#photochat – 18 May 2017 – What’s in Your Bag?

Established in 2013 by MainStreetHost and taken on by Alex Luyckx Photography in 2015, #photochat is a community of photography professionals and enthusiasts who congregate to talk shop and discuss anything and everything photography. To participate in our weekly chat (every Thursday at 1:00pm ET) search the #photochat hashtag to see the conversation, or find me at @AlexLuyckxPhoto on Twitter for more info. Be sure to include the hashtag in your tweets to answer the questions and talk with the other participants.

If there’s a topic you’d like to see covered in #photochat, hop onto Facebook, Twitter, or good old fashioned Email and let me know!

The Topic for Thursday 11 May 2017 is all about what’s in your bag?

Question 1 – What are the primary camera(s) in your bag currently?
Question 2 – What lenses are in your bag currently?
Question 3 – What accessories never leaves your bag?
Question 4 – What camera bag are you currently using?
Question 5 – Share a photo of your camera kit (if you have one) or a past one!

Past topics have included: Promotion, Random Questions, Photo Projects, Shooting Film, Photographic Buzz Words, Photographic Wins, Photographic Fails, Still Life, Portrait Photography, Automotive Photography (2017), Traveling With Gear, Photographic Quirks, Why is Photography Important (2017), Ethics (2017), Difficult Situations, Phone Photography, Websites, Self-Improvement (2017), Personal Branding, Photographic Gifts, Brand Loyalties (2016), Location Scouting, Food Photography, The Good, The Bad, Photographic Slumps, Wedding Photography, Post-Processing, Digital Photography, Film Photography, Keeping It Simple, Photographic Fads, Regular Maintenance, Personal Vision, Travel, Snapshots, Extreme Weather, Sports Photography, Pet Peeves, Out of the Box, Portrait Photography, Infrared Photography, Good Practices, Landscape Photography, Photography as a Skill, Photography as an Art, Getting Noticed, Post-Processing, Film Processing, Instant Photography, Tripods, Pet Photography, Budget Photography, Nude Photography, Workflow, Vintage Gear, The 5 W’s, Going Pro, Importance of Photography, Filters, Photography & the Law, Editing Your Work, Travelling with Gear, Street Photography, Get Up and Go (Motivation), Photographic Goals (2016), Low-Light Photography, Photographic Dreams, Cold Weather, Naturally Artificial, LoFi Love, Product Photography, Chasing Light, Automotive Photography, Finding Inspiration, All About You, Landscapes, Shooting for Colour, Digital Video, Back to School Parts I and II, Self-Publishing, Keeping Calm, Photography & Zen, Camera Bags, Dealing with People, Printing Your Work, Adventure Photography, Camera Clubs, Fireworks Photography, Aircraft Photography, Architectural Photography, Photo meetups, Getting Rid of GAS, Keeping it Organized, Favourite Things, Photo Competitions, Biggest Challenges, Compact System Cameras, film vs. digital, landscape photography, seasonal photography, the basics of composition, what’s in your camera bag?, night photography, portrait photography, forced perspective photography, black and white photography, golden hour photography, macro photography, how photography has changed your life, to photoshop or not, motion photography, photojournalism, the best gifts for photographers in 2014, extreme weather photography, photographic aspirations, street photography, “why are you a photographer?”, improvisational lighting tactics, post-processing rituals, photographic blunders, getting paid, photographic triumphs, shooting hardship, photographic anxieties, quick thinking, making a difference, favorites, appropriation, brand loyalties, small photography, BIG photography, focus, photography in advertising, battle scars, sharing your photography, creative evolution, the inanimate subject, photo vs. video, emerging tech, teaching the craft, getting the shot, traveling with your camera, sweet gear deals, mobile lighting solutions, quelling frustrations, finding work, sensitive subjects, DIY projects, defamation, making and maintaining a website, in defense of photography, capturing action, post-processing, photo lingo, cold weather shooting, food photography, death in photography, film photography, famous photos, critiques, videography, user generated content, composition, iPhoneography, standing up for yourself, blogging, workflow, the first time, candid portraiture, copyright and licensing, ethics, gear investments, inspiration, long shots, making it in the photo business, networking, night photography, perks of being a photographer, photographer stressors, photography philosophy, photography trends, picking your priorities, pricing, promoting yourself and your work, protecting your assets, self-improvement, odd photography, and travel.

CCR Review 63 – Ricoh 500 G

I have and always will have a soft spot for compact fixed lens rangefinders since my first camera was one such camera. The Minolta Hi-Matic 7s. But the Ricoh 500 G is not a Hi-Matic, released at the end of the craze of that style of camera; it is an underdog for its time going up against the cult classic Canon QL17 GIII. And while the 500 G does not share the same spotlight at its Canon counterpart, the 500 G is a strong camera that fills the role of compact rangefinder that packs a punch but won’t break the bank. Special thanks to Mike Bitaxi for loaning this beauty out.

CCR Review 63 - Ricoh 500 G

The Dirt

  • Make: Ricoh
  • Model: 500 G
  • Type: Rangefinder
  • Format: 135 (35mm), 36×24
  • Len: Fixed, Rikenon Lens f=40mm 1:2.8
  • Year of Manufacture: 1972

CCR Review 63 - Ricoh 500 G

CCR Review 63 - Ricoh 500 G

The Good
If you’re into compact rangefinders, this camera is certainly worth a second glance. This camera is small; I mean tiny. Easily fits in your pocket but I wouldn’t recommend it. When it comes to using the camera, it’s a natural fit for anyone with any experience with Minolta, Olympus, or Canon cameras of the same style. Good layout, short throw on the film advance, and an aperture priority meter to boot. But you don’t need to power this camera to get it to work and runs well as a mechanical camera, but I would still stick to aperture priority, set your aperture and run the shutter speed around it. I’ll go into that more in the next section. Optically the camera stands well on its own with the Rikenon Lens pulling off sharp images that suit the focal length perfectly. Add to this the compact size of the camera you have very little in the way of parallax error when composing your images, out of my whole roll shot I only missed the composition on one image and it was out of focus also so it was not a big deal.

CCR Review 63 - Ricoh 500 G

CCR Review 63 - Ricoh 500 G

The Bad
The main issue I had with this camera is that all the controls along the lens barrel are too close together! The aperture control is narrow and tight to the body, and you need two hands to control it. The shutter speed dial is a little better but feels too much like the focus control with the extra grips. The focusing is smooth, but again you’d think it was the shutter speed control at first as it lacks the usual grip pieces. As an automatic aperture priority camera, it wouldn’t be so bad, but I did not have the proper battery for the camera, so I was running it full manual, as you guessed it the camera uses a mercury cell to operate. And finally, there’s the issue of light seals. The entire back door of the camera is one big light seal, every square centimeter of it is covered. Thankfully it’s easy to replace with craft foam, but it makes for a very messy job.

CCR Review 63 - Ricoh 500 G

CCR Review 63 - Ricoh 500 G

The Lowdown
If you’re looking for a camera to work as a compact low-profile street photography camera but don’t want to spend the cash on a camera give the 500 G a solid look. If you find one in good condition, you’ll be laughing. While I’m one to stick with cult cameras, it seems odd that this camera didn’t acquire one. It’s a real sleeper like the Minolta Hi-Matics, and they often don’t command a higher price like Canon or Olympus but quickly give you the same performance of the well known shooters.

All Photos taken in New York, New York
Ricoh 500 G – Rikenon Lens f=40mm 1:2.8 – Ilford FP4+ @ ASA-100 – SPUR HRX (1+20) 9:30 @ 20C

#photochat – 11 May 2017 – Promotion

Established in 2013 by MainStreetHost and taken on by Alex Luyckx Photography in 2015, #photochat is a community of photography professionals and enthusiasts who congregate to talk shop and discuss anything and everything photography. To participate in our weekly chat (every Thursday at 1:00pm ET) search the #photochat hashtag to see the conversation, or find me at @AlexLuyckxPhoto on Twitter for more info. Be sure to include the hashtag in your tweets to answer the questions and talk with the other participants.

If there’s a topic you’d like to see covered in #photochat, hop onto Facebook, Twitter, or good old fashioned Email and let me know!

The Topic for Thursday 11 May 2017 is about Promotion

Question 1 – How do you currently promote your Photography?
Question 2 – What sort of promotions work best for you?
Question 3 – What sort of promotions do you avoid?
Question 4 – Has any of your promotional work helped gain work/publicity?
Question 5 – Are you happy with your level of exposure for your photographic work?

Past topics have included: Random Questions, Photo Projects, Shooting Film, Photographic Buzz Words, Photographic Wins, Photographic Fails, Still Life, Portrait Photography, Automotive Photography (2017), Traveling With Gear, Photographic Quirks, Why is Photography Important (2017), Ethics (2017), Difficult Situations, Phone Photography, Websites, Self-Improvement (2017), Personal Branding, Photographic Gifts, Brand Loyalties (2016), Location Scouting, Food Photography, The Good, The Bad, Photographic Slumps, Wedding Photography, Post-Processing, Digital Photography, Film Photography, Keeping It Simple, Photographic Fads, Regular Maintenance, Personal Vision, Travel, Snapshots, Extreme Weather, Sports Photography, Pet Peeves, Out of the Box, Portrait Photography, Infrared Photography, Good Practices, Landscape Photography, Photography as a Skill, Photography as an Art, Getting Noticed, Post-Processing, Film Processing, Instant Photography, Tripods, Pet Photography, Budget Photography, Nude Photography, Workflow, Vintage Gear, The 5 W’s, Going Pro, Importance of Photography, Filters, Photography & the Law, Editing Your Work, Travelling with Gear, Street Photography, Get Up and Go (Motivation), Photographic Goals (2016), Low-Light Photography, Photographic Dreams, Cold Weather, Naturally Artificial, LoFi Love, Product Photography, Chasing Light, Automotive Photography, Finding Inspiration, All About You, Landscapes, Shooting for Colour, Digital Video, Back to School Parts I and II, Self-Publishing, Keeping Calm, Photography & Zen, Camera Bags, Dealing with People, Printing Your Work, Adventure Photography, Camera Clubs, Fireworks Photography, Aircraft Photography, Architectural Photography, Photo meetups, Getting Rid of GAS, Keeping it Organized, Favourite Things, Photo Competitions, Biggest Challenges, Compact System Cameras, film vs. digital, landscape photography, seasonal photography, the basics of composition, what’s in your camera bag?, night photography, portrait photography, forced perspective photography, black and white photography, golden hour photography, macro photography, how photography has changed your life, to photoshop or not, motion photography, photojournalism, the best gifts for photographers in 2014, extreme weather photography, photographic aspirations, street photography, “why are you a photographer?”, improvisational lighting tactics, post-processing rituals, photographic blunders, getting paid, photographic triumphs, shooting hardship, photographic anxieties, quick thinking, making a difference, favorites, appropriation, brand loyalties, small photography, BIG photography, focus, photography in advertising, battle scars, sharing your photography, creative evolution, the inanimate subject, photo vs. video, emerging tech, teaching the craft, getting the shot, traveling with your camera, sweet gear deals, mobile lighting solutions, quelling frustrations, finding work, sensitive subjects, DIY projects, defamation, making and maintaining a website, in defense of photography, capturing action, post-processing, photo lingo, cold weather shooting, food photography, death in photography, film photography, famous photos, critiques, videography, user generated content, composition, iPhoneography, standing up for yourself, blogging, workflow, the first time, candid portraiture, copyright and licensing, ethics, gear investments, inspiration, long shots, making it in the photo business, networking, night photography, perks of being a photographer, photographer stressors, photography philosophy, photography trends, picking your priorities, pricing, promoting yourself and your work, protecting your assets, self-improvement, odd photography, and travel.

Escaping GAS

No, I’m not talking about real gas, but rather G.A.S, or Gear Acquisition Syndrom. It’s a common problem among many hobbies, but for the most part, it affects photographers, that is photographers who use film based cameras. These days shooting film is pretty sweet, there’s a huge used market where many cameras once thought to be out of reach of even beginner photographers are now easily purchased. When I got my first Nikon, the F80, it was the F5 I wanted, and now I got one for under a thousand, and a Hasselblad for 500. But herein lies the problem, we often find ourselves surrounded by so many cameras it’s next to impossible to determine which camera to take out and shoot that day.

All in the (F)amily
The full line of Nikon professional SLRs, the F to the F5, today I only have the F2 and F5

I’ll admit, I suffered from GAS, at my peak, I had over 30 functioning cameras including the full line of Nikon professional SLRs not to mention a handful of other cameras from Nikon. Medium format, more 35mm equipment, and a couple of large format cameras. It was a collection on the verge of being unsustainable. And that’s something coming from one of the hosts of the Classic Camera Revival Podcast, where our motto is “If you don’t have gear acquisition syndrome now, you will after this show.” It was starting to be a serious problem. And then it happened, the cure, the way out. An Escape from GAS. I got engaged and was going to move in after the wedding with my wife into a condo that had 760 square feet to share with two people. Some cameras had to go, a lot of cameras had to go. And before you jump all over my amazing wife, she never said a word, she in fact fully supported my photographic hobby. The decision was entirely mine because I was tired of taking so long to chose a camera. I needed to cut down, badly.

The Collection - September 2012
Yep, I had a Leica, and you know it was a pain to shoot with, so yes, I sold it.

Step One Over the course of a couple months shoot as you normally would but if you don’t normally log your film photography, start doing so, all you need is a little notebook or if you want to get fancy and really dig deep into the data use a spreadsheet. Make sure you at least capture what cameras and what lenses you use. If you already do this, you can skip over this step and go right to step two.

Step Two Look over your camera logs, figure out the cameras you use the most. These are the cameras that you certainly have to keep since they’re your go-to, your old faithful. There’s no hard or fast rule on a total number of cameras. Any camera you haven’t used in a couple months or more move into the get rid of pile, but don’t worry you don’t have to ditch them all just yet.

Step Three Take a look at your ‘to get rid of’ pile, if you have a sentimental connection to the camera, by all means, keep it. Also look at cameras where you only have one lens for or similar cameras in the keep pile. These are ones that you should actively seek to donate and remove. Again, no hard and fast rule, go with your gut.

Step Four Start offering up cameras to fellow film photographers, you can sell them if you want, but price to sell, not to make a buck on. There are plenty of buy/sell groups on Facebook that you can offer them up on. Alternatively, you can visit local camera shops that has a used gear. My go-to is Burlington Camera, Joan is fair on her prices and knows her stuff. And finally, if you have no desire to sell anything, you can always do the donation route the Film Photography Project is always looking for working cameras to help fuel their School Donation Program!

Step Five The final step and the one that continues on well past the first four. You have to remain vigilant. Keep your kit to the final number, add a camera, drop another. Look to expand your lenses, buy more film instead of new camera bodies. If one breaks and it’s a workhorse, by all means, replace it with the camera or similar camera body.

CCR - Review 11 - Pentax 645
The Pentax 645 a long-time workhorse of my collection, replaced in favour of the Hasselblad 500c

So there you have it, the big secret to escaping GAS, you have to want to. You have to realize this on your own. And you don’t have to set a hard and fast number, and there isn’t a bad thing about GAS, but sometimes the gear becomes more important than the art. Besides, just think of it this way, rather than spend hundreds on a new camera, spend that money on film and get out and use your cameras! Today I’m happily sitting on ten cameras, little duplication, and all ones that I enjoy taking out and shooting with, choice of camera is simple, and I find myself shooting more and thinking about it less. Not to mention I now have the room to expand on my selection of lenses to ensure I have enough coverage, no matter what system I take out.

#photochat – 4 May 2017 – The Random Chat

Established in 2013 by MainStreetHost and taken on by Alex Luyckx Photography in 2015, #photochat is a community of photography professionals and enthusiasts who congregate to talk shop and discuss anything and everything photography. To participate in our weekly chat (every Thursday at 1:00pm ET) search the #photochat hashtag to see the conversation, or find me at @AlexLuyckxPhoto on Twitter for more info. Be sure to include the hashtag in your tweets to answer the questions and talk with the other participants.

If there’s a topic you’d like to see covered in #photochat, hop onto Facebook, Twitter, or good old fashioned Email and let me know!

The Topic for Thursday 4 May 2017 is set to Randomize

Question 1 – How did you come to practice photography?
Question 2 – What Keeps you shooting?
Question 3 – What is your most favourite camera you’ve ever shot with?
Question 4 – If you could get a new piece of gear, without cost, what would that be?
Question 5 – If you could photograph a single subject, who/what/where would it be?

Past topics have included: Photo Projects, Shooting Film, Photographic Buzz Words, Photographic Wins, Photographic Fails, Still Life, Portrait Photography, Automotive Photography (2017), Traveling With Gear, Photographic Quirks, Why is Photography Important (2017), Ethics (2017), Difficult Situations, Phone Photography, Websites, Self-Improvement (2017), Personal Branding, Photographic Gifts, Brand Loyalties (2016), Location Scouting, Food Photography, The Good, The Bad, Photographic Slumps, Wedding Photography, Post-Processing, Digital Photography, Film Photography, Keeping It Simple, Photographic Fads, Regular Maintenance, Personal Vision, Travel, Snapshots, Extreme Weather, Sports Photography, Pet Peeves, Out of the Box, Portrait Photography, Infrared Photography, Good Practices, Landscape Photography, Photography as a Skill, Photography as an Art, Getting Noticed, Post-Processing, Film Processing, Instant Photography, Tripods, Pet Photography, Budget Photography, Nude Photography, Workflow, Vintage Gear, The 5 W’s, Going Pro, Importance of Photography, Filters, Photography & the Law, Editing Your Work, Travelling with Gear, Street Photography, Get Up and Go (Motivation), Photographic Goals (2016), Low-Light Photography, Photographic Dreams, Cold Weather, Naturally Artificial, LoFi Love, Product Photography, Chasing Light, Automotive Photography, Finding Inspiration, All About You, Landscapes, Shooting for Colour, Digital Video, Back to School Parts I and II, Self-Publishing, Keeping Calm, Photography & Zen, Camera Bags, Dealing with People, Printing Your Work, Adventure Photography, Camera Clubs, Fireworks Photography, Aircraft Photography, Architectural Photography, Photo meetups, Getting Rid of GAS, Keeping it Organized, Favourite Things, Photo Competitions, Biggest Challenges, Compact System Cameras, film vs. digital, landscape photography, seasonal photography, the basics of composition, what’s in your camera bag?, night photography, portrait photography, forced perspective photography, black and white photography, golden hour photography, macro photography, how photography has changed your life, to photoshop or not, motion photography, photojournalism, the best gifts for photographers in 2014, extreme weather photography, photographic aspirations, street photography, “why are you a photographer?”, improvisational lighting tactics, post-processing rituals, photographic blunders, getting paid, photographic triumphs, shooting hardship, photographic anxieties, quick thinking, making a difference, favorites, appropriation, brand loyalties, small photography, BIG photography, focus, photography in advertising, battle scars, sharing your photography, creative evolution, the inanimate subject, photo vs. video, emerging tech, teaching the craft, getting the shot, traveling with your camera, sweet gear deals, mobile lighting solutions, quelling frustrations, finding work, sensitive subjects, DIY projects, defamation, making and maintaining a website, in defense of photography, capturing action, post-processing, photo lingo, cold weather shooting, food photography, death in photography, film photography, famous photos, critiques, videography, user generated content, composition, iPhoneography, standing up for yourself, blogging, workflow, the first time, candid portraiture, copyright and licensing, ethics, gear investments, inspiration, long shots, making it in the photo business, networking, night photography, perks of being a photographer, photographer stressors, photography philosophy, photography trends, picking your priorities, pricing, promoting yourself and your work, protecting your assets, self-improvement, odd photography, and travel.

CCR Review 62 – Canon T90

The Canon T90 is a camera since I first laid eyes on it during the first season of the Classic Camera Revival Podcast, I think it was even at the first recording session we did. While the T-Series of cameras are not well viewed, many of them cheap and looking more like that 1980s VCR look you find with the early Minolta Maxxums, the T90 is the odd-man out in the series. Big thanks to Mike Bitaxi for the loan!

CCR Review 62 - Canon T90

The Dirt

  • Make: Canon
  • Model: T90
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 36×24
  • Len: Interchangeable, Canon FD Mount
  • Year of Manufacture: 1986-1987

CCR Review 62 - Canon T90

CCR Review 62 - Canon T90

The Good
If you’ve read through many of these reviews, and if you’re still around, thank you, but the biggest thing I can be overly critical about is the physical feel of a camera. The T90 is no slouch, while the majority of the T-Series are boxes, the T90 is a sleek killing machine. Boxy angles are replaced with smooth lines, something you would see in a modern SLR. This makes the camera comfortable to handle and use even for an extended period. And despite the added weight from the larger size and the six AA batteries that power it, the camera is well balanced. Speaking of the AA batteries, the camera can be powered no matter where you find yourself. General use is spot on, with automatic film loading that seems to come out of the Quick Load system. Then there is the meter, even in the appalling weather I was shooting the camera in, and rain spotted lens the meter was spot on with the exposure, and that was running it in full auto-exposure. I’m sure the same power would be brought for semi-automatic and manual modes. And finally, you can get one relatively cheap on the used market not to mention a broad range of inexpensive glass in the FD mount.

CCR Review 62 - Canon T90

CCR Review 62 - Canon T90

The Bad
Just don’t forget that we’re talking about a thirty-year-old camera, and the biggest issue that the T90 suffers is the electronic failure. If you’re a shooter of the T90, you have heard of the dreaded EEE error. Of course, that means that you’ll need to either get a repair done on it or simply replace the unit. At least there’s still a camera shop out there that can do a full refurbishment on the camera. Despite how well the camera handles it suffers from the one big issue that I have with all Canon cameras, the lack of a second command dial. Now most later EOS cameras have a second thumb dial on the camera back; the T90 lacks this. I guess I’m just used to that on Nikons, but it does pose an issue when shooting outside of semi and fully automatic exposure modes. And finally the buttons are difficult to understand what they’re for without a manual, it took the help of Mike to figure out how to put the camera in Auto-Exposure and Matrix/Average metering mode.

CCR Review 62 - Canon T90

CCR Review 62 - Canon T90

The Lowdown
The T90 is an odd-duck of a camera, and I’m surprised it was never marketed to the Professional market, like the T-1 to bring a sleeker camera to the market with all new features than keeping the old F-1 line going. I mean the camera itself has your favourite parts of the Nikon F3 and the best parts of the F4, and you have something close to the T90. It’s a camera that is perfect for anyone who has a large selection of FD mount lenses. The trouble is that shortly after the T90 came out, Minolta released the autofocus system with the Maxxum line of cameras and Canon was quick on the take and released the EOS system shortly after the T90 rendering the camera and the entire manual focus line of cameras and lenses obsolete.

All Photos taken in Acton, Ontario, Canada
Canon T90 – Vivitar Auto Wide-Angle f=28mm 1:2.5 – JCH Streetpan 400 @ ASA-400 – Blazinal (1+50) 22:00 @ 20C

#photochat – 20 April 2017 – Photo Projects

Established in 2013 by MainStreetHost and taken on by Alex Luyckx Photography in 2015, #photochat is a community of photography professionals and enthusiasts who congregate to talk shop and discuss anything and everything photography. To participate in our weekly chat (every Thursday at 1:00pm ET) search the #photochat hashtag to see the conversation, or find me at @AlexLuyckxPhoto on Twitter for more info. Be sure to include the hashtag in your tweets to answer the questions and talk with the other participants.

If there’s a topic you’d like to see covered in #photochat, hop onto Facebook, Twitter, or good old fashioned Email and let me know!

The Topic for Thursday 20 April 2017 is on Photographic Projects

Question 1 – How do you come up with ideas for a photo project?
Question 2 – What keeps you on task to complete the project?
Question 3 – How do you come up with deadlines for the project?
Question 4 – What do you do with the material when the project ends?
Question 5 – Share your most successful project to date!

Past topics have included: Shooting Film, Photographic Buzz Words, Photographic Wins, Photographic Fails, Still Life, Portrait Photography, Automotive Photography (2017), Traveling With Gear, Photographic Quirks, Why is Photography Important (2017), Ethics (2017), Difficult Situations, Phone Photography, Websites, Self-Improvement (2017), Personal Branding, Photographic Gifts, Brand Loyalties (2016), Location Scouting, Food Photography, The Good, The Bad, Photographic Slumps, Wedding Photography, Post-Processing, Digital Photography, Film Photography, Keeping It Simple, Photographic Fads, Regular Maintenance, Personal Vision, Travel, Snapshots, Extreme Weather, Sports Photography, Pet Peeves, Out of the Box, Portrait Photography, Infrared Photography, Good Practices, Landscape Photography, Photography as a Skill, Photography as an Art, Getting Noticed, Post-Processing, Film Processing, Instant Photography, Tripods, Pet Photography, Budget Photography, Nude Photography, Workflow, Vintage Gear, The 5 W’s, Going Pro, Importance of Photography, Filters, Photography & the Law, Editing Your Work, Travelling with Gear, Street Photography, Get Up and Go (Motivation), Photographic Goals (2016), Low-Light Photography, Photographic Dreams, Cold Weather, Naturally Artificial, LoFi Love, Product Photography, Chasing Light, Automotive Photography, Finding Inspiration, All About You, Landscapes, Shooting for Colour, Digital Video, Back to School Parts I and II, Self-Publishing, Keeping Calm, Photography & Zen, Camera Bags, Dealing with People, Printing Your Work, Adventure Photography, Camera Clubs, Fireworks Photography, Aircraft Photography, Architectural Photography, Photo meetups, Getting Rid of GAS, Keeping it Organized, Favourite Things, Photo Competitions, Biggest Challenges, Compact System Cameras, film vs. digital, landscape photography, seasonal photography, the basics of composition, what’s in your camera bag?, night photography, portrait photography, forced perspective photography, black and white photography, golden hour photography, macro photography, how photography has changed your life, to photoshop or not, motion photography, photojournalism, the best gifts for photographers in 2014, extreme weather photography, photographic aspirations, street photography, “why are you a photographer?”, improvisational lighting tactics, post-processing rituals, photographic blunders, getting paid, photographic triumphs, shooting hardship, photographic anxieties, quick thinking, making a difference, favorites, appropriation, brand loyalties, small photography, BIG photography, focus, photography in advertising, battle scars, sharing your photography, creative evolution, the inanimate subject, photo vs. video, emerging tech, teaching the craft, getting the shot, traveling with your camera, sweet gear deals, mobile lighting solutions, quelling frustrations, finding work, sensitive subjects, DIY projects, defamation, making and maintaining a website, in defense of photography, capturing action, post-processing, photo lingo, cold weather shooting, food photography, death in photography, film photography, famous photos, critiques, videography, user generated content, composition, iPhoneography, standing up for yourself, blogging, workflow, the first time, candid portraiture, copyright and licensing, ethics, gear investments, inspiration, long shots, making it in the photo business, networking, night photography, perks of being a photographer, photographer stressors, photography philosophy, photography trends, picking your priorities, pricing, promoting yourself and your work, protecting your assets, self-improvement, odd photography, and travel.

Classic Camera Revival – Episode 28 – The K-Team

ccr-logo-leaf

Pentax, the name that is always linked with the student special K1000, however, Pentax had a broad range of fantastic cameras, and for this episode, the gang takes a look at their shelves to discover the hidden gems that they have from the Pentax line.

Cameras Featured on Today’s Episode

Pentax Spotmatic SP F – While not the original Pentax SLR, it certain is a big step forward with automatic lenses and TTL metering. A worthy camera for any manual shooter plue the Super-Takumar lenses have a fantastic repuation not to mention a plethora of M42 lenses will let this camera sing.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: Spotmatic SP F
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, M42 Mount
  • Year of Manufacture: 1973

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Classic Camera Revival Spotmatic F
Pentax Spotmatic F – SMC Takumar 50mm ƒ/1.4 – Tri-X400 @ ASA-1600 – HC-110 Dil. B – 11:00 @ 20C @ 20C

Pentax KX – While it doesn’t get the same level of press as the K1000, the KX is still a solid choice when it comes to K-Mount cameras and as Bill says it won’t let you down and won’t break the bank!

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: KX
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Pentax K-Mount
  • Year of Manufacture: 1975–1977

The Outside Glen Morris Ruins_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

VW Van_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

The Iron Metcalfe St. Bridge_
Pentax KX – SMC Pentax 28mm 1:3.5 – Rollei RPX 400 – Kodak HC-110 Dil. B 6:00 @ 20C

Pentax ME – Don’t let this camera’s small size fool you, a solid addition to the Pentax line of cameras if semi-automatic and fully automatic functionality is something you look for in a camera.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: ME
  • Type: Single Lens Reflex
  • Format: 135/35mm, 36x24mm
  • Lens: Interchangable, Pentax K-Mount
  • Year of Manufacture: 1977-1979


Pentax ME – SMC Pentax 50mm 1:1.7 – Kodak Tri-X 400 @ ASA-400 – Kodak TMax Developer (1+4) 6:00 @ 20C

Toronto Film Shooters Meet - October 2013
Pentax ME Super – SMC Pentax M 50mm 1:2 (Yellow Filter) – ORWO NP55 @ ASA-50 – HC-110 Dil. B 6:00 @ 20C

Toronto Film Shooters Meet - October 2013
Pentax ME Super – SMC Pentax M 50mm 1:2 (Yellow Filter) – ORWO NP55 @ ASA-50 – HC-110 Dil. B 6:00 @ 20C

Pentax 645 – A strong workhorse camera and the main medium format kit in Alex’s bag. It’s almost a point-and-shoot medium format camera and being an underdog doesn’t command as high a price point as its cousins from Mamyia and Contax do. If you do get one, go for the original and be sure to add the 35mm wide angle lens to your kit and watch out that you get the 120 insert.

CCR - Review 11 - Pentax 645

  • Make: Pentax
  • Model: 645
  • Type: Single Lens Reflex
  • Format: Medium Format, 120/220, 6×4.5cm
  • Lens: Interchangable, Pentax K645-Mount
  • Year of Manufacture: 1984-1997

City Methodist - Gary, IN
Pentax 645 – SMC Pentax 645 35mm 1:3.5 – Kodak Tri-X Pan (TXP) @ ASA-250 – PMK Pyro (1+2+100) 10:30 @ 24C

2013 Christmas Cards - Roll 3 Finalists
Pentax 645 – SMC Pentax 645 35mm 1:3.5 – Rollei Infrared @ ISO-25 – Blazinal 1+50 12:00 @ 20C

MCC - Classic Car Shoot
Pentax 645 – SMC Pentax A 645 75mm 1:2.8 – Kodak Tmax 100 (100TMX) – Kodak Tmax Developer (1+4) 7:30 @ 20C

Pentax 67II – This camera will pump you up! The Pentax 67II is the final entry in a long line of 6×7 medium format cameras from Pentax. For James it is better suited for studio work as you do feel it after a long day of shooting it in the field.

Classic Camera Revival - Episode 28 - The K-Team

  • Make: Pentax
  • Model: 67II
  • Type: Single Lens Reflex
  • Format: Medium Format, 120/220, 6x7cm
  • Lens: Interchangeable, Pentax K67-Mount
  • Year of Manufacture: 1998

Wagon Wheel 1
Pentax 67 – Super-Takumar 6×7 105mm 1:2.4 – Kodak TMax 400

By Lake Ontario
Pentax 67 – Super-Takumar 6×7 200mm 1:4 – Kodak Tri-X 400 – Kodak Xtol (1+1) 9:00 @ 20C

Guildwood in February
Pentax 67 – Super-Takumar 6×7 55mm 1:3.5 – Fuji Neopan Acros 100 @ ASA-80 – Rodinal (1+50) 13:30 @ 20C

New Film: Cinestill 800T in 120
Bill Smith recently had the chance to take a test run with the latest offering from Cinestill, their 800T film in 120. For those who don’t know Cinestill releases a line of film that is Kodak Vision3 motion picture film but during their rolling process removes the Remjet layer leaving a regular C-41 film. Now you can easily remove the Remjet layer in home processing or send it away to a couple of labs around the USA that do the ECN-2 process. You can even do a home ECN-2 process, but with Cinestill film, you don’t have to worry about all that.

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Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

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Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

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Mamiya C220F – Mamiya-Sekor 80mm 1:2.8 – Cinestill 800T Alpha

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario. In Guelph there’s Pond’s FotoSource For those further north you can visit Foto Art Camera in Owen Sound. On the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

It’s a TMAX Party – Part II

The April TMax party happened to fall right into the perfect schedule with the Spring 2017 Toronto Film Shooters Meetup falling right into the shoot week! After careful consideration and having moved many of my cameras over the condo where I’ll be living before the month is up (actually next week once Heather and I get back from the honeymoon). I settled on my trusty Hasselblad 500c; it has been seeing a little less use this year after getting a lot of love with the 52:500c project.

TFSM - Spring '17
Downtown Camera where the meet started and the best spot in downtown Toronto to pickup anything film releated!

TFSM - Spring '17
A slightly sad wall, needs something more than just grey and white paint.

All through downtown Toronto, we went, taking in the various sites and sounds of the city’s core with a solid group of photographers from the little group I gathered together. This meet was the brainchild of James McFarlane. A long-time friend and the man who is going to be the photographer at the wedding in a couple of days!

TFSM - Spring '17
The man himself!

TFSM - Spring '17
St. Lawrence Hall from the park. Back in 2016 I tried to get a night shot from this angle, but failed.

Despite being a day of mixed lighting conditions with the bright cloud cover, it was great to get out with a 400-speed film so that no matter what happened I could shoot handheld which is important on a photo walk. Tracing along Queen Street and into St. James Park there were plenty of things to shoot, and because I wasn’t leading the walk, I could settle back and enjoy just shooting. And for a TFS meetup, it’s an oddity.

TFSM - Spring '17
One of the side doors of the St. James Cathedral. I would have gone inside but I wasn’t equipped for indoor shooting on the day

TFSM - Spring '17
But there’s still lots of shoot on the outside of St. James

As always big thank you to Emulsive for organizing this little party (and I look forward to the next film party, maybe a Tri-X Shindig?) and to Downtown Camera for being a big supporter of the TFS group!

Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Kodak TMax 400 – Kodak HC-110 Dil. B 5:30 @ 20C

CCR Review 61 – Exakta VX IIa

You don’t have to break a leg to get a kick out of using the Exakta VX IIa, but if you’re not careful if you drop it on your leg, it just may break the bone. I was a little wary of this camera at first. All the controls are on the left side. Thankfully it didn’t take much to get used to the odd layout, and luckily it didn’t take me 39 steps to get used to the machine. And I found it fairly intuitive after a while; there was no throwing this camera out the rear window, I’d by a psycho for doing such a thing.

CCR Review 61 - Exakta VX IIa

The Dirt

  • Make: Exakta
  • Model: VX IIa
  • Type: Single Lens Reflex
  • Format: 135 (35mm), 36×24
  • Len: Interchangeable, Exakta Bayonet
  • Year of Manufacture: 1956-1963

CCR Review 61 - Exakta VX IIa

CCR Review 61 - Exakta VX IIa

The Good
There are a few things that the genuinely awkward Exakta has going for it. The first item is the optics, beautiful sharp Carl Zeiss lenses, like the iconic Biotar makes this a camera worthwhile for the simple reason of image quality. Along the same line as the lens is the aperture opening lever. On the bottom of the lens barrel, there’s a pull lever that will open up the aperture as the camera doesn’t have an automatic aperture or TTL metering. So having the ability to set the aperture, open it up for focusing, then with a half push on the shutter release the lens stops down before tripping the shutter, gives the VX IIa somewhat of an easier operation. Then there’s the wonderful option of using a waist-level finder. Yes, you read that correctly, you can put a waist-level finder onto the Exakta. It does make for a different shooting experience with the camera and certainly makes using the left-handed controls a bit easier in the long run.

CCR Review 61 - Exakta VX IIa

CCR Review 61 - Exakta VX IIa

The Bad
Throw out everything you know about shooting SLRs; when you pick up an Exakta. I’m not sure of the reason behind this radical departure from the norm, but it certainly makes for a unique shooting experience. And it doesn’t stop there, nothing on this camera is quick and easy. You have to cut down the film leader to load the camera, and there’s little to no feedback on if you’ve loaded the film correctly. The film advance pulls down the meter and cocks the shutter, so it has the longest pull in any camera I’ve reviewed, it’s almost a full 180 degrees. Even rewinding the film, what should be the easiest task of them all is awkward, I lost about five or six frames because when I though I had rewound the film, I hadn’t and opened the back…twice. And finally, the shutter release takes a bit of an effort to push down. All these points combine to a rather awkward shooting experience, even more so than the Leica R3.

CCR Review 61 - Exakta VX IIa

CCR Review 61 - Exakta VX IIa

The Lowdown
If you want a serious challenge, with some great results, the Exakta VX IIa is the camera for you. Everything is mirrored, everything takes a lot more of an effort to operate and use. This isn’t a camera for quick and dirty operation. So I can see why a wheelchair-bound photographer would use the camera for spying on his neighbors in Alfred Hitchcock’s Rear Window. But if you do run with the camera, you won’t be disappointed in the images you get out of it.

All Photos Taken at Westfield Heritage Village, Rockton, Ontario
Exakta VX IIa – Carl Zeiss Jena Biotar 2/58 – Kodak TMax 100 @ ASA-100 – Kodak D-23 (Stock) 9:30 @ 20C