If I had to choose between Microphen and Perceptol, Perceptol would win every time. And it all has to do with how the developer works. If you know me, I’m a fan of the old school, not only do I shoot and develop my own film, I like older film stocks, older developers, and that classic look. And while it’s easy for me to whip up a batch of D-23, there’s just something that Perceptol does that makes it the perfect mix between new and old. If Microphen is your fast-moving friend, Perceptol is one that takes a little more time. While I wouldn’t useRead More →

When I first started with film development, my world consisted of Kodak products, D-76 and HC-110. The only other developer I used outside of Kodak was Rodinal and Ilfosol 3 (at least at first). Then in 2015, I started reviewing cameras and decided at the same time to explore Ilford more both in film stocks and developers. I stumbled upon two developers that soon became favourites, one of them is Perceptol (which I will review next month) the second is Microphen. While not a developer I use often, it offers fine grain, neutral contrast, and works for both push and pull processing. Technical Details Manufacturer:Read More →

Do you know that Kodak D-76 has a cousin? Although in the grand timeline of things, I can’t place exactly when the stuff was first released. But if I had to hazard a guess it was sometime in the 1920s. It proved to be a favourite of Ansel Adams along with HC-110. Today Kodak no longer produces D-23 in favourite of the far more shelf-stable D-76, but you can still mix it up from raw chemistry if you know the formula (I’ll be sharing that later) or you can purchase pre-made kits. Personally, I enjoy working with D-23 when I need some compensating capabilities andRead More →

There are new developers, there are old developers, and then there is Rodinal. First released in 1891 by Agfa, Rodinal is the brainchild of the Doctor, not that Doctor, but Dr Momme Anderesen who disliked the reliance on hydroquinone in the traditional film developers of the day. Instead, he began work on using Aromatic Amines in 1880 before settling on p-aminophenol. The result is the developer we call today Rodinal. And for much of its life was a closely guarded secret by Agfa, at least until the patent expired. And while today Agfa exists, Rodinal has taken on many different forms, but the same formula.Read More →

While today it’s been several years since its introduction, Xtol marks the last developer to come out of Kodak. And as developers go, it is the least toxic of all the ones available on the general market. The reason is that it uses Ascorbic Acid as one of the active ingredients. It not only allows for sharpness but also reducing visible grain in the process. But Xtol is also a developer with a flawed history; you need to mix up a lot to maintain its stability. And while I no longer keep Xtol in my toolkit, it remains a beautiful developer that is perfect ifRead More →

If there is one film developer that I will always go back to and use until they cease production (which isn’t any time soon) that developer is HC-110. Released in 1962 to little fanfare, Kodak HC-110 quickly found traction as being the developer of choice of Ansel Adams and those who use the zone system extensively. Kodak HC-110 is the third black & white developer that I ever used and became my developer of choice. Personally what keeps me coming back to HC-110 is the general-purpose use, the excellent results, economy, stability, and results that it continues to give. Kodak HC-110 has never let meRead More →

We’re not done with chemistry just yet! And while we still didn’t dig into Ilford Chemistry (Don’t worry, we’ll do an episode dedicated to Ilford in Season Six) we have an excellent selection of jack-of-all-trade developers to one-trick ponies. Pour Me Another Round… We’re back with another batch of developers, this time we’re digging into the strange and specialised, from motion picture developers to ones designed or a small set of films. Cinestill D96 The idea behind Cinestill D96 is actually bringing a Kodak developer into the hands of the general public. It’s no secret that Cinestill D96 is Kodak D-96 a specialised developer fromRead More →

Continuing with our love of chemistry in part two we dig into some of the older and stranger developers. While many of these are speciality they are rather common in our own chemistry cabinets and they include the likes of the alphabet soup that is HC-110, the oldest commercial developer Rodinal, and the rather toxic Pyrocat-HD. Kodak HC-110 Kodak’s HC-110 developer is a strange creature, released with little fanfare in 1962 with a small article in a photography magazine, the developer became an instant classic. It’s best known as the developer of choice for Ansel Adams. And while most Kodak Developers had the letter DRead More →

Sometimes simple is the best way to go about things, and what could be easier than Kodak D-23. So with today being George Eastman’s birthday, I figured I’d dig into this wonderful developer that is new to me and give some of my first thoughts on this developer. Now for those who have been in the photography field for some time you probably are wondering why I’m reviewing a developer that hasn’t been commercially available for many years now. While I can’t pinpoint when D-23 was released, all I know is that Ansel Adams used the stuff. Downtown Cambridge, Ontario Rolleiflex 2.8F – Carl ZeissRead More →

Another new developer for me and when I find a new developer I’m usually excited to see how different films react to it. And to make it even sweeter the Kodak equivalent, DK-50, is a developer I had never even heard of until now! According to the Ilford Product page this is a fine grain developer designed for push processing faster films. So for slow and medium speed films I chose to shoot at box speed, while faster films I went and did some pushing. With Ilford FP4+ In all honesty you really can’t go wrong with FP4, this is one of those films thatRead More →