something I won’t go out of my way to shoot, it isn’t a bad film. Like Tmax 400 and Delta 400 you really need to develop it right to get the best results. And while I can easily do that, there are still plenty other reasons the film remains it’s not a favourite. But then again the single roll of Agfa APX 400 I shot I was not too fond of either. But there are many who swear by theRead More →

When it comes to exciting cameras, there are plenty out there that I have never heard of before starting to review them. And I’ve come across some that are awesome and others that it came as no surprise why I had never come across them before. The Wirgin name is one that isn’t well known in North America; yet have produced a wide range of cameras that sold in the German Market. I first heard the name on an episode of the Film Photography Project where Leslie reviewed the older Edinex. So when I had a chance to try out the Edixa II, I figuredRead More →