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Representation Matters, so on today’s show Chris is taking the lead and bringing around the table today are six amazing photographers whom we at CCR love to see their work and are always happy to interact share and celebrate their work. But what draws all these photographers together, well they’re all women and they have an amazing talent that certainly needs to be celebrated, shared, and their voices…heard. Over the course of the episode, our hosts mentioned a bunch of amazing photographers that you totally should follow. Here’s the list and links! Jess (FBVisualss) – www.instagram.com/fbvisualss CoThePhotographer – www.instagram.com/cothephotographer Roxanna (Roxannlog) – www.instagram.com/roxannalog Chingonas ConRead More →

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Connections, its something that we have found that many of us have a great need for. With the past year and more of stay-at-home orders, reduced social contacts, especially those outsides of the virtual world, the need for human contact has grown even more. So this week, we’re back among people to celebrate a small group within Milton (and beyond) that provided a great many people, myself included, some form of social contact and allowed for the formation of a social group. That group’s name is Connect, and for Week 33, we celebrate that group and its ending. Eight years ago, a friend of mine,Read More →

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When you read the datasheet for Adox Silvermax Developer, you almost can think that this is the secret cypher key to unlock the best possible results when using Adox Silvermax film as the developer is used to unlock a secret silver reserve in Silvermax films and use it to the best photographic potential. Now I’m no language expert, especially German, but I feel that something got lost in translation. (Checks translation), okay, dormant reserves. Either way, this developer is best used with Silvermax films, as it couples with the specialised sensitiser used in that film’s production. But don’t let that stop you as the developerRead More →

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I’m a big fan of Eastman Double-X; it’s a beautiful mid-speed film that offers up amazing latitude and forgiveness along with a lovely grain structure. But for the longest time, it has only been available in 135 (35mm) format because, well, that is generally what cinematographers shoot motion pictures in. Still, it has great potential in medium format. There had been an attempt to have the film produced in 120 format but never went anywhere. At least until earlier this summer, when Cinestill put out the word, they had their BwXX in 120. BwXX is Cinestill’s Eastman Double-X branding and is the same stuff you’veRead More →

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When it comes to the community of Owen Sound, it is one of those places that, unless you live up in that area, you have to make a point actually to go and visit the city. And having to head up there as part of the capture plan for my Railroad Project gave me a perfect chance to revisit the beautiful downtown. Sadly I could not spend as much time as I wanted because the drive up took far longer than I expected, mainly due to traffic, but well worth the trip all the same! The earliest human settlement of the region was of theRead More →

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When it comes to lenses, some out there have become a key part of many photographers’ main kit. And for me, this lens marked my first major lens purchase and investment in the Nikon system. This lens marks the fifth iteration of the 70-200mm f/2.8 series of telephotos and the second Silent Wave Motor (AF-S) of this iconic lens. First released in 2003 alongside two other f/2.8 G-Type lenses, the 14-24mm and 24-70mm, which forms the Nikon Trinity. This lens quickly became a go-to lens for wedding, event, and reenactment photography originally paired with my Nikon D300 and later my F5 and D750. It’s heavy,Read More →

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In this episode, the gang sits down to discuss the art of Bulk Loading 35mm film. From the equipment to the techniques and the pros and cons, James, Bill, and John all share their own experiences and knowledge on the subject while Alex who has tried and disliked the process sits down and learns where he went wrong and the causes of his own frustrations. Types of Bulk Loaders To bulk load film, you need bulk loaders if you want to make your job an easy one, all three loaders can be found easily online, or at your local camera store’s darkroom section. Lloyds IfRead More →

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It’s been a hot minute since I had a chance to hang out with following historical reenactors in any major way. But this week, it’s a little different from my usual War of 1812/Napoleonic event. We’ve skipped ahead one hundred years and into the Great War. I had a chance to head out to The Hex, a small farm in rural Milton, for an event with a World War 1 unit representing a Swiss Regiment that defended the country’s border and helped maintain their neutrality during the conflict. During my time at school, World War One fell into my Grade 10 history class in aRead More →

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I have known about Adox HR-50 for some time but have purposefully avoided including it in past years. Originally released in 2018, HR-50 was one of the new film emulsions to come out of Adox shortly after releasing CHS 100 II (reviewed last month). The reason being that HR-50 is a semi-closed imaging system and I never had good luck with those, as seen by my Adox CMS20 II review. I caught a lot of flack for that one. There is also the trouble with getting the stuff here in Canada. But when I saw that both the film and the dedicated developer, Adox HR-DEVRead More →

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Despite being far more niche these days, film photography still hangs on. And while there are plenty of options out there for getting your films lab developed and colour film developed, both C-41 and E-6 is fairly uniform no matter what chemical you buy. Except for E-6, Cinestill has a unique E-6 kit, but that’s a whole other thing. When it comes to Black & White, there is a tonne of options available to you for development. It can seem a bit overwhelming at times. But I have spent close to a decade developing my own Black & White at home and have tried aRead More →