One more shot, one more shot! While today such a call is commonplace in the day where the number of images you can get is dependent on how fast your camera’s shutter works and how large and fast the memory card that you have in your camera is, but back in the early 20th Century, asking for one more shot could mean sacrificing one in the future. But many iconic images and photographers worked with large format cameras and the idea of a Press Camera pre-dates the camera I’m reviewing today by nearly three decades. While the Crown Graphic is not as well known asRead More →

I never thought that this little idea of mine would catch on. I never believe that my little social ideas would go over. And yet they usually do in some form or another. For example, the Toronto Film Shooters Meetup, now starting on its the fourth year. TFSM, a quarterly gathering of photographers in the Southern Ontario region who loves to shoot traditional film based cameras is an idea I floated back in 2013. I was still an active member of the Analog Photography User Group (APUG), and in the Toronto Sub-Forum, someone was complaining that there was not enough photo walks in the GreaterRead More →

There’s something to be said about the ergonomics of cameras, for the most part, they hadn’t moved beyond the box cameras that dominated the snapshot market. Even the single lens reflex cameras and rangefinder cameras were boxes. And while they weren’t too bad to hang onto for extended periods of time there had to be something better. Today we have cameras with excellent grips, but the first thing I realized when I picked up the Contaflex Super B was that it wasn’t a box, and the trapezoid shape of the body would make the camera an enjoyable one to shoot as I walked from theRead More →

To say the Mamiya Universal is clunky and hard to use is an understatement. But it is not wholly un-useable, you just need to find the flow of the camera. The Universal isn’t a bad camera, underrated, hard to use yes, but a good camera. And while the whole Press series is a strange departure and little more than a footnote in the history of Mamiya, it almost seems like they were trying to build a system camera to see that they could before hitting the big time with their medium format SLRs. But there is a strange draw to a camera system that youRead More →

I’m a sucker for mechanical match needle SLRs. They’re simple, elegant and great to learn on and even now still a joy to shoot. The FT3 is just that, an easy to use, fun camera that can if needed double as a self-defence weapon. The sad part is that the FT3 only was made for a few months before being superseded by the Nikon FM. A unique creature among the more-consumer-oriented Nikkormat lines the FT3 can use AI and AI-S lenses even if they don’t have the coupling claw. Sadly you won’t be able to use the Non-AI glass that many Nikkormat shooters love. CameraRead More →

Nikon has an uncanny ability to build amazing cameras, not always but sometimes they get one just right, but then it just slides through the cracks. The Nikon F90 (N90 for you American readers) is one such camera, one from a proud line of SLRs that stretch back to the 1960s with the original Nikkormat. While often overlooked against such professional bodies like the Nikon F4 and Nikon F5 which the production of the F90 overlaps. The F90 can be had for a song these days and yet performs well both on its own and when paired with one of those bodies. And while IRead More →

When it comes to game-changing Nikon SLRs, the FA certainly is one of them, and one of a long line of game-changing cameras out of the company. For the FA the change came in the metering system. This was the first camera that featured full matrix metering out of AI and AI-S lenses and full program shooting. The camera accomplishes this by having a small built-in computer storage system that has a selection of scenes and compares the scene in front of the camera and picks the exposure based on one of the scenes in the memory. A smart trick, while not perfect, was theRead More →

There are certain brand names in cameras and even models of cameras that carry a certain quality that goes along with it, and often the idea that the simple matter of owning one will improve the quality of your photographs by extension. One of those names is Leica. The Leica has been attached to many greats within the world of photography. The Barnack Leicas are among those cameras and have created great images in the hands of famous photographers. So I went into this and found a good camera at a fair price, but I soon found that maybe Leica wasn’t for me, having goneRead More →

When it comes to rangefinders, if you know me, I’m not a fan; they just don’t fit, I struggle to use them, and generally, I am more likely to reach for an SLR. But then there’s my Contax IIIa; for some reason, this is the rangefinder I just won’t let go of; it’s far from perfect, needs a bit of work, and often is a bit frustrating to use. It suffers from frame spacing issues, and I’m sure it will give up the ghost one day. Yet, since I picked it up off John Meadows the first time, I am often drawn back to itRead More →

This past Tuesday, the Ides of March, is also Expired Film Day. So I figured I would do a post about shooting expired film along with tips/tricks that I’ve come across with shooting old/expired film stocks. While I do a majority of my shooting with fresh film stock there is a certain level of fun and intrigue when shooting with expired film stock. 1. You can Shoot Film that is no longer available fresh. There are plenty of film stocks out there that is new that you can often make behave like well loved film stock in the past but it just never will beRead More →