#photochat – 19 April 2018 – Black & White Photography

#photochat – 19 April 2018 – Black & White Photography

Established in 2013 by MainStreetHost and taken on by Alex Luyckx Photography in 2015, #photochat is a community of photography professionals and enthusiasts who congregate to talk shop and discuss anything and everything photography. To participate in our weekly chat (every Thursday at 1:00pm ET) search the #photochat hashtag to see the conversation, or find me at @AlexLuyckxPhoto on Twitter for more info. Be sure to include the hashtag in your tweets to answer the questions and talk with the other participants.

If there’s a topic you’d like to see covered in #photochat, hop onto Facebook, Twitter, or good old fashioned Email and let me know!

The Topic for Thursday 19 April 2018 is about Black & White Photography

Question 1 – How do you create Black & White Images? Film, Plugins, Simple De-Saturation?
Question 2 – What subjects do you like to shoot in Black & White?
Question 3 – Do you use contrast filters when shooting black & white (either physical filters or replicating the effect in post-processing)
Question 4 – If you had the chance to bring back an iconic black & white film, what film would it be?
Question 5 – Share some of your favourite black & white photos you’ve taken?

Past topics have included: Colour Photography (2018), Photographic Perks, Buying a New Camera, Optics, Keep it Simple, Accessories, Helping Out, Battle Damage, Ultrawide Angle, All About the Love, Podcasts, What’s in your Bag (2018), Self-Improvement, Snapshots, Exposure Troubles, Street Photography (2017), Event Photography, Photographic Gifts, Film Photography (2017), Photographic Annoyances, Locations, Strange Habits, Collaboration, Buying Work, Silly Mistakes, Show and Tell, The Discomfort Zone, The Comfort Zone, Influence, Consistency, Inclement Weather, Stock Photography, Going Freelance, Photo Sharing, Photography Books, Creativity in Photography, Colour Photography, Black & White (2017), Critiques, Lenses, Blogging, Regrets, What’s in Your Bag (2017), Promotion, Random Questions, Photo Projects, Shooting Film, Photographic Buzz Words, Photographic Wins, Photographic Fails, Still Life, Portrait Photography, Automotive Photography (2017), Traveling With Gear, Photographic Quirks, Why is Photography Important (2017), Ethics (2017), Difficult Situations, Phone Photography, Web sites, Self-Improvement (2017), Personal Branding, Photographic Gifts, Brand Loyalties (2016), Location Scouting, Food Photography, The Good, The Bad, Photographic Slumps, Wedding Photography, Post-Processing, Digital Photography, Film Photography, Keeping It Simple, Photographic Fads, Regular Maintenance, Personal Vision, Travel, Snapshots, Extreme Weather, Sports Photography, Pet Peeves, Out of the Box, Portrait Photography, Infrared Photography, Good Practices, Landscape Photography, Photography as a Skill, Photography as an Art, Getting Noticed, Post-Processing, Film Processing, Instant Photography, Tripods, Pet Photography, Budget Photography, Nude Photography, Workflow, Vintage Gear, The 5 W’s, Going Pro, Importance of Photography, Filters, Photography & the Law, Editing Your Work, Travelling with Gear, Street Photography, Get Up and Go (Motivation), Photographic Goals (2016), Low-Light Photography, Photographic Dreams, Cold Weather, Naturally Artificial, LoFi Love, Product Photography, Chasing Light, Automotive Photography, Finding Inspiration, All About You, Landscapes, Shooting for Colour, Digital Video, Back to School Parts I and II, Self-Publishing, Keeping Calm, Photography & Zen, Camera Bags, Dealing with People, Printing Your Work, Adventure Photography, Camera Clubs, Fireworks Photography, Aircraft Photography, Architectural Photography, Photo meetups, Getting Rid of GAS, Keeping it Organized, Favourite Things, Photo Competitions, Biggest Challenges, Compact System Cameras, film vs. digital, landscape photography, seasonal photography, the basics of composition, what’s in your camera bag?, night photography, portrait photography, forced perspective photography, black and white photography, golden hour photography, macro photography, how photography has changed your life, to photoshop or not, motion photography, photojournalism, the best gifts for photographers in 2014, extreme weather photography, photographic aspirations, street photography, “why are you a photographer?”, improvisational lighting tactics, post-processing rituals, photographic blunders, getting paid, photographic triumphs, shooting hardship, photographic anxieties, quick thinking, making a difference, favorites, appropriation, brand loyalties, small photography, BIG photography, focus, photography in advertising, battle scars, sharing your photography, creative evolution, the inanimate subject, photo vs. video, emerging tech, teaching the craft, getting the shot, traveling with your camera, sweet gear deals, mobile lighting solutions, quelling frustrations, finding work, sensitive subjects, DIY projects, defamation, making and maintaining a website, in defense of photography, capturing action, post-processing, photo lingo, cold weather shooting, food photography, death in photography, film photography, famous photos, critiques, videography, user-generated content, composition, iPhoneography, standing up for yourself, blogging, workflow, the first time, candid portraiture, copyright and licensing, ethics, gear investments, inspiration, long shots, making it in the photo business, networking, night photography, perks of being a photographer, photographer stressors, photography philosophy, photography trends, picking your priorities, pricing, promoting yourself and your work, protecting your assets, self-improvement, odd photography, and travel.

CCR:FRB – Review 11 – Ilford Delta 100

CCR:FRB – Review 11 – Ilford Delta 100

By far my favourite of all the Delta films (which isn’t hard, there are only three) and my favourite of the mid-speed Modern Films (Delta, TMax etc.). Delta 100 is what I expect from a modern film, sharp, fine-grained, and can do anything you want it to without any major issues. Unlike the faster films, this one can work with pretty much any developer I throw it in and loves any lighting situations. And while as an indoor film it can suffer from rather harsh reciprocity failure, if done right, you don’t have to worry.

CCR:FRB - Review 11 - Ilford Delta 100

Film Specs
Type: Panchromatic B&W
Film Base: Acetate
Film Speed: ASA-100, Latitude: 50-800
Formats Available: 35mm, 120, Sheets

Roll 01 – Rodinal
While not a personal favourite developer with Delta 100, which is strange, Rodinal does a good enough job to show off the more modern look and feel of the film. And despite being a 100-speed film I did notice a bit more grain with the film than I was expecting, but nothing too serious, the grain is of course, far less noticeable if you bump up the negative size to sheet (4×5) in my case. But you still get bright, clean negatives with tones across the scale.

DO:H - Christ's Church CathedralDO:H - New Vision United ChurchDO:H - St. Lawrence the MartyrDO:H - New Vision United Church

Technical Details:
Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4 – Ilford Delta 100 @ ASA-100
Blazinal (1+25) 9:00 @ 20C

Roll 02 – Kodak HC-110
If you want to show off what Delta 100 can do, there are two developers; the first is DD-X, the second is HC-110. These both show what Delta 100 can do, blacks are black, whites are whites, and there are so many shades of grey in between they could write some terrible books about it. Not to mention you can adjust the dilution to get the level of contrast you want. Personally, I find with B it’s a little too contrasty, and E does it just right. Not to mention you maintain the same level of sharpness and fine grain you’d come to expect from the film.

CCR:FRB - Review 11 - Ilford Delta 100 - Roll 02 (HC-110)CCR:FRB - Review 11 - Ilford Delta 100 - Roll 02 (HC-110)CCR:FRB - Review 11 - Ilford Delta 100 - Roll 02 (HC-110)CCR:FRB - Review 11 - Ilford Delta 100 - Roll 02 (HC-110)

Technical Details:
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford Delta 100 @ ASA-100
Kodak HC-110 Dil. E 7:30 @ 20C

Roll 03 – Ilford DD-X
Like my review of Delta 400, rather than use Kodak TMax developer, I went with Ilford’s DD-X. And by far this is my favourite developer to use for this film. Even with the 35mm size, you get a beautiful film with amazing contrast, tone, sharpness, and fine grain. Everything you would expect from a modern emulsion and grain structure. And to be perfectly honest, DD-X and Delta 100 are my favourite combo for DD-X as a whole.

CCR - Review 5 - Nikon F2 PhotomicCCR - Review 5 - Nikon F2 PhotomicCCR Review 5 - Nikon F2 PhotomicCCR - Review 5 - Nikon F2 Photomic

Techincal Details:
Nikon F2 Photomic – AI-S Nikkor 50mm 1:1.4 – Ilford Delta 100 @ ASA-100
Ilford DD-X (1+4) 12:00 @ 20C

Roll 04 – Kodak D-76
As with Kodak TMax 100, you can show off exactly how well these modern films take to classic developers, while I haven’t used the stock dilution with Delta 100, the 1+1 shows off the beautiful contrast, tones, and fine grain you get with the film. And while it is a longer developing time, the extra effort is certainly worth it. And if this is the results from 35mm, I would love to see how much better it would be with medium and large format.

Industrial LightsClose UpGosserPeeling and Painted

Technical Details:
Nikon F5 – AF DC-Nikkor 105mm 1:2D – Ilford Delta 100 @ ASA-100
Kodak D-76 (1+1) 11:00 @ 20C

Final Thoughts
Delta 100 is one of those films that you cannot do anything wrong with. No matter what you develop the film in, it gives you solid results. And if you’re looking for that solid modern look in your images in the street, in portraits, landscape, and architecture this film will deliver it to you. Like any of these modern films, however, it is hard on your fixer, and you’ll probably want to give it another minute or so from the standard time of 5 minutes, and pre-wash and hypo-clear is a must to clear off that purple anti-halation layer that does stay on your negatives.

CCR Review 86 – Yashica YF

CCR Review 86 – Yashica YF

The iconic Leica camera, often cloned and duplicated by many, the Russians with their Fed line, and the Japanese by Canon, Nikon, and Yashica. Wait, Yashica? Meet the Yashica YF, a camera that I didn’t even know existed until fellow photographer and friend James Lee showed it off. The YF, based on the Nicca 3L, which Yashica bought up the whole company, is a wonderful combination of the Barnack Leicas and the M-Series. Combined in such a way to produced a spectacular camera that shows off exactly how a rangefinder of the era should look and behave. Big thanks to James Lee for loaning out this rare beauty for a review.

CCR Review 86 - Yashica YF

The Dirt
Make: Yashica
Model: YF
Type: Rangefinder
Format: 35mm, 36x24mm
Lens: Interchangeable, Leica Thread Mount (LTM/M39)
Year of Manufacture: 1959

CCR Review 86 - Yashica YFCCR Review 86 - Yashica YF

The Good
One of the biggest issues I have with the Barnack Leicas is film loading, it’s difficult to put it mildly. From having to trim the film, and load it up just right for everything to catch. Even in the M-Series, you have the same song and dance, but have a window to help you actually see if the film got loaded correctly. On the YF, you still have the bottom load, but this time around I nailed it on the first try without any trimming. Now the YF also has the backdoor to help ensure you have it loaded correctly. For advancing the film, gone is the knob and the long traditional leaver, instead, there’s a small thumb advance located between the top plate and main body, well placed to easily operate. The viewfinder is big and bright with a large rangefinder patch and bright lines for the 50mm and 90mm focal lengths. Take these items, the YF offers an enjoyable user experience, even for those who don’t have a fond view of the older Leica experience. And finally, you have the M39/Leica Thread Mount (LTM), this gives you a wide range of lenses including Leica, Canon, Nikon, Russian, and Yashica giving you a powerful camera that can be moulded to exactly how you want. And I wouldn’t look down on the native Yashica glass, the results I got out of the Yashinon 50mm f/1.8 are spectacular.

CCR Review 86 - Yashica YFCCR Review 86 - Yashica YF

The Bad
The two biggest complaints I have about the YF are actually two rather small features, both in what they are, and their physical size. The first is the shutter speed dial, in addition to having two shutter speed dials (normal and slow), which is something you see often with cameras of this era, and it a minor annoyance. The dial is rather small given the area on the top of the camera. You could easily have put a single shutter speed dial on top, and make it a little more normal size. The second is the rewind release, it’s a tiny button on the top, if it wasn’t for the red dot, I would’ve missed it, and I nearly had to use the point of my pocket knife blade to depress it. At least it doesn’t need to be held down to allow for rewinding. And speaking of rewinding, it ended up being a rather awkward method as you can’t lift up the rewind knob for easy turning. I ended up having to spin the camera body like a noise maker for an effective rewind. And finally, there’s the PC socket, I got a couple small jolts from it as it sits rather close to where I put my finger when shooting.

CCR Review 86 - Yashica YFCCR Review 86 - Yashica YF

The Lowdown
If you can find a YF in working order, you’re in for a treat. Of course, you’ll also have to shell out a great deal of money for it at the same time. Unless you are lucky and come across one that needs a great deal of TLC to get it up and running and is being sold at a deep discount. But no matter how you get your YF, it would be worth the effort. This is a photographer’s camera, well designed, and well made. If you can find one with the original Yashinon lens, all the better, but I think, no matter what glass it on the front, it will give you a solid performance.

All Photos Taken in Oakville, Ontario
Yashica YF – Yashinon f=5cm 1:1.8 – Kentmere 100 @ ASA-50
Blazinal (1+50) 9:00 @ 20C

#photochat – 12 April 2018 – Colour Photography

#photochat – 12 April 2018 – Colour Photography

Established in 2013 by MainStreetHost and taken on by Alex Luyckx Photography in 2015, #photochat is a community of photography professionals and enthusiasts who congregate to talk shop and discuss anything and everything photography. To participate in our weekly chat (every Thursday at 1:00pm ET) search the #photochat hashtag to see the conversation, or find me at @AlexLuyckxPhoto on Twitter for more info. Be sure to include the hashtag in your tweets to answer the questions and talk with the other participants.

If there’s a topic you’d like to see covered in #photochat, hop onto Facebook, Twitter, or good old fashioned Email and let me know!

The Topic for Thursday 12 April 2018 is about Colour Photography

Question 1 – What is your primary medium for shooting colour? (Digital and/or Film Stock)
Question 2 – What subjects do you like to shoot in colour?
Question 3 – Do you adjust colour in post-processing, if so how, if not why?
Question 4 – If you had a chance to shoot an iconic colour film of the past one more time what would that be?
Question 4b – What subject would you choose to shoot?
Question 5 – Share some of your favourite colour photos you’ve taken?

Past topics have included: Photographic Perks, Buying a New Camera, Optics, Keep it Simple, Accessories, Helping Out, Battle Damage, Ultrawide Angle, All About the Love, Podcasts, What’s in your Bag (2018), Self-Improvement, Snapshots, Exposure Troubles, Street Photography (2017), Event Photography, Photographic Gifts, Film Photography (2017), Photographic Annoyances, Locations, Strange Habits, Collaboration, Buying Work, Silly Mistakes, Show and Tell, The Discomfort Zone, The Comfort Zone, Influence, Consistency, Inclement Weather, Stock Photography, Going Freelance, Photo Sharing, Photography Books, Creativity in Photography, Colour Photography, Black & White (2017), Critiques, Lenses, Blogging, Regrets, What’s in Your Bag (2017), Promotion, Random Questions, Photo Projects, Shooting Film, Photographic Buzz Words, Photographic Wins, Photographic Fails, Still Life, Portrait Photography, Automotive Photography (2017), Traveling With Gear, Photographic Quirks, Why is Photography Important (2017), Ethics (2017), Difficult Situations, Phone Photography, Web sites, Self-Improvement (2017), Personal Branding, Photographic Gifts, Brand Loyalties (2016), Location Scouting, Food Photography, The Good, The Bad, Photographic Slumps, Wedding Photography, Post-Processing, Digital Photography, Film Photography, Keeping It Simple, Photographic Fads, Regular Maintenance, Personal Vision, Travel, Snapshots, Extreme Weather, Sports Photography, Pet Peeves, Out of the Box, Portrait Photography, Infrared Photography, Good Practices, Landscape Photography, Photography as a Skill, Photography as an Art, Getting Noticed, Post-Processing, Film Processing, Instant Photography, Tripods, Pet Photography, Budget Photography, Nude Photography, Workflow, Vintage Gear, The 5 W’s, Going Pro, Importance of Photography, Filters, Photography & the Law, Editing Your Work, Travelling with Gear, Street Photography, Get Up and Go (Motivation), Photographic Goals (2016), Low-Light Photography, Photographic Dreams, Cold Weather, Naturally Artificial, LoFi Love, Product Photography, Chasing Light, Automotive Photography, Finding Inspiration, All About You, Landscapes, Shooting for Colour, Digital Video, Back to School Parts I and II, Self-Publishing, Keeping Calm, Photography & Zen, Camera Bags, Dealing with People, Printing Your Work, Adventure Photography, Camera Clubs, Fireworks Photography, Aircraft Photography, Architectural Photography, Photo meetups, Getting Rid of GAS, Keeping it Organized, Favourite Things, Photo Competitions, Biggest Challenges, Compact System Cameras, film vs. digital, landscape photography, seasonal photography, the basics of composition, what’s in your camera bag?, night photography, portrait photography, forced perspective photography, black and white photography, golden hour photography, macro photography, how photography has changed your life, to photoshop or not, motion photography, photojournalism, the best gifts for photographers in 2014, extreme weather photography, photographic aspirations, street photography, “why are you a photographer?”, improvisational lighting tactics, post-processing rituals, photographic blunders, getting paid, photographic triumphs, shooting hardship, photographic anxieties, quick thinking, making a difference, favorites, appropriation, brand loyalties, small photography, BIG photography, focus, photography in advertising, battle scars, sharing your photography, creative evolution, the inanimate subject, photo vs. video, emerging tech, teaching the craft, getting the shot, traveling with your camera, sweet gear deals, mobile lighting solutions, quelling frustrations, finding work, sensitive subjects, DIY projects, defamation, making and maintaining a website, in defense of photography, capturing action, post-processing, photo lingo, cold weather shooting, food photography, death in photography, film photography, famous photos, critiques, videography, user-generated content, composition, iPhoneography, standing up for yourself, blogging, workflow, the first time, candid portraiture, copyright and licensing, ethics, gear investments, inspiration, long shots, making it in the photo business, networking, night photography, perks of being a photographer, photographer stressors, photography philosophy, photography trends, picking your priorities, pricing, promoting yourself and your work, protecting your assets, self-improvement, odd photography, and travel.

CCR:FRB – Review 10 – Rollei Ortho 25 Plus

CCR:FRB – Review 10 – Rollei Ortho 25 Plus

In the early days of Photography, most photographic stocks were Orthochromatic, which means they didn’t see a certain colour on the spectrum, mostly this meant the film stock could not see red light, other times it meant the film didn’t see blue light. And while today Panchromatic stocks are the norm, there is still a need for technical films. While shooting Ortho 25, I worked under the assumption that it didn’t see red light. However, I’m not sure of which colour the film is not sensitive to. But it doesn’t matter now; Ortho 25 is an amazing slow black & white film that is deadly sharp and so fine-grained I don’t think it has any.

CCR:FRB - Review 10 - Rollei Ortho 25 Plus

Film Specs
Type: Orthochromatic B&W, Spectral Sensitivity to 380 – 610nm
Film Base: Polyester
Film Speed: ASA-25, Latitude: 12-50
Formats Avaliable: 35mm, 120, Sheets

Roll 01 – Kodak D-76
When you have a film that’s rated to ASA-25, I think it is impossible to get any heavy grain pattern. And while D-76 is a fairly common developer, it still produces amazing images with Ortho 25. You do see a bit more of darkening of the reds in the images, mainly brickwork in the buildings. But nothing seriously heavy. Sadly there’s no 1+1 time available at the moment, but I would love to see what a more dilute image would look like.

CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 01 (Kodak D-76)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 01 (Kodak D-76)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 01 (Kodak D-76)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 01 (Kodak D-76)

Technical Details:
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Rollei Ortho 25 Plus @ ASA-25
Kodak D-76 (Stock) 6:00 @ 20C

Roll 02 – Rodinal
I was expecting a little more drama, reds that were coming out black, something exciting. And it pains me to say it, but these images look normal, sure you get next to no grain, images sharp enough to cut yourself on. But still, I was expecting something a little bit more out of this film, to be honest. Now, it’s not to say Rodinal is a poor choice for this film; it works well you get a full panchromatic image which is unexpected, but still a pleasing look all the same. Very low on the contrast however in many of the shots. I only really noticed the darker rendering of the reds in the brick detail shot.

CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 02 (Rodinal)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 02 (Rodinal)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 02 (Rodinal)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 02 (Rodinal)

Technical Details:
Nikon F5 – AF Nikkor 35mm 1:2D – Rollei Ortho 25 Plus @ ASA-25
Blazinal (1+50) 6:00 @ 20C

Roll 03 – TMax Developer
I wasn’t too sure about TMax Developer, but I think Ortho 25 responded well to it. While the Massive Developer Chart calls for a 6 minute time in 24C water, I didn’t realise that until after I had prepared the developer in 20C, thankfully I was able to calculate the time and just gave it about three fewer seconds to make it a common time. I continued to be amazed here at the quality of the images, and you even see a greater darkening of the reds here than with D-76. But you do lose some of that razor sharp images that you get with Rodinal, while no surprise, even in D-76 Ortho 25 is super-sharp, but in TMax Developer, they’re a little softer, not by much but enough to make them rather pleasing.

CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 03 (Kodak TMax Developer)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 03 (Kodak TMax Developer)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 03 (Kodak TMax Developer)CCR:FRB - Review 10 - Rollei Ortho 25 Plus - Roll 03 (Kodak TMax Developer)

Techincal Details:
Mamiya m645 – Mamiya-Sekor C 45mm 1:2.8 N – Rollei Ortho 25 Plus @ ASA-25
Kodak TMax Developer (1+4) 8:15 @ 20C

Final Thoughts
While it’s impossible to get any grain with a film this slow, I still think your best bet for developing to show off the sharpness and fine-grain nature you want to use Rodinal. I also enjoy the fact that many of the developing times for Ortho 25 are in the six-minute range which isn’t something you see in many films this slow. I’m mostly thinking RPX 25 here. While I can’t see much use for the film myself, it does give another slow film option other than RPX 25 or Ilford Pan F+ something we don’t see that often these days with most companies producing films rated at ASA-100. Ortho 25 is readily available, but only in online shops, Argentix, FreeStyle and Maco Direct.

#photochat – 5 April 2018 – Perks!

#photochat – 5 April 2018 – Perks!

Established in 2013 by MainStreetHost and taken on by Alex Luyckx Photography in 2015, #photochat is a community of photography professionals and enthusiasts who congregate to talk shop and discuss anything and everything photography. To participate in our weekly chat (every Thursday at 1:00pm ET) search the #photochat hashtag to see the conversation, or find me at @AlexLuyckxPhoto on Twitter for more info. Be sure to include the hashtag in your tweets to answer the questions and talk with the other participants.

If there’s a topic you’d like to see covered in #photochat, hop onto Facebook, Twitter, or good old fashioned Email and let me know!

The Topic for Thursday 5 April 2018 is about Perks of being a Photographer

Question 1 – What are your personal perks of being a photographer?
Question 2 – What perks to your family/friends of you being a photographer?
Question 3 – Have you gained access outside of the general public because of your camera?
Question 4 – Have you gotten trial items or free items from manufactures because you’re a photographer?
Question 5 – Share some photos from the items you talked of today!

Past topics have included: Buying a New Camera, Optics, Keep it Simple, Accessories, Helping Out, Battle Damage, Ultrawide Angle, All About the Love, Podcasts, What’s in your Bag (2018), Self-Improvement, Snapshots, Exposure Troubles, Street Photography (2017), Event Photography, Photographic Gifts, Film Photography (2017), Photographic Annoyances, Locations, Strange Habits, Collaboration, Buying Work, Silly Mistakes, Show and Tell, The Discomfort Zone, The Comfort Zone, Influence, Consistency, Inclement Weather, Stock Photography, Going Freelance, Photo Sharing, Photography Books, Creativity in Photography, Colour Photography, Black & White (2017), Critiques, Lenses, Blogging, Regrets, What’s in Your Bag (2017), Promotion, Random Questions, Photo Projects, Shooting Film, Photographic Buzz Words, Photographic Wins, Photographic Fails, Still Life, Portrait Photography, Automotive Photography (2017), Traveling With Gear, Photographic Quirks, Why is Photography Important (2017), Ethics (2017), Difficult Situations, Phone Photography, Web sites, Self-Improvement (2017), Personal Branding, Photographic Gifts, Brand Loyalties (2016), Location Scouting, Food Photography, The Good, The Bad, Photographic Slumps, Wedding Photography, Post-Processing, Digital Photography, Film Photography, Keeping It Simple, Photographic Fads, Regular Maintenance, Personal Vision, Travel, Snapshots, Extreme Weather, Sports Photography, Pet Peeves, Out of the Box, Portrait Photography, Infrared Photography, Good Practices, Landscape Photography, Photography as a Skill, Photography as an Art, Getting Noticed, Post-Processing, Film Processing, Instant Photography, Tripods, Pet Photography, Budget Photography, Nude Photography, Workflow, Vintage Gear, The 5 W’s, Going Pro, Importance of Photography, Filters, Photography & the Law, Editing Your Work, Travelling with Gear, Street Photography, Get Up and Go (Motivation), Photographic Goals (2016), Low-Light Photography, Photographic Dreams, Cold Weather, Naturally Artificial, LoFi Love, Product Photography, Chasing Light, Automotive Photography, Finding Inspiration, All About You, Landscapes, Shooting for Colour, Digital Video, Back to School Parts I and II, Self-Publishing, Keeping Calm, Photography & Zen, Camera Bags, Dealing with People, Printing Your Work, Adventure Photography, Camera Clubs, Fireworks Photography, Aircraft Photography, Architectural Photography, Photo meetups, Getting Rid of GAS, Keeping it Organized, Favourite Things, Photo Competitions, Biggest Challenges, Compact System Cameras, film vs. digital, landscape photography, seasonal photography, the basics of composition, what’s in your camera bag?, night photography, portrait photography, forced perspective photography, black and white photography, golden hour photography, macro photography, how photography has changed your life, to photoshop or not, motion photography, photojournalism, the best gifts for photographers in 2014, extreme weather photography, photographic aspirations, street photography, “why are you a photographer?”, improvisational lighting tactics, post-processing rituals, photographic blunders, getting paid, photographic triumphs, shooting hardship, photographic anxieties, quick thinking, making a difference, favorites, appropriation, brand loyalties, small photography, BIG photography, focus, photography in advertising, battle scars, sharing your photography, creative evolution, the inanimate subject, photo vs. video, emerging tech, teaching the craft, getting the shot, traveling with your camera, sweet gear deals, mobile lighting solutions, quelling frustrations, finding work, sensitive subjects, DIY projects, defamation, making and maintaining a website, in defense of photography, capturing action, post-processing, photo lingo, cold weather shooting, food photography, death in photography, film photography, famous photos, critiques, videography, user-generated content, composition, iPhoneography, standing up for yourself, blogging, workflow, the first time, candid portraiture, copyright and licensing, ethics, gear investments, inspiration, long shots, making it in the photo business, networking, night photography, perks of being a photographer, photographer stressors, photography philosophy, photography trends, picking your priorities, pricing, promoting yourself and your work, protecting your assets, self-improvement, odd photography, and travel.

CCR Review 85 – Pentax MG

CCR Review 85 – Pentax MG

I don’t mean to knock a camera right off the bat, but honestly, Pentax could have done far better than the Pentax MG. Built as part of the compact M series of Pentax SLRs following the release of the Olympus OM-1. Designed as an entry level camera and it shows, bare-bones, simple, and so small it hurts. But you have to take the good with the bad in these reviews, and it’s been a while since I found a camera that I immediately disliked the moment I picked it up. Thanks to James Lee for loaning out the MG for review.

CCR Review 85 - Pentax MG

The Dirt
Make: Pentax
Model: MG
Type: Single Lens Reflex
Format: 35mm, 36x24mm
Lens: Interchangeable, Pentax K Mount
Year of Manufacture: 1981-1984

CCR Review 85 - Pentax MGCCR Review 85 - Pentax MG

The Good
Probably the best part about the camera is the fact it has a K-Mount, you have at least access to a set of fantastic lenses that you can easily mount, and you may even get a solid Pentax-M lens attached when you get the camera. Operations are simple, a pull out to turn on with the advance lever and that has a great short throw. You have your shutter speeds displayed along the edge of your viewfinder which is far better than the MV which was the original entry-level camera of the M-Series. But in this case, as soon as I took the camera out the battery died, thankfully the manual override speed of 1/100″ I could at least using the Sunny-16 technic to keep going. And the camera has next to no weight so it can be carried in any bag or even a large pocket if you must especially if you have the 28mm Pentax-M lens.

CCR Review 85 - Pentax MGCCR Review 85 - Pentax MG

The Bad
As I mentioned in the introduction, the camera is so small it hurts. I can barely wrap my hands around it comfortably. Which is, what the designers were going for, but honestly even though it’s light I couldn’t imagine using it for a whole day and actually enjoying it. Despite being easy to use, the camera itself feels cramped. I’ve had the chance to use both the ME and ME Super, and while they are designed to be semi-automatic cameras, they at least have a little more space around the controls. And finally the viewfinder is fairly dim, even with an f/2 or f/2.8 lens and the LED readout for the shutter speeds works great in daylight but in low light situations can be hard to read.

CCR Review 85 - Pentax MGCCR Review 85 - Pentax MG

The Lowdown
The small form-factor Pentax cameras are excellent choices, they provide a less-expensive option and if you already have a set of K-Mount lenses, you can easily move between the larger models like the K-Series and the M-Series with ease. But you want to avoid the entry-level options. If you are considering a purchase the ME Super or MX will be a better choice than the MV, MV1 and especially the MG.

All Photos Taken in St. Jacobs, Ontario
Pentax MG – SMC Pentax-M 1:2.8 28mm – Fomapan 200 @ ASA-100
Pyrocat-HD (1+1+100) 8:00 @ 20C

Classic Camera Revival – Episode 39 – Tales from the Digital Age

Classic Camera Revival – Episode 39 – Tales from the Digital Age

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We’ve had a lot of experiences out in this digital world with our film cameras so we all sit down to share some of the more interesting stories of what we’ve experienced out there. And we’re not just talking about the age-old “Can you still get film for that” question. But run-ins with the law, security, great conversations, strange questions, and so much more. So sit down, take a listen, and let us know in the comments of any stories you have!

Looking for a good spot to get your gear and material fix check out Burlington Camera (Burlington, ON), Downtown Camera (Toronto, ON), Film Plus (Toronto, ON), Belle Arte Camera (Hamilton, ON), Pond’s FotoSource (Guleph, ON), Foto Art Camera (Owen Sound, ON). Out West there’s The Camera Store (Calgary, AB) and Beau Photo Supply (Vancouver, BC). Additionally you can order online at Argentix (Quebec), buyfilm.ca (Ontario), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

#photochat – 29 March 2018 – Getting a New Camera

#photochat – 29 March 2018 – Getting a New Camera

Established in 2013 by MainStreetHost and taken on by Alex Luyckx Photography in 2015, #photochat is a community of photography professionals and enthusiasts who congregate to talk shop and discuss anything and everything photography. To participate in our weekly chat (every Thursday at 1:00pm ET) search the #photochat hashtag to see the conversation, or find me at @AlexLuyckxPhoto on Twitter for more info. Be sure to include the hashtag in your tweets to answer the questions and talk with the other participants.

If there’s a topic you’d like to see covered in #photochat, hop onto Facebook, Twitter, or good old fashioned Email and let me know!

The Topic for Thursday 29 March 2018 is about Getting a New Camera

Question 1 – What makes you want to buy a new camera?
Question 2 – Do you read reviews on cameras before purchasing?
Question 3 – Do you pick up the camera and give it a try before buying?
Question 4 – Buy online or in store?
Question 5 – Share the most recent camera you purchased, what made you choose it?

Past topics have included: Optics, Keep it Simple, Accessories, Helping Out, Battle Damage, Ultrawide Angle, All About the Love, Podcasts, What’s in your Bag (2018), Self-Improvement, Snapshots, Exposure Troubles, Street Photography (2017), Event Photography, Photographic Gifts, Film Photography (2017), Photographic Annoyances, Locations, Strange Habits, Collaboration, Buying Work, Silly Mistakes, Show and Tell, The Discomfort Zone, The Comfort Zone, Influence, Consistency, Inclement Weather, Stock Photography, Going Freelance, Photo Sharing, Photography Books, Creativity in Photography, Colour Photography, Black & White (2017), Critiques, Lenses, Blogging, Regrets, What’s in Your Bag (2017), Promotion, Random Questions, Photo Projects, Shooting Film, Photographic Buzz Words, Photographic Wins, Photographic Fails, Still Life, Portrait Photography, Automotive Photography (2017), Traveling With Gear, Photographic Quirks, Why is Photography Important (2017), Ethics (2017), Difficult Situations, Phone Photography, Web sites, Self-Improvement (2017), Personal Branding, Photographic Gifts, Brand Loyalties (2016), Location Scouting, Food Photography, The Good, The Bad, Photographic Slumps, Wedding Photography, Post-Processing, Digital Photography, Film Photography, Keeping It Simple, Photographic Fads, Regular Maintenance, Personal Vision, Travel, Snapshots, Extreme Weather, Sports Photography, Pet Peeves, Out of the Box, Portrait Photography, Infrared Photography, Good Practices, Landscape Photography, Photography as a Skill, Photography as an Art, Getting Noticed, Post-Processing, Film Processing, Instant Photography, Tripods, Pet Photography, Budget Photography, Nude Photography, Workflow, Vintage Gear, The 5 W’s, Going Pro, Importance of Photography, Filters, Photography & the Law, Editing Your Work, Travelling with Gear, Street Photography, Get Up and Go (Motivation), Photographic Goals (2016), Low-Light Photography, Photographic Dreams, Cold Weather, Naturally Artificial, LoFi Love, Product Photography, Chasing Light, Automotive Photography, Finding Inspiration, All About You, Landscapes, Shooting for Colour, Digital Video, Back to School Parts I and II, Self-Publishing, Keeping Calm, Photography & Zen, Camera Bags, Dealing with People, Printing Your Work, Adventure Photography, Camera Clubs, Fireworks Photography, Aircraft Photography, Architectural Photography, Photo meetups, Getting Rid of GAS, Keeping it Organized, Favourite Things, Photo Competitions, Biggest Challenges, Compact System Cameras, film vs. digital, landscape photography, seasonal photography, the basics of composition, what’s in your camera bag?, night photography, portrait photography, forced perspective photography, black and white photography, golden hour photography, macro photography, how photography has changed your life, to photoshop or not, motion photography, photojournalism, the best gifts for photographers in 2014, extreme weather photography, photographic aspirations, street photography, “why are you a photographer?”, improvisational lighting tactics, post-processing rituals, photographic blunders, getting paid, photographic triumphs, shooting hardship, photographic anxieties, quick thinking, making a difference, favorites, appropriation, brand loyalties, small photography, BIG photography, focus, photography in advertising, battle scars, sharing your photography, creative evolution, the inanimate subject, photo vs. video, emerging tech, teaching the craft, getting the shot, traveling with your camera, sweet gear deals, mobile lighting solutions, quelling frustrations, finding work, sensitive subjects, DIY projects, defamation, making and maintaining a website, in defense of photography, capturing action, post-processing, photo lingo, cold weather shooting, food photography, death in photography, film photography, famous photos, critiques, videography, user-generated content, composition, iPhoneography, standing up for yourself, blogging, workflow, the first time, candid portraiture, copyright and licensing, ethics, gear investments, inspiration, long shots, making it in the photo business, networking, night photography, perks of being a photographer, photographer stressors, photography philosophy, photography trends, picking your priorities, pricing, promoting yourself and your work, protecting your assets, self-improvement, odd photography, and travel.

CCR:FRB – Review 09 – Ilford Delta 400

CCR:FRB – Review 09 – Ilford Delta 400

If there is one film out there that I have disliked the most but have had a radical change of viewpoints Delta 400 is that film. Like TMax 400, I just find Delta 400 too modern, and boring. It’s not a bad film; it’s just not exciting. It gives you a film that is almost equal in performance as TMax 400. And while I’ve found that the film isn’t bad, it just needs better development in many cases. While some people have managed to tame the film, I do have found through Delta Def Jam; it’s a great choice if you can’t get your hands on TMax 400.

CCR:FRB - Review 09 - Ilford Delta 400

Film Specs
Type: Panchromatic B&W
Film Base: Acetate
Film Speed: ASA-400, Latitude: 100-3200
Formats Avaliable: 35mm, 120, Sheets

Roll 01 – Kodak HC-110
I don’t think HC-110 has ever steered me wrong and I do have the Delta Def Jam event to thank for this one as it was here I discovered what I could get out of Delta 400. With HC-110 you get the rich tones and smooth grain. While you do lose a touch of sharpness, it isn’t much to worry about. As for contrast, that’s easily controlled by increasing or decreasing the dilution, but for me, it’s right to perfect at Dilution B.

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Technical Details:
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Ilford Delta 400 @ ASA-400
Kodak HC-110 Dil. B 7:30 @ 20C

Roll 02 – Ilford DD-X
While I’ve been using TMax developer and it does work well with Delta 400, I decided to switch over to DD-X the Ilford equivalent for the Delta films. DD-X is probably the best choice for this film using the 1+4 dilution as standard you see the full power of the modern T-Grain, good tones, sharpness, and decent grain control. While you do see an uptick in grain, it really isn’t too bad once you get into the larger formats. Also, make sure your camera’s exposure is dead on, or else you’ll get some terrible results.

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Technical Details:
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Ilford Delta 400 @ ASA-400
Ilford DD-X (1+4) 8:00 @ 20C

Roll 03 – Kodak D-76
To be perfectly honest this was the singular roll I shot for this review that I was the most concerned about. I had a rough time the last roll of Delta 400 I had shot in 35mm. But this time around I remained pleasantly surprised. Like TMax 400, Delta 400 responds wonderfully to D-76, and even in 35mm you get a moderate contrast, I would like a little bit more. But you have the sharpness and modern look of the film. While I do notice an uptick in grain, I was expecting this when I pulled the negatives out, but you do get a sharp image at the same time, so it’s a worthwhile trade-off. That being said I do prefer Delta 400 in the older D-23 over D-76.

CCR:FRB - Review 09 - Ilford Delta 400 - Roll 03 (D-76)CCR:FRB - Review 09 - Ilford Delta 400 - Roll 03 (D-76)CCR:FRB - Review 09 - Ilford Delta 400 - Roll 03 (D-76)CCR:FRB - Review 09 - Ilford Delta 400 - Roll 03 (D-76)

Techincal Details:
Nikon FE – AI Nikkor 28mm 1:3.5 – Ilford Delta 400 @ ASA-400
Kodak D-76 (Stock) 9:30 @ 20C

Roll 04 – Pyrocat-HD
I had originally planned to use Pyrocat-HD with one of the Delta Def Jam entries but instead ended up using Kodak D-23. And you know, the wait was worth it. While Pyrocat-HD is based on some of the oldest developers out there, it works wonders on modern films. Giving you a clean, almost grainless look, sharp images, and amazing tones and contrast. Plus it almost gives the film a classic look about it.

CCR:FRB - Review 09 - Ilford Delta 400 - Roll 04 (Pyrocat-HD)CCR:FRB - Review 09 - Ilford Delta 400 - Roll 04 (Pyrocat-HD)CCR:FRB - Review 09 - Ilford Delta 400 - Roll 04 (Pyrocat-HD)CCR:FRB - Review 09 - Ilford Delta 400 - Roll 04 (Pyrocat-HD)

Technical Details:
Mamiya m645 – Mamiya-Sekor C 35mm 1:3.5 C – Ilford Delta 400 @ ASA-32
Pyrocat-HD (1+1+100) 16:00 @ 20C

Final Thoughts
So where does that leave us? Well, I can’t say I’ve been won over with modern films, but it certainly does give me one more type of film to shoot in a pinch when I can’t always get the ones I want. And certainly, if I can’t get my hands on TMax 400, I can get the same results with Delta 400 and I would give the edge to Delta 400 over the Kodak film stock. And for me, that’s saying something. Plus overall, it’s just a bit more exciting than TMax 400 in my view.