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These days I will rarely work with Ilfosol 3, but it remains a developer that I always keep in the back of my mind. After learning how to develop my own black & white film from my good friend Julie using Kodak D-76, it would be a few more years before I started taking on the process full time. When I went into Burlington Camera to get all the equipment I needed to take on the daunting task some eight years ago, Joan pointed me towards Ilfosol 3 as a good starting point when you didn’t want to keep a large quantity of developer mixedRead More →

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In the category of gone too soon is New55 and their amazing film stock, Atomic-X. Now, this isn’t the first time I’ve spoken on Atomic-X when they first started releasing just their negative material for their revival attempt at the iconic Polaroid Type 55, I grabbed a box of one-shot envelopes to try out. The Atomic-X negative was in reality based around their goal of a Postive/Negative material, however, when I tried the New55 PN I got no usable results, the envelopes fell apart on me or the chemicals failed to spread it just became a disaster. But when they offered up 25-sheet boxes ofRead More →

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If there’s one thing that certainly does not lack at Photostock it’s the sheer amount of beautiful things to photograph all through Emmet County where Photostock is based. There is one thing I love to do at any Photostock event is driving the M119 or the Tunnel of Trees. Sadly Saturday dawned with rain, but that didn’t matter as the morning saw the Portfolio Review (Which I should have brought my finished War of 1812 project book for) and the Print exchange. But after a lovely lunch down in Harbor Springs with Heather the rain stopped and the skies started to clear so I grabbedRead More →

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Fomapan 200 is a film stock that like TMax 400 and Delta 400 I’ve struggled with. I find it far too grainy for 200-speed film stock, often rather soft on the edges and can be rather fickle about lighting conditions. But it’s not a bad film; I think it needs to be handled with little extra care. Fomapan 200, was the first of the Fomapan films that I tried, and while initially disappointed in it, I quickly learned to like the film, for certain applications. Film Specs Type: Panchromatic B&W Film Base: Polyester Film Speed: ASA-200, Latitude: 64-800 Formats Avaliable: 35mm, 120, Sheets Roll 01Read More →

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When it comes to iconic films, Ilford HP5+ rates as one of the big ones, with a history as old as Ilford FP4+ and dates back to 1935. And while it only got its ASA-400 speed rating in 1960 is certainly is a film that can take amazing images. While many see HP5+ as a direct competitor to Kodak Tri-X, I do see two separate films each responding differently to the range of developers out there. And while I’ve had a rocky time with the 35mm version of the film, I’ve come to accept HP5+ is certainly an amazing film! Film Specs Type: Panchromatic B&WRead More →

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One more shot, one more shot! While today such a call is commonplace in the day where the number of images you can get is dependent on how fast your camera’s shutter works and how large and fast the memory card that you have in your camera is, but back in the early 20th Century, asking for one more shot could mean sacrificing one in the future. But many iconic images and photographers worked with large format cameras and the idea of a Press Camera pre-dates the camera I’m reviewing today by nearly three decades. While the Crown Graphic is not as well known asRead More →

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When I call the Rolleiflex 2.8F the oldest camera in my toolkit, that doesn’t mean it is oldest by age, rather oldest having been in my toolkit the longest of any other cameras. I got the camera in 2010 after buying it from the original owner. The original owner having purchased it in Germany in 1969 along with most major accessories, and since then it became a near-constant companion. And the camera saw a lot of action from trips to abandoned buildings, nature to weddings and other portrait sessions. The Rolleiflex 2.8F is my third and honestly final TLR in my kit having solidified myRead More →

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Despite the title, this is not the famous Flanders Field. But instead, the iconic cemetery at St. Ignatius is a well-known spot for anyone who attends the Photostock event held nearby at the Birchwood Inn (Harbor Springs, MI). The Church, a Jesuit mission, was first built in 1741; a fire burned it down in the 1820s, but it was rebuilt in 1823; if you look close enough, you can see the steeple from the M-119 as you drive along it. Before taking this shot, I had visited the cemetery the night before to get a feel for the location, even going as far as toRead More →

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I seem to have found yet another home away from home. Emmet county is up in the northern part of Michigan. I was first introduced to this beautiful part of the United States in 2012 at Photostock. Photostock, the brainchild of world-renowned photographer Bill Schwab is a gathering of photographers in his backyard. And in its early years, it was literally in his backyard, but by the time I started going, it had moved to the Birchwood Inn; this throw-back backwoods hotel would make you think you had stepped back into the 1960s. I have written about Photostock before, but this time it’s different. PhotostockRead More →

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I was remiss in posting about this year’s Photostock back in June! As with last year, it was a fantastic time, more so for me this year, as I stayed at the Birchwood to party it up with the group late into the night. Late nights and early mornings. Three things make Photostock great. The Place, the People, and the Community. So the photos I took reflect the first two items, the Place and the People. The third one can be shown in the photos. However, video drives the point home. This group of photographers shoots a wide range of cameras and techniques, yet weRead More →