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When it comes to photography the exciting things to review are cameras, lenses, films, and developers. But there are a tonne of other things that go into photography beyond the main kit. There are of course light meters, I’ve reviewed several of them in the past, both here on the blog and over on my YouTube channel. There are also flash units, but while I have flashes for all my main camera kits, I don’t use them that often, but they’re still good to have. But what about all those extra bits that don’t get the staring role, relegated to be mentioned in the background.Read More →

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Well, here we are at the start of a new year and looking back at last year’s outstanding Frugal Film Project! I had a lot more fun with this project, and it helped nurture my soft spot for consumer 1990s/2000s SLRs. It’s funny; I never saw these as viable cameras before, yet they have a beautiful charm. You don’t have to worry too much because they can be a dime a dozen. Plus, they work with many lenses that most people use with their other autofocus systems. Canon, Nikon, Pentax, and Minolta (Sony) all have lenses that work on both digital (full-frame) and 35mm bodies.Read More →

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I first learned about the fourth generation of Minolta SLRs from the Film Photography Project and Leslie Lazenby’s promotion of the Maxxum 700si as one of the perfect autofocus SLRs ever produced. And having used one in the past, the 700si is a good camera. I used one for a few rolls before passing it along; I had yet to return to the Minolta A-Mount. Then I got a 7000, which burned and was replaced with a Maxxum 9 because why not go from one end to another? It was with the ‘9 that I got my taste for the A-Mount. But in my reviewRead More →

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There’s nothing better than getting out for a small photo walk to help close out the year, and while technically, this walk took place before Christmas, this is my final post for 2023! Most Classic Camera Revival hosts try to get together for a social event at the end of each year. We tried last year, but the weather didn’t cooperate the day we picked. So this year, we wanted to take advantage of it. On 17 December, the gang (most of us) gathered in beautiful Dundas, Ontario, for the host-only end-of-year walk. I packed my Dynax 600si Classic to test the era-appropriate 28-80mm kitRead More →

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And so, dear readers, we have reached the end, or rather the beginning of the story, at least my story with Oakville. So it is only fair that the place that brought me to Oakville in the first place is the last sheet shared, that of Sheridan College. And while my involvement with Sheridan starts with Oakville, Sheridan’s story begins in Brampton. In 1965, the Ontario government, under Premiere Bill Davis, signed into law an act to create a series of colleges across the province. These post-secondary institutions would provide a practical education for students. And in Brampton, Ontario, a condemned and closed High SchoolRead More →

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If there is the closest thing to a universal developer in the film photography world, that developer is Diafine. If you’re thinking, “Wait, aren’t all developers universal?” You are right; a B&W developer will develop many different film stocks. But it doesn’t often happen that two other film stocks, shot at different speeds, can be developed simultaneously. There are some examples of cross-over, but only a few. Diafine uses three main development times and a couple of unique combinations. These are shared across many different film stocks that allow you to develop multiple rolls shot multiple ways in the same tank. You can also shootRead More →

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Well, we made it to the end of another year, and the whole team is back around the table for one final episode, including a special guest, John Meadows. If you remember, at the start of the year, we all shared some of our photographic and personal goals, so we’re coming back around and sharing how we all did. Not to feel guilty if we didn’t make it but rather to be encouraging. The team also discusses the joy of photography and what photography can bring during the holiday season. For those who are new to the show this season, here are some handy links!Read More →

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The significant reason this project has succeeded is that Oakville and the Trafalgar Township have local historical societies. And while some stories were easier to find and write about than others, it is because of the efforts of these groups that these stores continue. And I’m now honoured to include my takes on these stories to keep them going. The Oakville Historical Society starts with Hazel Matthews and her sister Juliette. Both being direct descendants of William Chisholm and having grown up in Oakville, would take ownership of Earchless from their Mother upon her death. While Juliette took up residence in the big house, HazelRead More →

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Regarding historically significant lenses, exact lens models like the Nikkor 85mm f/2 are abnormal. Usually, these historic lenses are designs like the Tessar, Petzval, and Planar. But in this case, this lens put Nikon on the map. Nippon Kogaku released the first 85mm f/2 as part of their original five-lens setup for the Nikon I. Although they also had versions in the LTM or M39 Mount. While Nikkor enjoyed popularity within Japan, they had yet to produce a camera that could be exported. But the lenses helped Nippon break out of the domestic market. The story goes that a chance meeting of two LIFE photographers,Read More →

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There are many cities and towns in Ontario that I feel connected to, primarily through my photography. They have been common in my photography projects, reviews, and videos. One of these cities is Hamilton, Ontario. I spent many years learning the art of photography and exposure by tromping through the many abandoned buildings the city offered to explorers through the early 21st century when I was active in the hobby. While most of my time was spent in either the downtown or industrial sectors, I had only a passing interest in a part of Hamilton, Concession Street, up at the edge of Hamilton Mountain—the ratherRead More →