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When Pentax developed their K-Mount, they decided that this, like the M42 they had used before would become the standard for bayonet mount SLRs. And while the K-Mount remains to this day pretty much untouched it did not become the standard with Nikon and Canon developing their own lens mounts. However this didn’t stop other companies from latching onto the K-Mount band wagon and several clones soon popped up. One such camera was the XR7 by Ricoh (oddly enough it was Ricoh that ended up buying up Pentax). And what a camera the XR7 is, this is a small light weight semi-automatic SLR that canRead More →

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When it comes to game-changing Nikon SLRs, the FA certainly is one of them, and one of a long line of game-changing cameras out of the company. For the FA the change came in the metering system. This was the first camera that featured full matrix metering out of AI and AI-S lenses and full program shooting. The camera accomplishes this by having a small built-in computer storage system that has a selection of scenes and compares the scene in front of the camera and picks the exposure based on one of the scenes in the memory. A smart trick, while not perfect, was theRead More →

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Back to the boxes! There is something oddly satifying about shooting with box cameras. Take away all the fancy settings, lens choices, aperture, shutter speed and you’re left with, at least in Nikon’s words, Pure Photography. Point, Guess, Shoot, Enjoy. And that’s exactly what you get with the Agfa Box 50. One of many cameras in the “Box” line. This particular camera was one that belonged to my Opa Oosthoek, that is my mom’s father and has been passed down through my family. In fact we have several photos at home that were taken on this camera. Special thanks to my mom for loaning meRead More →

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These days the two big camera names that see fanboys (and girls) in both camps is Cannon vs. Nikon. But that wasn’t always the case. In the 1950s Nikon and Canon were still fairly unknown in the pro-market, both were producing rangefinder cameras stamped with “Made in occupied Japan” the real competitors of the 1950s was Contax and Leica. Since I have both a Leica IIIc and a Contax IIIa I figured I should do a side by side comparison and have these two heavy-weights of the mid-century fight it out. Before you continue, I suggest reading by reviews of each camera, first the ContaxRead More →

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There are certain brand names in cameras and even models of cameras that carry a certain quality that goes along with it, and often the idea that the simple matter of owning one will improve the quality of your photographs by extension. One of those names is Leica. The Leica has been attached to many greats within the world of photography. The Barnack Leicas are among those cameras and have created great images in the hands of famous photographers. So I went into this and found a good camera at a fair price, but I soon found that maybe Leica wasn’t for me, having goneRead More →

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When it comes to rangefinders, if you know me, I’m not a fan; they just don’t fit, I struggle to use them, and generally, I am more likely to reach for an SLR. But then there’s my Contax IIIa; for some reason, this is the rangefinder I just won’t let go of; it’s far from perfect, needs a bit of work, and often is a bit frustrating to use. It suffers from frame spacing issues, and I’m sure it will give up the ghost one day. Yet, since I picked it up off John Meadows the first time, I am often drawn back to itRead More →

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The Minolta X-700 was a game changer for Minolta it introduced to their shooters a camera that had a full program auto-exposure mode as well as semi-auto (aperture priority) mode and manual all in a lightweight body backed by some great optics. It also introduced a whole host of cousins in the X line of Minolta cameras. Actually my second Minolta SLR was an X-7a basically the same as the X700 but lacked the program mode. This is a great camera for a beginner photographer as it gives them a chance to experience every mode that is generally used and these cameras can be prettyRead More →

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I don’t remember what drew me to purchase the Horizon Kompakt; I had worked with the panoramic format before, but in the digital sphere, I stitched images together by shooting multiple frames to capture a unique take on an environment. But in 2011, I walked along Queen Street to a Toronto UER meetup, stopped in the Lomography Store (sadly closed), and picked up the Horizon Kompakt. In hindsight, I spent the extra money on the Perfekt. I immediately loaded up a roll of film (with the help of the store staff), went out, and shot through the roll. Well, I was hooked and hit theRead More →

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The bakelite beast, the snap shot camera of the 1950s and a staple camera in most every antique camera store I’ve visited. The Brownie Hawkeye flash was one of many cheap Kodak snapshot cameras that was a staple of plenty of families and still stands up today as a solid starter 620 camera because you can actually use a 120 spool in the camera providing you have a 620 spool in the take up! But although it works, I really don’t recommend it, as you’ll often damage the film itself. Disclaimer: This is an old review, and is scheduled for an update and may lookRead More →

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Even though it looks like the iconic Kodak Brownie, we’re going to clear the record; this camera is not a Brownie. And although this model came after the Brownie, it is a camera that has its origins before the Brownie and flexible films. The Hawk-Eye is a camera that I don’t take out that often the reason being that it stands at over 100 years old. I did get it before it joined the century club and at that point, I still thought it was part of the Brownie family. I took it out for review shortly after its 100th birthday. A basic, no-nonsense cheap,Read More →