When you’re in the film photography community, you celebrate things differently. I mean, sure you’d do the usual birthday traditions with your family but among your film photographer friends, you get together for a photo walk. No? Maybe it’s just the Toronto Film Shooters group. The morning started particularly cold, but at least it kept the traffic light or it was actually the early hour. The trouble with being in Milton there’s no easy way I’d like to drive into Toronto, plus having to leave my car somewhere and needing to loop back to the start doesn’t always jive with my general flow of theRead More →

The strange part about the arrival of democracy or somewhat responsible government in Canada is that it was not something won by force of arms or through negotiation; instead this first step towards self-government and limited autonomy is one that was granted to the provinces of the Empire in a change of public opinion. By 1848, it no longer made sense to hold onto the empire in the manner that still dated to the 18th Century, even though the Colonial Office and Parliament had tried hard for many years. You have to remember the 1840 Act of Union still found it’s foundation in the 1791Read More →

While not many people would notice it, but when watching a film, and you come across this amazing sequence in black & white, the rich tones across the board, and just a classic cinematic look and wonder, how can I make my still images look that good! Well if you are watching a film shot on traditional film stock the answer is rather easy, Eastman Double-X 5222. Chances are you’ve seen a film shot on this stock, such as the opening sequence of Casino Royale or Shindler’s List. I first came across Double-X a few years back when I purchased some rolls through the FilmRead More →

For anyone who has been a long time reader of this blog, you’ll know that Montreal, Quebec holds a special place in my photographic story. So with my first wedding anniversary, last month and a great deal on hotel and the train my wife and I celebrated our anniversary in the city. Of course, this trip wasn’t solely for photography, I mean I had refreshingly packed light, sort of. You cannot really call the Nikon F5 light-weight, but I wanted to bring my best 35mm kit with me and have a level of automation. So with the F90 on loan, the F5 got to goRead More →

When it comes to rangefinders if you know me I’m not a fan. They just don’t fit, I struggle to use them, and generally, I am more likely to reach for an SLR. But then there’s my Contax IIIa, for some reason this is the rangefinder I just won’t let go of, it’s far from perfect, needs a bit of work, often is a bit frustrating to use. It suffers from frame spacing issues, and I’m sure one day, it’s just going to give up the ghost. Yet since the first time I picked it up off of John Meadows, I am often drawn backRead More →

The Nikon F5, at first glance you might mistake it for a digital SLR. I certainly have been asked ‘what sensor is in that camera’ and depending on my mood and my general view of the person asking I might reply with something a little more sarcastic, other times a simple response is “oh a 36x24mm or full-frame as it’s called in digital photography.” The F5 was my second grail camera after switching over to a Nikon system from Minolta, in fact, I picked up the battery grip for the F80 to make it look like an F5 because at the time the F5 wasRead More →

When you first lay eyes on the Contax G series of cameras you’re going to wonder to yourself, what sort of camera are these? Are they rangefinders? Are they some kind of digital camera? A dressed-up point and shoot? Well the G Series is sort of both, well it certainly is not a digital camera. But it’s a rangefinder and a dressed-up point-and-shoot, in reality, it’s a camera that’s in a class all of its own, the Autofocus Rangefinder (AFRF). I don’t remember exactly what drew me to the G2 when I first got my hands on the camera back at the end of theRead More →

It was through the Film Photography Project that I first found out about shooting motion picture stock through my still 35mm cameras. I recieved my first rolls of 35mm motion picture stock from FPP Super Friend Lance through his Labeauratoire website, a gold mine of rare and odd film stocks that he personally purchased bulk rolls of film and rolled them into 35mm cartridges. Out of all them one film in particular stood out to me, Eastman Double-X 5222. And if you’re a Bond fan, you’ve seen this film stock on the big screen. This beautiful motion picture stock is the medium speed cousin ofRead More →