The second colour motion picture film stock available from our friends at Cinestill. Like Cinestill 800T, Cinestill 50D is based on Kodak’s Vision3 50D, a slow colour film designed for outdoor work, hence the D in the name standing for daylight. The film has been pre-stripped of the remjet layer allowing for easier processing in labs and at home. Although like 800T the film is natively designed for Kodak’s ECN-2 process, that’s an expensive process, so I decided instead to go with the old standby Burlington Camera. Now I did shoot this film stock back in 2018 and had it processed C-41 and was blownRead More →

I have a long and strange history with Eastman High Contrast Positive Film II, AKA Eastman 5363. When the Film Photography Project began to hand-roll and resell the strange and specialised motion picture films I started working extensively with it and if you’re a long-time reader of the blog you’ll recognise the film stock from previous entries. I have probably done enough with the film to write a full out film review on the stock, but that would be old news. So, having one more roll in my possession, thanks to Alex Smith, I decided to give it the one-roll treatment, one final time. FilmRead More →

When it comes to slow, special use, motion picture films I’m not one to shy away from pushing them to their limit and see what I can do with regular developers. So when Michael Bartosek wanted some examples of his latest ultra-low find in Pyrocat-HD, I heard about it through a fellow film podcaster and threw my hat in to test the film. Not only did Michael send me two rolls of 2238 he threw in a couple of Fuji rolls of the similar type of film. But the real question is what exactly is Eastman 2238 Panchromatic Separation film? It turns out the filmRead More →

There’s too much confusion; I can’t get no relief… When it comes to photography, there is a lot of information out there, cameras, formats, film types, developer types, processes. There’s a lot, and it’s all rather complicated because some of the information dates back over 100 years. So today I’m going to do a little bit of a breakdown and hopefully clear up some of the confusion I’ve seen online as of late. Plates Before flexible films, there were plates. We’re talking Glass here that is sensitised and used to capture images. These plates did not conform to the standard sizes we’re used to today.Read More →

While not many people would notice it, but when watching a film, and you come across this amazing sequence in black & white, the rich tones across the board, and just a classic cinematic look and wonder, how can I make my still images look that good! Well if you are watching a film shot on traditional film stock the answer is rather easy, Eastman Double-X 5222. Chances are you’ve seen a film shot on this stock, such as the opening sequence of Casino Royale or Shindler’s List. I first came across Double-X a few years back when I purchased some rolls through the FilmRead More →

Another care package of new film stocks arrived from the FPP recently, some Russian Films, Japanese and two Kodak rolls, one being the fantastic Eastman 5363! Although my last test roll ended up in failure (Rodinal 1+100, stand developed for an hour). I was looking forwarding to trying another formula. By this point the gang had decided that ASA-25 was the optimal speed for this film. I’ve seen lots of examples popping up on Flickr with D-76 (1+1), Xtol (1+1), HC-110 Dilution G, even some home brewed positive developing with Dektol as a second developer. The Secord home in Queenston, ON But what about PMKRead More →

Thinking inside the box is one thing that George Eastman did not do, that became very clear after a visit to the George Eastman House in Rochester, NY. But in the case of this entry, the box is what I was thinking in. Using box cameras is not something new to me, having used my mom’s Agfa Box 50 in the past and loved the format. This is a basic of a camera as you can get without going to a pinhole. The camera is mostly cardboard, metal on the insides, a single lens, rolling shutting, fixed aperature. Meet the Kodak Brownie Model 2, theRead More →