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When you first lay eyes on the Contax G series of cameras you’re going to wonder to yourself, what sort of camera are these? Are they rangefinders? Are they some kind of digital camera? A dressed-up point and shoot? Well the G Series is sort of both, well it certainly is not a digital camera. But it’s a rangefinder and a dressed-up point-and-shoot, in reality, it’s a camera that’s in a class all of its own, the Autofocus Rangefinder (AFRF). I don’t remember exactly what drew me to the G2 when I first got my hands on the camera back at the end of theRead More →

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We’re switching away from our usual format and making like Paddington Bear and doing it ourselves! And there’s plenty out there from making your own developer, mounting old lenses on modern cameras, even some basic repairs you can do yourself at home. As always, we be held responsible if things mess up, we’re not professionals or trained in this matter, please do these at your own risk. Kodak Hawkeye Lens Flip Discussed back in Episode 2, it is possible to flip the lenses on the Kodak Hawkeye and Hawkeye Flash models of the iconic 1950s snapshot camera. Being a single element lens, this only exaggeratesRead More →

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When it comes to 35mm SLRs I’m solidly in the Nikon camp. Yet, Canon had something that could be considered an equal, if not a stronger camera for the 1970s than the Nikon offering of the time. That being the Canon F-1, Canon’s answer to the Nikon F2. Sadly the F-1 only lived a short time in my collection before going to a good friend who had a larger selection of Canon lenses. I know it went to a good home. But as a camera, the F-1 is an amazing performer and if I had more lenses it would have been a strong addition toRead More →

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When it comes to fixed lens rangefinders, these cameras were what got me into photography with my very first camera, the Hi-Matic 7s. But these cameras are usually fixed on having f/2.8 or f/1.8 lenses due to the shutters available. Yashica decided to go bigger and often faster with their Lynx line of cameras. So when I had the chance to get my hands on the fixed lens rangefinder with the fastest lens available among these cameras (there are no others with an f/1.4 lens according to all of us in the Alliance), I had to take it out for review. But when it comesRead More →

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Okay so that’s not the official name of the building but rather the park lands surrounding the Legislative Assembly of Ontario, but for the most part it’s what everyone calls it. While I have visited the the Assembly before the access I had this time around was incredible. From the speaker’s office to the Legislature, and even the Lieutenant-Governor’s suite. And say what you will about provincial politics, the building they work in is truly a gem in the city. Sony a6000 – Sony E PZ 16-50mm 1:3.5-5.6 OSSRead More →

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One of the more interesting aspects of working with old Polaroid stock is that sometimes you get duds. While this past Saturday I wanted to get some cameras shot for the next three CCR blogs so that I can have them up before heading to Europe in four weeks, I also decided to take the rest of my 1997 expired Polaroid Type 55 4×5 stock along to shoot while on the road. Despite having a lot left, the stock being nearly twenty years out of date, there were a lot of duds, not enough chemistry spread, or none at all. But when all was saidRead More →

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Comrades! Welcome to Communist Camera Revival. Don’t get the (red) scare, we’re just covering Communist Cameras this month as the 1st of May marks International Communist Camera Day! So why was the 1st ICCD? Because the day was a major holiday in the Soviet Union. So let’s get our lomo on and explore the wondrous cameras that have come out of Communist countries. But where did these cameras come from, many look like top end German cameras? Well the simple fact is that they came from Germany, when the Red Army overran Germany they carried away parts, tools, and employees that worked for the majorRead More →

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I remember the first time I saw the Pentax 645; it was at Belle Art Camera in Hamilton, Ontario. It was sitting there in all its medium format beauty with the 75mm f/2.8 lens. The store employee told me all about the camera, what it did, how it worked. And I was looking to up my medium format game. The price was right, so I dropped the cash and left with a camera that would come with me on future trips, projects, and even some weddings. As a camera, the Pentax 645 is a workhorse and a working man’s camera, it has everything you wantRead More →

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Anyone who has been in photography for a long time will remember the legendary Kodak film, no, not Kodachrome, the other one…Panatomic-X. Panatomic-X was first released in 1933 and continued until 1987 this fine grain ASA-32 panchromatic black & white film produced a huge tonal range and allowed for even 35mm negatives to be printed extremely large without noticeable grain…and when there was grain is was very pleasing. These days you cannot find fresh film, or even another film on the market like it. Most of the film I’ve shot expired back in the 1970s but can still be shot at box speed (ASA-32). TheRead More →

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What is it about Soviet-made cameras that attract such a cult following? I mean they are notorious for breaking, or just being of poor quality right off the factory line. But what is the mark of quality? For the West, we look at cameras such as the Leica and Hasselblad which are precision built cameras with a great deal of research, development, and quality checks before they get into the hands of photographers. But for the Soviets, it was something that could be quickly built, easily repaired, and put into everyone’s hand. And the FED-2 has that mark of quality. But these were far criesRead More →