Well, here we are at the start of a new year and looking back at last year’s outstanding Frugal Film Project! I had a lot more fun with this project, and it helped nurture my soft spot for consumer 1990s/2000s SLRs. It’s funny; I never saw these as viable cameras before, yet they have a beautiful charm. You don’t have to worry too much because they can be a dime a dozen. Plus, they work with many lenses that most people use with their other autofocus systems. Canon, Nikon, Pentax, and Minolta (Sony) all have lenses that work on both digital (full-frame) and 35mm bodies.Read More →

I’m not a rangefinder person, or shall I say I’m not a 35mm rangefinder person. But I will make an exception for a well-designed and made medium format kit. Meet the New Mamiya 6. While it was built during the age of premium medium format cameras and premium 35mm compacts, the New 6 is a camera that takes a lot from the historic camera that launched Mamiya as a company back in the 1940s. But takes things into the modern age with a light meter, electronics, interchangeable lenses and modern materials. This is a medium-format camera that I could see myself using if it didn’tRead More →

If there is one city in Ontario that I always like to visit on projects, it is Stratford, Ontario. While far smaller than most cities in Ontario, Stratford offers a glimpse of what cities looked like in the 19th Century, with plenty of historic buildings scattered throughout. The city still holds onto some of its historical past with the railroad and furniture making. But also fully embraces its Shakespearian tourist present. The part of Ontario where Stratford is found was once home to the Attawondernk Civilisation; these indigenous peoples were lumped together under the Neutral name by the first French explorers and fur traders whoRead More →

I love trying out new film developers or new-to-me developers. So a while back I wrote an article on seven film developers that are worth trying. Since then, I’ve tried several more unique developers and have another five options to try something different in your home development experience. And this time, I’ve also included a colour developer. 1 – Kodak D-19 Originally designed for X-Ray Film, Technical Film, and IR Films, Kodak D-19 is a high-contrast developer. But that should not stop you from giving it a try. Because while it is a specialised developer, it works surprisingly well with regular panchromatic films. It alsoRead More →

I seem to be developing a soft spot for cheap and cheerful SLRs from the 1990s and early 2000s. These may not be the best or most robust cameras out there, but they aren’t hard on the pocketbook, make use of existing lens systems and deliver decent images without too much fuss. Plus, they make great loaner kits for those who want to try film photography but don’t want to invest in something or worry about all the details, such as manual focus or exposure. Well, meet the EOS 3000; you could almost say that this was the entry-level SLR that perfected Canon’s entry-level SLRsRead More →

When it comes to basic bare-bones developers, you can’t get any simpler these days than Metol and Hydroquinone. And there are a lot of these developers out there, my first developer review, Kodak D-76, is one such developer, and there are numerous clones of the developer. Each has its little takes on this foundational developer. So it only makes sense that I review several different options, so today, I will be talking about Ilford ID-11. Often called the British D-76, ID-11, while at its core is the same as D-76, it does have a few things that set it apart from the colonists over inRead More →

And now for something completely different. I know I’m better known for my reviews of film-based cameras, but I have reviewed a digital camera here before, back when I got the camera that this one replaced. In fact, the Nikon D750 marks two, not three things. First, it marks a return to an SLR as my digital camera; second, it marks the return to the Nikon Digital system. And finally, a digital camera that I like using a lot. It’s not to say the a6000 was an unenjoyable camera to operate; the only complaint was that the system continued to be limited. Yes, I couldRead More →

We start this week with high school English. I don’t know about you, but English seemed to love the topic of Shakespeare. Don’t get me wrong. Shakespeare is brilliant but way over analysed by the average high school student, but what does that have to do with photography? One of my first favourite historical downtowns in Ontario. That reason is Stratford, Ontario. I remember one of my first visits to the city in 2009, and it quickly became a spot where I would test out a new camera and clearly shows what a late 19th-Century City in Ontario once looked like. While the Canada CompanyRead More →

If there is one lens that I use even less than my Rokkor 135/2.8, it’s my Nikkor 135/2.8. This beat-up lens is one of the groups that I got when I received my Nikon F3 kit back many years ago. In that kit along with the 135/2.8 was the 105/2.5 which got all the attention and the glory. I was always more of a fan of the 105mm focal length and the 85mm focal length before that. The 135mm length seemed a little redundant. Then last year when Dan Novak ran the 135mm challenge I dug out this lens from the back of the shelfRead More →

These days I will rarely work with Ilfosol 3, but it remains a developer that I always keep in the back of my mind. After learning how to develop my own black & white film from my good friend Julie using Kodak D-76, it would be a few more years before I started taking on the process full time. When I went into Burlington Camera to get all the equipment I needed to take on the daunting task some eight years ago, Joan pointed me towards Ilfosol 3 as a good starting point when you didn’t want to keep a large quantity of developer mixedRead More →