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When it comes to TLRs, there are plenty of choices out there and in many cases will cost you a fair amount of money. I’m talking Yashica, Minolta, Mamiya, and Rolleiflex plus several other upper-crust cameras. But for me, these were a second step (Yashica-12) and third step (Rolleiflex 2.8F) in my journey of Twin-Lens cameras. My first TLR is a true Soviet-era classic and a gateway drug into the wonders of both 120 film but also TLRs in general, and that is the Lubitel 2. Built by ЛOMO (LOMO) or Ленинградское Oптико-Mеханическое Oбъединение translated Leningrad Optical Mechanical Association one of the pillars of theRead More →

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If you’re a long time listener to the Film Photography Project, you might recognise the name of the camera I’m reviewing today, but that is not the camera I’m referencing. There’s a certain soundbite used in some earlier episodes the Agfa Clack as said by one Dan Domme. The Click-II is the younger cousin to the Clack, unlike the Clack, the Click and Click-II shoots 6×6 and is a bit of a strange duck given that the Click-II saw production starting in 1959 long after the days of the simple box camera. Yet, even today cameras like the Click-II see a level of popularity amongRead More →

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When I first started with film development, my world consisted of Kodak products, D-76 and HC-110. The only other developer I used outside of Kodak was Rodinal and Ilfosol 3 (at least at first). Then in 2015, I started reviewing cameras and decided at the same time to explore Ilford more both in film stocks and developers. I stumbled upon two developers that soon became favourites, one of them is Perceptol (which I will review next month) the second is Microphen. While not a developer I use often, it offers fine grain, neutral contrast, and works for both push and pull processing. Technical Details Manufacturer:Read More →

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And now for something completely different. Out of all the cameras I’ve reviewed, I can say that this is the first time I’ve reviewed a custom hand-built camera. I mean this camera doesn’t even have a name, so I have for the sake of my record keeping, named it the Francuz Cherry 66. As it is for sale and built by eBay user Francuz01, Cherry for being made from cherry wood and 66 for the fact it shoots 6×6 exposures. Now pinhole and I have a strange relationship, I initially had no desire or time or it and when I did shoot it I dislikedRead More →

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When it comes to slow films there are only two that matter in my book; the first is Rollei RPX 25 the second is Ilford Pan F+. Pan F+ was the first real slow film I ever used and fell for it right off the bat. Great when you’re shooting in bright light and want that fine grain, smooth tone look for your summer images. In fact, I don’t think there’s a developer that the film doesn’t like. But for me, it’s always the film of choice for the summer months of the year when I’m out shooting landscapes and urbanscape both on and offRead More →

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Many people have asked me how I first got into the reenacting hobby; my answer is a strange one for some. I got into the hobby through photography. It was back in 2008 when the Fort York Guard requested that I come along to the annual Siege of Fort Erie event to grab some photos. I walked away with some great shots, and my presence soon migrated to the 7th Battalion, 60th Regiment of Foot, a brand new reenacting unit at that point. I watched as these dedicated individuals portrayed what the British military was like during the Anglo-American War of 1812 and learned aRead More →

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One of the best parts of being a historical reenactor is that you often get a chance to visit and stay in some of Canada’s historic sites, and many find their home in some of the beautiful towns in the province. And while it can be hit and miss along the Niagara River, Fort George in the picturesque Niagara-On-The-Lake, Ontario is certainly one such site. Having an event there during the July edition of the Summer Film Party offered me a chance to shoot in the historic walls of Fort George, a site deep in military history. Both the fort and the town have aRead More →

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Most of my experiences with communist built cameras have been gear from the failed Soviet Bloc, which is all well and good, but those cameras were not exactly known for their quality control, offset by the ease of repair by the layperson. However, there is still another communist state still producing cameras even today, and that’s China. The Shanghai Camera Factory started production of their Seagull 4A line in 1968, and by the 1970s the Seagull 4A-103 came into being. At first glance, you’d probably think that the camera in question is a German Rolleicord and you would be partially right. The 4A-103 is aRead More →

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Robert Ross is unique among the British Military leaders of the time as he never accepted any honours due to his actions. Born at his family estate at Rostrevor, Ireland in 1766. Before he joined the British army he attended Trinity College in Dublin while attending classes there he also served as the treasurer for the college’s historical society. Upon his graduation, he purchased an ensign’s commission in the 25th (Sussex) Regiment before advancing to captain a few years later in the 7th (Royal Fusiliers) Regiment. Ross would taste combat for the first time in 1799 at Krabbendam in the Netherlands during the French RevolutionaryRead More →

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Robert Barrie is one of the more unique people related to the War of 1812 that I have researched and written on. While he managed to earn a disreputable reputation among the American population among the British and Canadians whom he interacted with he was well liked and respected. Barrie was born on the 5th of May 1774 in Florida, which at the time was still under British Rule, the son of Doctor Robert Barrie and Dolly Gardner. Despite his birth in North America he was raised in England. After his father passed away when he was still an infant his mother would move backRead More →