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If there’s one thing that Double-X has is a wide latitude, being a cine-film you can punish this film with all sorts of conditions and still get some amazing results. Of all the films I’m running through these tests or reviews, Double-X is one that I’ve actually put through its paces. I’ve shot it at ASA-1600 and developed in both Diafine and D96 with excellent results. I’ve also over-exposed it and was presented with superb results so I have high hopes about these results! I also will note that this roll was from the Canadian company Flic Film as a respool! Film Specs Manufacturer: EastmanRead More →

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My first experience with downtown Oakville was in 2002, at the PYPS Fall Convention hosted by Knox Church, where I was on the committee that ran the event. I had a blast, but like any PYPS event, I didn’t stray far from the church itself. In fact, most PYPS events we didn’t stray too far from the church. There were a couple of times when we ventured further afield, but those were few, and my focus was on the PYPS event rather than the area around me. Since then, I have gotten to know the historic areas of Oakville well, having been coming and goingRead More →

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I can thank the sale of the Konica-Minolta camera division to Sony and a gift of a Nikon F80 that marked my one and only system shift in my photographic journey. The F80 was my go-to camera for many years, and it was the one that helped build up my Nikon AF system. There’s even one lens in my kit that I got with that F80. While my first two cameras were purchased through Garage Sales, the X-7a and the F80 were both gifts from other members of my church. It came to me from a teacher at Sheridan College. I wish I could rememberRead More →

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It’s hard to find a lens that balances cost, constant aperture, and quality. While OEM lenses with constant aperture are top-notch in terms of quality, they often (with the exception of some) come at a higher price point. Sure, you can get away with a lens with variable apertures depending on where you are on the zoom, but you may end up needing a faster aperture even when zoomed in. After the AF motor on my Nikkor 28-70 f/2.8D failed, I was still able to use the lens in manual focus, but after photographing a Christmas play with it, I was starting to get tiredRead More →

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Within the Canadian Mythos of our nation, there are several events, call them fixed points in the timeline, that have been arbitrarily assigned to build the Canada we live in today. These points are, of course, all post-contact with the Europeans, but that’s a discussion for another time. You can look at the arrival of the French and the founding of Quebec City and Montreal. The French and Indian War that established British rule, the American Revolution, the two attempted invasions, and the arrival of the Loyalists. The War of 1812, which saw the American invasions repeatedly tossed back. The Canadian Confederation in 1867. WouldRead More →

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After getting some excellent results from TMax 400, could lightning strike twice with TMax 100? Now I like TMax 100 far more than the 400 version mainly because TMax 400 despite being super sharp lacks a lot of character. But with TMax 100 I’ve always liked the results I’ve gotten out of it, but I’ve always under-exposed and pulled in development but I’ve never under-exposed and pushed. So will I get similar performance from TMax 100 as I got before? Well the answer is… Film Specs Manufacturer: Kodak Name: TMax 100 (100TMX) Type: Panchromatic B&W Film Base: Acetate Film Speed: ASA-100 Formats Available: 135, 120,Read More →

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There are small cameras, and then there are small cameras. When designing cameras, there are certain constraints that you must work within. In the realm of 35mm cameras, you do have to make sure there’s enough room to fit the cartridge, and there have been some small 35mm cameras that I have reviewed. The one I think of is the RETO Ultra-Wide & Slim, and in the 35mm world, the smallest I’ve worked with is the Pentax MX (smaller than even the Olympus OM-1 and Nikon FM). But once you start to scale down the size of the film, you can bring the size ofRead More →

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Fujifilm Neopan Acros 100 is a film that has achieved cult status and is almost universally loved by film photographers. Personally, I see the value in Acros and appreciate what it can do, but it never became a staple in my photography. It offers fine-grain, incredible sharpness and tonality. It also has a long reciprocity making it perfect for long exposure. A capable portrait film that provides amazing skin tones, but is also versatile to use in other applications like landscape, astrophotography, and architecture. But then Acros 100 went away; Fuji discontinued Acros 100 in 2018, citing the inability to source the needed raw materials.Read More →

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When it comes to places I’ve photographed in my local area, the city of Brampton isn’t one I often visit for photography. Now, to be clear, I have made several trips to Brampton for photography, but mostly around Sheridan’s Davis Campus. But the historic downtown I’ve only visited twice, the first time was for a PYPS Winter Weekend and the second time to test out a new-to-me Olympus OM-1n. So when I was putting together a plan for this year’s 12 Months on Film, I wanted to include places I’d been only once or twice, and Brampton, though it didn’t make the initial cut, endedRead More →

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Do I really need to do another D-76 clone review? The answer is yes, yes I do. So during the end of production of Kodak chemicals by Sino Promise the fine folks at Adox Photo went out and purchased the rights to some of the names of Kodak chemicals, including D-76 (although you can still get Kodak D-76 now produced in the USA) as part of their efforts to ensure that the supply of these chemicals continue. And so in 2023 Adox D-76 hit the market, the one thing that sets Adox’s version apart is that it has a longer shelf life thanks to aRead More →