By:
On:
In: Reviews
With: 1 Comment

It’s always exciting news when a new film hits the market, and it seems that the folks at FilmFerrania are certainly working hard to bring back as much B&W stocks from the original version of Ferrania as possible. Last year we saw the introduction of Orto their newest film since the initial release of P30. And earlier this year they announced the reintroduction of Ferrania P33. P33 is another classic film stock from the Italian manufacturer. With a sensitivity of 160 ASA, the P33 ensures a simpler and more versatile photographic experience compared to the past. Designed to overcome the processing and printing challenges facedRead More →

By:
On:
In: How To
With: 0 Comments

One of the more interesting parts of B&W film photography is the ablity to adjust how the film behaves. There are many different ways of adjusting how the film looks, you can over or under expose the film, or push/pull the film in development. You also have various different developers to adjust how the film looks and different dilutions. But there is also the ideas of adding coloured filters to your lens to change what light and how much light hits your film. Now it might seem weird to put coloured glass over black & white film, but it can adjust and change how differentRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

Regarding films and photography, you encounter polarisation daily—your choice of film, camera, developer, and even how you shoot or your subject matter. But among the more divisive film stocks, one brand stands out: Foma. Now I’m a reborn fan of Foma films. Initially, I was unhappy with the results, but I soon learned to like them once I learned how to develop them. While I’m still on the fence about Fomapan 200, I’m a big fan of Fomapan 100 and Fomapan 400. And back in 2019, on a trip to Chicago, I grabbed a couple of rolls of Foma Retropan 320, hoping to find somethingRead More →

By:
On:
In: Camera Review Blogs
With: 0 Comments

You will have to pry my Rolleiflex from my cold dead hands. But as wonderful as they are to use and the top-notch images, they aren’t the cheapest camera. But the folks at Rollei (Franke & Heidecke) realised that the cost of their cameras put them out of reach of many photographers. Enter the Rolleicord, the low-cost TLR, in the greater Rollei ecosystem, is the lowest tier, with the 2.8 Rolleiflexs at the top, followed by the 3.5 Rolleiflexes next and then Rolleicord. But that doesn’t mean you should turn your nose up at these cameras. While they never reached the same level of technologicalRead More →

By:
On:
In: Film Review Blogs
With: 1 Comment

Have you already reviewed this film? The answer would be yes and also no. ORWO Wolfen NP100 is a film that is a variant of the cult favourite motion picture film, UN54+. However, the folks at Filmotec have added an anti-halation and anti-static layer to the film stock to make it better for still photography. And that’s enough of a change for me to warrant a full-on review. Now the history of ORWO is complicated; the company was formed from the original home of Agfa in the German town of Wolfen. When World War Two divided Germany in the post-war era, Wolfen ended up inRead More →

By:
On:
In: Film Review Blogs
With: 3 Comments

This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

It has been awhile since we got a new product from the folks at FilmFerrania in Italy. While they are not anywhere close to releasing a slide film (it was a pipe dream from the start in my opinion) they have recently released a slightly slower film from their original P30 release. It has also taken some time for this film to reach me here in North America. But it was well worth the wait, because it takes a lot to make a film, so any new film in 2023 is a good thing for the eco-system. Of course, Orto is not without challenges, itRead More →

By:
On:
In: Film Review Blogs
With: 3 Comments

Regarding CatLABS, you never know what they will pull out of the bag next. Earlier this year, I reviewed their latest version of the XFilm 320 Pro and was presently surprised with the results. While I never touched the original version (which is said to be Eastman Double-X), I did try their original version of XFilm 80. I loved the stuff in my original review and revisiting it at ASA-32. When I got my hands on the new 320 stuff, I grabbed a box of XFilm 80 II. And I’ve been sitting on it for a while, but during the hot days of summer finallyRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

When it comes to film from FilmWashi, they can get their hands on some pretty unique stocks. And I’ve had some good luck with most of their films; others have struggled a bit. Thankfully I’ve been working through my wish list in their catalogue and have gotten my hands on most of them. But one has been out of stock until recently, and that’s FilmWashi A. Described as a motion picture leader film, the film is spliced onto the front of a motion picture prints to help lead the film through the projector. But it can be used for high-contrast uses, like titles or thatRead More →

By:
On:
In: Camera Review Blogs
With: 0 Comments

Within the film photography community, the OM-System, specifically the Zuiko lenses, are held in high regard with good reason. The Olympus OM-1 is a stunning mechanical SLR perfect for beginners, and the sophisticated metering system on the OM-2 is brilliant. Even cameras like the OM-3 and the OM-4 are excellent replacements for the original two. But an entire subset of the OM-System often takes a backseat, the double-digit consumer models. As much a part of the OM-system as the single-digit ones, often holding some of the same technology. One such example is the original consumer model, the OM-10. The OM-10 was on my hit listRead More →