If I had to choose between Microphen and Perceptol, Perceptol would win every time. And it all has to do with how the developer works. If you know me, I’m a fan of the old school, not only do I shoot and develop my own film, I like older film stocks, older developers, and that classic look. And while it’s easy for me to whip up a batch of D-23, there’s just something that Perceptol does that makes it the perfect mix between new and old. If Microphen is your fast-moving friend, Perceptol is one that takes a little more time. While I wouldn’t useRead More →

One of the biggest mistakes I made was giving away my Nikon FM2n as a gift, thinking that I would be OK with the Nikon FA. And while these days to replace an FM2n is a costly endeavour, they have shot up in price since I bought mine. I have since come to terms that the only way to get an FM2n again is to have one returned as a gift. But what about an earlier model, the camera that you could say started it all? Released as a result of the OM-System, the Nikon FM ushered in a new age of Nikon built aroundRead More →

Work has been a bit stressful of late and that restless feeling I had about a month into this whole mess we’re still sorting through came back. Either that or I never stopped feeling that way, and it just regressed enough to function. Thankfully I had my form of therapy still available with a lot more options than I did in April. I made a point to ensure I had three days of photography even if I only went out for a short amount of time with a camera and a roll of film. I ended up going out Monday, Tuesday, and Wednesday with WednesdayRead More →

If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →

It’s a rumble in the mechanical jungle! Last year I pitted my Nikon F5 against the Minolta Maxxum 9, and I had a lot of fun doing that review, not to prove which camera is better but to show the difference between the two top dog professional cameras. And I have been waiting for a chance to repeat the format for some other cameras. So why not take out two iconic small-format SLRs that came out in the 1970s, sadly I had very view from that era, at least until recently when I got a pair of them. Today we’re going to compare the OlympusRead More →