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When it comes to metering for precision, there is nothing better than a spot meter, but most spot meters these days are expensive, both new and on the used market. The first and only spot meter I’ve used is the Pentax Spotmeter V. This analogue 1° spot meter has become the accessory that always gets thrown in my bag when I’m out with my Crown Graphic Hasselblad or Mamiya for precision tripod-based work. The meter served me through almost my entire War of 1812 project, Canadian Confederation and most recently, the Railway project. A simple easy to use device that allowed me to execute aRead More →

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There’s a good chance that if I’m heading along Highway 7/8, a sign for New Hamburg is something that I will generally ignore. If I’m in that part of Ontario, I’m on my way to points further west, good chance, Stratford. But I’m also a sucker for a new town, so I made the point to head into New Hamburg during a day out shooting for reviews last year. Like other communities in Southern Ontario, the town has been expanded outwards in urban sprawl with several new subdivisions. Still, it has also maintained a cosy historic downtown, which is where we’re exploring today. There isRead More →

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When it comes to medium format cameras, there are two formats that I’ve always been drawn to, the iconic 6×6 square and the slightly smaller 6×4.5 or 645. I’ve run with a Pentax 645 and more recently the Mamiya m645. I have shot with other medium format cameras, 6×9, 6×7, and 6×8 and even larger exposure sizes. But I keep on coming back to 645; it’s great for everyday shooting and gives you that larger image size than 35mm. But the cameras are often bulky unless you go with a folder. But what about the best of both worlds? Enter the Fujifilm GA645Zi, the thirdRead More →

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I kept typing the title “If I left the Zoom”, which is also appropriate these days, but there’s nothing to do with Zoom this week. Instead, the title comes from the third studio album from one of my favourite bands, Jars of Clay. But like zoom, this week also has nothing to do with Jars of Clay. Instead, we’re heading to the Toronto Zoo. The Toronto Zoo is a spot I haven’t been to since my last 52-Roll project on an early date with my (then future) wife, Heather. The first Zoo in the city of Toronto was the Riverdale Zoo that opened in 1873.Read More →

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I love that Ontario has a pile of wonderful small towns to explore, and many still carry through their wealth of heritage structures, and I’m glad I’ve been able to feature several of them here this year. While many are communities that I’ve been to many times, today we’re in one that I’ve only visited once before, the town of Paris, Ontario. The first time here, I was passing through on a New Years Eve on my way to a party in St. Thomas and only stopped for a brief time. But it kept on being in the back of my head. So here weRead More →

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If you’ve been following my photography for some time now, you’ll know I have a strange enjoyment of photographing doors. I think it traces itself back to my first trip to Montreal. Either way, with it being the start of term at Sheridan, I needed a theme that I could do casually across the full seven days of the week. Usually, I do my best to get the entire roll shot in a day, but I decided to give myself seven days shooting five frames each day. So let’s break on through (to the other side). (See what I did there). I honestly don’t knowRead More →

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I always seem to want to come back for more. One of my first experiences with a Soviet camera was a Smena 8m, this was a gift from my good friend Michael Raso, and the camera was interesting, to say the least. There wasn’t anything bad with it; it was pretty unique and produced excellent images. It was hard to work with, too much to do, too fickle, and I wasn’t getting to know the camera well enough. So I passed it onto another photographer who went on to use the camera to produce awesome results. There wasn’t anything wrong with the 8m; I thinkRead More →

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Connections, its something that we have found that many of us have a great need for. With the past year and more of stay-at-home orders, reduced social contacts, especially those outsides of the virtual world, the need for human contact has grown even more. So this week, we’re back among people to celebrate a small group within Milton (and beyond) that provided a great many people, myself included, some form of social contact and allowed for the formation of a social group. That group’s name is Connect, and for Week 33, we celebrate that group and its ending. Eight years ago, a friend of mine,Read More →

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I’m a big fan of Eastman Double-X; it’s a beautiful mid-speed film that offers up amazing latitude and forgiveness along with a lovely grain structure. But for the longest time, it has only been available in 135 (35mm) format because, well, that is generally what cinematographers shoot motion pictures in. Still, it has great potential in medium format. There had been an attempt to have the film produced in 120 format but never went anywhere. At least until earlier this summer, when Cinestill put out the word, they had their BwXX in 120. BwXX is Cinestill’s Eastman Double-X branding and is the same stuff you’veRead More →

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I have known about Adox HR-50 for some time but have purposefully avoided including it in past years. Originally released in 2018, HR-50 was one of the new film emulsions to come out of Adox shortly after releasing CHS 100 II (reviewed last month). The reason being that HR-50 is a semi-closed imaging system and I never had good luck with those, as seen by my Adox CMS20 II review. I caught a lot of flack for that one. There is also the trouble with getting the stuff here in Canada. But when I saw that both the film and the dedicated developer, Adox HR-DEVRead More →