Tag Archives: Zuiko

CCR Review 50 – Olympus OM-1

When it comes to the 1970s, the market was flooded with some very similar, yet different 35mm SLRs. The decade saw the rise of names like Minolta, Olympus, and Pentax to counter the big two of Canon and Nikon. The second review I wrote for this series was on the Pentax K1000, a fantastic camera, but now let me introduce to you to the OM-1. The camera that the K1000 should have been (sort of).

CCR Review 50 - Olympus OM-1

The Dirt
Make: Olympus
Model: OM-1
Type: Single Lens Reflex
Format: 135, 35×24
Lens: Interchangeable, OM Mount
Year of Manufacture: 1972

CCR Review 50 - Olympus OM-1

CCR Review 50 - Olympus OM-1

The Good
I like the OM-1, I do. It’s a solid camera that’s great in the hands; lightweight yet has heft. Easy to carry, and even easier to use. I keep on saying you can’t beat a match-needle camera for learning photography on, and the OM-1 certainly doesn’t get the same level of praise as the school favourite K1000. And in many ways, the OM-1 is a slightly better camera for the student. The number one reason is that they are pretty cheap, you can pick up an OM-1 with a 50mm lens for under 100$. The camera is entirely mechanical, the battery only operates the meter, and the camera has a dedicated on/off switch, so you don’t need to fumble around for a lens cap like you do with the K1000. In general, the camera is well laid out with all the controls right there on the lens. Now if you’re unfamiliar with lens mounted controls, this might take a bit to get used to, I know I struggled with it on the Nikkormat FT3, but having experienced it there made going to the OM-1 easier.

CCR Review 50 - Olympus OM-1

CCR Review 50 - Olympus OM-1

The Bad
I feel I’m a broken record on this subject but the issue first and foremost is that the camera needs a mercury cell to operate. These can be hard to acquire, but they do last. Now you can use a 1.5v alkaline battery and in some cases it may work but in the case of the OM-1 I would not recommend it, the first roll I shot the metering was way off! The next trouble I have with the camera is the lack of an integral hot shoe. That’s right; there’s no built-in hot shoe but a separate accessory that you attach to the top of the prism to include that. Now the camera does have a PC socket so you can use a bracket to mount your flash. It’s almost as if Olympus had taken their idea right from Nikon. At least with Olympus, the hot shoe was a standard one, unlike Nikon where you had the weird over the film rewind mount.

CCR Review 50 - Olympus OM-1

CCR Review 50 - Olympus OM-1

The Lowdown
As I said in my introduction, the OM-1 is the camera the K1000 could have been. And sadly it’s lived in the shadow of that iconic student camera. The ultimate student camera would take the general size of the K1000, include lens mounted controls, an on/off switch, a hot shoe, and match needle metering. In all seriousness, the OM-1 is a fantastic camera with which you can easily learn photography that won’t break the bank or your back.

All Photos Taken in Hamilton, Ontario
Olympus OM-1 – Olympus F.Zuiko 1:1.8 f=50mm – ORWO UN54+ @ ASA-100 – HC-110 Dil. A 7:30 @ 20C

Classic Camera Revival – Episode 13 – Marry your Lenses, Date you Cameras

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Probably one of the best things to actually invest in with your camera kit is lenses, as the title says, marry your lenses, date your cameras. Once you’ve figured out what system you want to shoot with, invest in glass, so on this the first episode of our second season the gang talks about their favourite lenses!

Glass Featured on Today’s Show…

In 35mm…
Canon FD Lens S.S.C. 50mm 1:1.4 – While on the surface this is just another 50mm FD Canon lens which are already a fantastic lens to shoot on all your FD mount cameras what sets this camera about is the SSC or coating which makes it stand out from the rest!

  • Manufacturer: Canon
  • Mount: Canon FD Mount
  • Focal Length: 50mm
  • Aperture Range: f/1.4 – f/16, 8 blades
  • Elements: 7 Elements in 6 Groups

Bike Lock
Canon T90 – Canon FD Lens 50mm 1:1.4 S. S. C. – Rollei Retro 80s @ EI400 – HC-110 Dil. B

Careful Footing
Canon AE-1 – Canon FD Lens 50mm 1:1.4 S. S. C. – Kodak Elitechrome 100

Carl Zeiss Planar 2/45 T* – This won’t be the first planar lens on today’s episode, mostly because this is a super sharp lens, and even through it is made in Japan not German, they certainly didn’t do anything to mess it up! Other than being a general everyday carry lens, Alex loves it for street photography because you can get both wide and close shots without standing out too much.

  • Manufacturer: Kyoceria under License from Carl Zeiss
  • Mount: Contax G-Mount
  • Focal Length: 45mm
  • Aperture Range: f/2 – f/16, x blades
  • Elements: 6 Elements in 4 Groups

Toronto - Dec 30th, 2015
Contax G2 – Carl Zeiss Planar 2/45 T* – Eastman Double-X 5222 @ ASA-200 – Kodak DK-50 (1+1) 6:00 @ 20C

Toronto - December 30th, 2015
Contax G2 – Carl Zeiss Planar 2/45 T* – Svema Foto 100 @ ASA-100 – Ilford Microphen (Stock) 7:30 @ 20C

Helios-44/2 – This odd-ball Soviet lens is one of John’s favourite for portrait work. And has gained a bit of a cult following!

  • Manufacturer: KMZ, MMZ, Jupiter
  • Mount: Multiple, Commonly M39, M42, K-Mount
  • Focal Length: 58mm
  • Aperture Range: f/2 – f/16 or f/22, x blades
  • Elements: 6 Elements in 4 Groups

Shooting film
Zenit 3M – Helios 44/2 58mm/f2 – Kodak Tri-X 400 – Pyrocat HD (1+1+100) 16:00

Adriana film 2
Spotmatic SP – Helios 44/2 58mm f/2 – Kodak Tri-X 400 @ ASA-100 – Kodak TMax Developer (1+9) 8:30

Voigtlander Super Wide-Heliar Aspherical II 15mm f/4.5

  • Manufacturer: Voigtlander
  • Mount: Leica Thread Mount (LTM, M39) or Leica M-Mount
  • Focal Length: 15mm
  • Aperture Range: f/4.5 – f/22, 10 blades
  • Elements: 8 Elements in 6 Groups

Old Cold Car
Voigtlander Bessa R – Voigtlander Super Wide-Heliar Aspherical 15mm f/4.5 – Rollei RPX 25 film

College Library in Ann Arbour
Voigtlander Bessa R – Voigtlander Super Wide-Heliar Aspherical 15mm f/4.5 – Kodak Tri-X 400 – Xtol (1+1) 9:00

Olympus F.Zuiko Auto-S 50mm 1:1.8 – This lens is the key lens to anyone starting their own OM kit, lightweight and legendary optics and looks great at any aperture.

  • Manufacturer: Olympus
  • Mount: OM
  • Focal Length: 50mm
  • Aperture Range: f/1.8 – f/16
  • Elements: 6 Elements in 5 Groups

2 great people

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In Medium…
Carl Zeiss Planar 80mm 1:2.8 – This super sharp and legendary medium format lens is one that Alex has used several times, first on his Rolleiflex and now on the Hasselblad 500c.

  • Manufacturer: Carl Zeiss
  • Mount: Multiple
  • Focal Length: 80mm
  • Aperture Range: f/2.8 – f/22, x blades
  • Elements: 6 Elements in 4 Groups

TFSM Fall '15  - The Distillery District
Rolleiflex 2.8F – Carl Zeiss Planar 80mm 1:2.8 – Rollei RPX 400 @ ASA-320 – Pyrocat-HD (1+1+100) 18:00 @ 20C

Off the Deep End
Hasselblad 500c – Carl Zeiss Planar 80mm 1:2.8 – Kodak Tri-X 400 @ ASA-200 – Pyrocat-HD (1+1+100) 10:00 @ 20C

Bronica Zenzanon 150mm 1:4 – This incredible sharp at any aperture portrait lens for the SQ line of cameras plus it makes for a great longer lens for more detailed landscape work as well!

  • Manufacturer: Bronica
  • Mount: SQ Bayonet
  • Focal Length: 150mm
  • Aperture Range: f/4 – f/22, x blades
  • Elements: 6 Elements in 5 Groups

Into The Depths of Dementia
Zenza Bronica SQ-Ai – Zenzanon-PS 150mm 1:4 – Kodak Tri-X 400 – Kodak TMax Developer (1+9) 10:30 @ 20C

Portrait of an Urban Photographer
Zenza Bronica SQ-Ai – Zenzanon-PS 150mm 1:4 – Kodak Tri-X 400 – Kodak TMax Developer (1+9) 10:30 @ 20C

Schneider-Kreuznach Xenotar 75mm 1:3.5

  • Manufacturer: Schneider-Kreuznach
  • Mount: Multiple
  • Focal Length: 75mm
  • Aperture Range: f/3.5 – f/16, x blades
  • Elements: 5 Elements in 4 Groups

Banff
Rolleiflex 3.5E3 – Schneider-Kreuznach Xenotar 75mm 1:3.5 – Ilford Pan F+

Outside of Edinburgh Castle
Rolleiflex 3.5E3 – Schneider-Kreuznach Xenotar 75mm 1:3.5 – Kodak Tri-X 400 – Kodak TMax Developer (1+4) 6:00

Nikkor-H 1:3.5 f=50mm – This is the wide angle lens you want if you’re running a Bronica-EC, great for groups or landscape shots with little distortion and super easy to focus!

  • Manufacturer: Nikon
  • Mount: Bronica Bayonet
  • Focal Length: 50mm
  • Aperture Range: f/3.5 – f/22
  • Elements: 6 Elements in 3 Groups

BronicaECVerichrome2015-10-14-0001scan
Bronica EC – Nikkor-H 1:3.5 f=50mm – Kodak Verichrome Pan

BronicaECVerichrome2015-10-14-0010scan
Bronica EC – Nikkor-H 1:3.5 f=50mm – Kodak Verichrome Pan

In Large…
Carl Zeiss Jena Tessar f:4.5 105mm – It’s amazing that this lens is actually off a medium format 6×9 camera but it has just enough coverage for 4×5 but only if you leave any sort of movements alone.

  • Manufacturer: Carl Zeiss
  • Mount: No. 1
  • Focal Length: 105mm
  • Aperture Range: f/4.5 – f/32
  • Elements: 4 Elements in 3 Groups

Ghostly Sitting
Calumet CC400 – Carl Zeiss Jena Tessar 105mm ƒ/4.5 – Shanghai GP3 @ ASA-100 – Rodinal 1+100 (Stand Developed)

My Son in The Sun
Calumet CC400 – Carl Zeiss Jena Tessar 105mm ƒ/4.5 – Shanghai GP3 @ ASA-100 – Rodinal 1+100 & HC-110 1+200 combo (Semi-Stand)

Schneider-Kreuznach Symmar-S 1:5.6/210 – Alex’s go-to lens for shooting 4×5 this wonderful short telephoto is great for portraits and even some landscape work when you don’t need ‘the big picture’

  • Manufacturer: Schneider-Kreuznach
  • Mount: No. 1
  • Focal Length: 210mm
  • Aperture Range: f/5.6 – f/64, x blades
  • Elements: 6 Elements in 4 Groups

A MiG
Intrepid – Schneider-Kreuznach Symmar-S 1:5.6/210 – Adox CHS 100 II – Blazinal (1+25) 5:00 @ 20C

The Stone Bridge (From Below)
Pacemaker Crown Graphic – Schneider-Kreuznach Symmar-S 1:5.6/210 – Ilford HP5+ @ ASA-200 – Pyrocat-HD (1+1+100) 9:00 @ 20C

Looking for a good spot to get your gear and material fix…check out Burlington Camera, Downtown Camera, Film Plus, Belle Arte Camera and Camtech, if you’re in the GTA region of Ontario, if you’re on the West Coast (British Columbia) check out Beau Photo Supply. Additionally you can order online at Argentix (Quebec), the Film Photography Project or Freestyle Photographic.

Also you can connect with us through email: classiccamerarevivial[at]gmail[dot]com or by Facebook, we’re at Classic Camera Revival or even Twitter @ccamerarevival

CCR Review 29 – Olympus 35SP

Playing along the same lines of the fixed lens camera rangefinders of the 1960s and 70s the Olympus 35 SP is one of the top models that you can get from that era, I’d actually rank it equal with the Minolta Hi-Matic 7s. And the best part as many people go for the Cannonet line of cameras, the 35 SP again like the 7s is more of an underdog camera and like many Olympus cameras has gained somewhat of a cult following. But what made the camera stand out among it’s peers that a dual metering system that had both a center weighted and an on-demand spot meter as well that were both available even when the camera was in manual mode.

CCR - Review 29 - Olympus 35 SP

The Dirt
Make: Olympus
Model: 35 SP
Type: Rangefinder
Format: 35mm, 35x24mm
Lens: Fixed, Olympus G.Zuiko 1:1,7 f=42mm
Year of Manufacture: 1969-1976

CCR - Review 29 - Olympus 35 SP

CCR - Review 29 - Olympus 35 SP

The Good
This is a fantastic camera, light weight, easy to handle, the focus ring has a wonderful lever that makes it super smooth to focus without moving your hand from the bottom of the camera. And pairing that with the sharp just a little wider than normal 42mm Zuiko lens makes the images even better. But the thing that makes the camera really shine is the meter. This was one of the few fixed lens rangefinders that has a dual meter, both center weighted normally and a button you press that gives you a spot meter reading. And to make it even better the camera meter does this in both fully automatic mode and manual mode. And as for manual mode the camera meter display in the finder uses the EV scale, but on the lens barrel you can easy adjust the aperture and shutter speed and a display window will give you your EV number. Or just run full manually with Sunny-16 or an external meter as the mechanical body will run even without a battery.

CCR - Review 29 - Olympus 35 SP

CCR - Review 29 - Olympus 35 SP

The Bad
Like many of these cameras of the era the camera does take a mercury battery so finding one with a functioning battery is possible but rare and the replacements are out there but again cost a bit of money and don’t last as long. But on the other side of the coin being a mechanical camera means it will function even without a battery. The second beef I have with the camera isn’t the meter itself but the placement of the meter. The window is off to the side so if you want to use filters on the camera you do have to take the filter factor into account and even with my head it’s difficult to figure that out on the fly. So generally I don’t.

CCR - Review 29 - Olympus 35 SP

CCR - Review 29 - Olympus 35 SP

The Lowdown
These are certainly beautiful cameras to both shoot with and use, and being a bit on the side of the underdog you can get these for fairly cheap and they really won’t let you down. With a solid meter and great optics, as well as fantastic handling. If you’re looking for a good camera for street work or just a general travel camera that you can throw in your bag, the 35 SP or any camera from the Olympus 35 series will suit you just fine!

All photos taken in Oakville, Ontario
Olympus Stylus Epic DLX – Olympus G.Zuiko 1:1,7 f=42mm – Svema Foto 400 – Xtol (1+1) 14:00 @ 20C

CCR Review 6 – Olympus Trip 35

Olympus seems to have a way of creating cult cameras and the Trip 35 is no different, this is a fantastic compact and fully automated camera that can fit in a pocket or bag. But don’t let the size give it away, the Trip 35 produces fantastic sharp images mostly thanks to the fantasic Zuiko lens. It’s a great way to get quality images in a compact camera.

CCR - Review 6 - Olympus Trip 35

The Dirt
Maker: Olympus
Model: Trip 35
Type: 35mm Point & Shoot Zone Focus
Lens: Fixed, Olympus D.Zuiko f=40mm 1:2.8 (Tessar Design)
Year of Manufacture: 1967-1984

CCR - Review 6 - Olympus Trip 35

CCR - Review 6 - Olympus Trip 35

The Good
No batteries here, the fully automated system can be used in any weather anywhere in the world without needing to seek out a camera store to get a battery. And as mentioned before the optics on the camera are fantastic for a compact point & shoot camera that produces sharp images at any aperture, and the 40mm focal length gives you a happy medium between the normal 50mm and the wide angle 28mm. Another feature that I really like about the camera is the red flag, this flag will let you know that there’s not enough light to actually take a photo, and to put on a flash (there is a hotshoe and PC socket).

CCR - Review 6 - Olympus Trip 35

CCR - Review 6 - Olympus Trip 35

The Bad
Like any camera with a selenium meter there’s a chance that the older models will start to suffer from the meter being burned out, mine is an earlier model but still going strong. There is also little in the way you can do a manual override, sure you can easily change the aperture on the camera, but having only two shutter speeds (1/40″ or 1/250″) there’s little adaptation you can do. But if you’re out shooting with the Trip 35, good chance you’re just leaving it in automatic. And finally zone focus, if you have poor spacial reckoning this might be an issue, although the focus icons (mountain, three bloaks, two bloaks, one bloak ect) do make it easy, you also have the actual distance scale, which for me is helpful.

CCR - Review 6 - Olympus Trip 35

CCR - Review 6 - Olympus Trip 35

The Low Down
If you like to travel light without loosing image quality the Trip 35 is for you, but make sure you are able to test the camera fully first! You don’t want to find one that has a burned out meter, or non-working red flag. But if you have a good camera, it really won’t let you down honestly. I’ve been running the camera for several years, not as much as I should be, but have never had a bad image out of the camera. It’s a great exercise in limiting yourself.

All Photos shot along College Street in Toronto, Ontario
Olympus Trip 35 – Olympus D.Zuiko f=40mm 1:2.8 – Ilford FP4+ – Ilford DD-X (1+4) 10:00 @ 20C