In a strangely ironic twist, the final of the significant three colonial railways to be completed would be the sole survivor of them all into the 20th century. And while Great Western and Northern Railway of Canada all survived past Confederation in 1867. It would be the Grand Trunk railroad that would absorb both of these before the turn of the century and then lose it all a couple of decades into the new century. Unlike Grand Trunk’s peers, the new railroad had not tried to build a line before the 1850s, chartered on the 10th of November 1852. British investors wholly-owned grand Trunk andRead More →

I had been scrolling through Pinterest several months ago when I happened across an article, 10 Reasons You Must Shoot Film. As a film shooter, I was curious and clicked the link. It was the usual clickbait filled with all the typical items you’d find in such an article. Things about how it helps you improve, makes you slow down, and all that jazz. Of course, I began to see more articles of the same type in my feed after that, so I decided to write a rebuttal. Before I get into that, I am an avid film photographer as you can easily tell byRead More →

Thinking back to what could have been, I remember when I first got into film photography, photography in general and happened across Minolta. The SR-T 102, Hi-Matic 7s, even the X-7a, but I wanted to make the jump to autofocus. I was in a local bargain shop and happened across an open box, the Maxxum 7. It didn’t come with a lens and was well outside my price range. And now that I know more about that shop, it was probably hot also. I ended up switching to Nikon. But here it is now, the Minolta Maxxum 7, what many online sites describe as theRead More →

Fomapan 400, the big mystery, at least to me. I’ve never once shot this film, mostly because I had heard some terrible things about it. Now I am set in my ways when it comes to the faster films, sticking to the ones I know and enjoy. Tri-X, HP5+, and JCH StreetPan. Yet, through shooting and developing the film and seeing the work Bill Smith has been doing with the stock in 35mm I am plesently surprised. There’s a certain classic look and feel well before the days when films were touted as “Finest Grain” or “Sharpest 400-Speed Film” the days where you wanted fineRead More →

What a great wedding to kick off my 2011 wedding photography season with! Despite the early hour of starting, and the slight cloud coverage when we woke up by the time the portrait sessions started, the light was perfect. Laura and Mark (and their associated families) were wonderful to work with. The portraits were taken out at Laura’s family farm, the rural setting was beautiful.Read More →

A Wedding for week 19, specifically the wedding of Laura and Mark, and the first wedding for me of the season as the official photographer. So why not break out the film for the project and to do some formal portrait work. May 7th dawned a little grey but by the time we arrived on the farm for the formal work the light was perfect. I would have preferred to try out the new Portra 160, but I only had the new 400 available to me. And man did that film do wonders. Pentax 645 – SMC Pentax A 645 75mm 1:2.8 – Kodak PortraRead More →