This is not my first time working with SPUR HRX, but it’s always been a developer that I’ve wanted to go back and revisit with a few more and different film options. I first learned about HRX through a former co-host of Classic Camera Revival, and the developer certainly piqued my interest. SPUR HRX is the latest and far more stable update to HRX-3 (I know it doesn’t seem logical to go from HRX-3 to HRX) and stands for High-Resolution X from Speed Photography, Ultra Resolution. HRX offers up an ultra-high resolution, fine grain, and excellent tonality. If that sounds familiar, it should because itRead More →

If you’ve followed my photography journey, one of the first developers that became a favourite is Kodak HC-110, which switched to Ilfotec HC last year when I finished off my final bottle of the OG HC-110. But sometimes, you have to send in the clones. I’ve been aware of LegacyPro, and other clones HC-110 developers for some time but have never thought to give them a try. But after learning that Ilfotec LC29 is a variant of Ilfotec HC, I made a point to try L110. L110 is HC-110 but in an easier to pour format. To make the point that it will perform exactlyRead More →

When it comes to Ilford developers here in North America, we have access to most of their chemical stocks. But there is one that is a bit of a unicorn, and that is Ilfotec LC29, and I can’t see why! This is a developer that, despite being close to Ilfotec HC, does not produce images in line with what Ilfotec HC produces, and it is far easier to pour than Ilfotec HC! I splashed it a little bit at how easily it flowed. Right from the start, I knew I had a winner here in LC29 and feel bad that it isn’t readily available hereRead More →

You can never have too many D-76/ID-11 clones. And while there are tonnes already on the market, plus the capacity to mix one up yourself at home. I want to introduce the latest clone on the market, Flic Film Classic MQ. Flic Film is a new Canadian film lab based in Alberta, Canada. While they focus on re-rolling motion picture film stock, they have a healthy film chemistry group. In addition to their brilliant Black/White & Green, among their offerings is a D-76 clone, Classic MQ (Metol/Hydroquinone). But it is available in the smaller 1L volume rather than mixing up a whole gallon of stockRead More →

If there’s one thing that is always uncertain these days is the availability and quality of photochemistry. At the same time, some companies have had no issues with maintaining their normal level of quality. As manufacturers of the materials and chemistries shift away from the originals, things get a little grey. Thankfully some are willing to take a chance and help keep things going, and one such company is Adox. While most of their chemical offerings are based on formulas from other firms, Rodinal, FX-39, and Atomal spring to mind. Adox XT-3 is a new offering, backwards engineers from Kodak Xtol a well-loved Ascorbic AcidRead More →

Here we are at the end of another year! While 2021 was significantly better than 2020, we still have a long way to go, but things certainly were looking brighter (not so much now)! And while I certainly did not get all I wanted to in for 2021 mainly because of continued restrictions throughout the first part of the year, I am happy with the amount of work I did, and I’m rather pleased with what I did do this year. Project Work For 2021 I brought back one of the first formats of photography projects I ever did, the fifty-two roll project. Where IRead More →

When I first decided to review Rollei Low Contrast developer (RLC), I doubted my choice. The list of available films remained short and some I could not find to purchase for the review. And most of the films on the list were technical films, which don’t always suit my photography. But I went ahead anyway after coming up with a decent list and getting my hands on a roll of Kodak Technical Pan and seeing the results from my good friend John Meadows. RLC is a strong developer if you have a contrasty film, fine-grained, and super sharp because the developer will make sure youRead More →

There are a couple of highly specialised and mysterious developers out there, both made by the same company. While most people are drawn towards Diafine (which I plan on reviewing next year), Acufine is the cousin of that magic bullet developer. Like Diafine, Acufine’s chemistry is a trade secret; even the datasheets are redacted in that sense. But Acufine is a rare bird; it has the capability to increase the speed of most film stocks. But without all the drawbacks of push processing, increased grain, over the top contrast. While I have worked with Acufine before the stuff was way out of date, and IRead More →

Let me start this by saying that DD-X and I have not had the best of relationships. The first time I used it I wasn’t happy with my results and decided that I was never going to touch the stuff again. But hey, almost every filmstock and developer are worth a second glance. DD-X, like its Kodak cousin, TMax developer was initially designed for use with the Delta range of films, specifically Delta 3200. Ilford has two versions of this developer, Ilfotec DD which is designed mainly for automated film processors that will use a dedicated replenisher and used in the stock formulation. White DD-XRead More →

You’re probably thinking if I reviewed Kodak HC-110, why am I reviewing Ilford Ilfotec HC? Aren’t they the same thing? Well, the answer is yes and no. While Ilfotec HC is the Ilford version of Kodak HC-110, there are some subtle differences between the two. Here in Canada, the Ilford liquid chemistry is a pricey purchase and can be hard to come by. However, I chanced across a short-dated bottle of Ilfotec HC on a trip to Burlington Camera and decided to take a chance. Now, if you know me and my processing habits, you’ll know that I make a bottle of HC-110 last, soRead More →