If there ever was a location that became my local exploration, the Barber Mill became that spot after the Milton Consumer’s Glass plant went down. I was first shown the mill by a former member of my home church, who I worked for at the time. At a job in Georgetown, he took me over to the mill during a lunch break and taking note of it, I soon went back when time allowed. And since then, it quickly became an easy mark when I got the urge to explore. Plus, it had no security, and you could easily park, get in, and get outRead More →

By 1814, both sides were starting to tire of the war. For the Americans, they had been facing no actual movement. The Royal Navy was causing havoc on the east coast. The British held Mackinac Island, Fort Niagara, the District of Maine, and Prarie Du Chien. The Americans only held Fort Erie, having been turned back in their Niagara invasion. They were under siege and had some control of the western edge of Upper Canada but nothing beyond the settlements of Sandwich and Amherstburg. The possibility of peace negotiations had started in 1813 but were soon shut down. However, with long lines of communication betweenRead More →

Well we made it through another year. Like every years things did not always go to plan and that’s okay. Because it’s important to be flexible, especially when this blog and other channels is not a full time job. The year was a lot of fun despite being a little chaotic. I always have hope that things will eventually calm down, but they do in fact always calm up. There was a rather unfortunate bump through the fall with a five week support staff strike that did reduce some capacity for creation, but I had the chance to play catch up through October and NovemberRead More →

Fujifilm Neopan Acros 100 II, a reborn version of the classic Fujifilm Acros 100. A film with a near cult-like following and one that is known best for having a low reciprocity failure. But when it comes to latitude, it is often seen as narrow. Even when pushed in processing, it can often result in dark, under-exposed, and under-developed images. So, it makes for the perfect film to kick off a new series of reviews to see how Diafine handles this legendary film. Film Specs Manufacturer: Fujifilm Name: Neopan Acros 100 II Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-100 Formats Available: 135 (35mm),Read More →

Like my last developer review (Fuji Microfine), Fuji Super Prodol (SPD) has little information online about the developer. SPD is the faster version of Prodol and according to what I could find online says that this developer is designed for push-processing films. And to make things even more interesting is that looking at the chemical formula it shares similar characteristics to Crawley’s FX-37. This was part of the care package from a reader that included Microfine which turned out to be an amazing developer with Fuji Acros 100 II. The package does appear to be a modern pouch, and appears to be still in productionRead More →

This year marked a major milestone for my podcast, the Classic Camera Revival. And while I call it ‘my’ podcast, unlike other content I’ve posted in this series of entries, CCR is far more a community effort. I wanted it to be not on my shoulders only but rather based around a team of dedicated people who can take on every duty along the way. It’s only fair that the final entry in the series is centred around creating the podcast. Since we started in 2015, a lot has changed in almost every aspect, from how and when we record to the production and evenRead More →

The war had ground to an unceremonious stalemate; it had not gone to plan for both the British and Americans. The Americans continued believing that the Canadians would welcome them as liberators rather than invaders and join them in an easy campaign to free them all from the shackles of the Crown and a distant parliament. The British believed that once Napoleon was safely taken care of, a series of campaigns on the eastern seaboard would help the Americans sue for peace on British terms. None of that happened. Instead, the Americans were left to command a small sliver along the Detroit River of UpperRead More →

Nikon is known for many things; among them is its insane level of detail regarding its macro lenses, or micro lenses in Nikon parlance. For those who aren’t in the know, macro photography is photographing small objects and reproducing them at life-size. Nikon produced its first macro lens in 1956 for the rangefinder or S-Series of cameras, a 55mm f/3.5; this got carried into the F-Mount in 1961, the Micro-Nikkor 1:3.5 f=5.5cm. This lens was improved through its lifetime, eventually becoming the legendary AI-S Micro-Nikkor 55mm 1:2.8, then got an AF make-over and eventually was superseded by this lens, the Micro-Nikkor 60mm 1:2.8. First introducedRead More →

It was during the pre-production process for my video about Efke 100 that I finally decided to review Efke 50. I was looking back at my past photos, not only the ones I shot on Efke 100, but also 50 and 25. And I quickly found that by numbers alone, 50 and 100 were my favourite two flavours, with a lot of my favourite shots being taken on Ekfe 50. Until working on this review, the last roll I had shot was almost ten years ago (2016 at the Virginia Intermont College during the MAMU VIII event on my second day). I ended up developingRead More →

You don’t often hear professional system camera in the same sentence as Pentax. But Pentax cameras have had their place in professional photography since the ESII, it is only that Pentax hasn’t always marketed cameras towards the professional market demographic. The Pentax MZ-S would be the last 35mm SLR to fit into that marketing segment and be the last camera to be developed under the original Asahi Optical Co. name (it was officially changed to Pentax in 2002). My review of the Pentax MZ-S is a long time coming, it was first promised in 2022 but the timely CCR 10th Anniversary and the visit ofRead More →