By:
On:
In: How To
With: 0 Comments

One of the more interesting parts of B&W film photography is the ablity to adjust how the film behaves. There are many different ways of adjusting how the film looks, you can over or under expose the film, or push/pull the film in development. You also have various different developers to adjust how the film looks and different dilutions. But there is also the ideas of adding coloured filters to your lens to change what light and how much light hits your film. Now it might seem weird to put coloured glass over black & white film, but it can adjust and change how differentRead More →

By:
On:
In: Film Review Blogs
With: 3 Comments

This is only the second time I’ve reached a significant milestone in my ongoing reviews, the magic number of one hundred. And to be clear, I’ve done one hundred film reviews, not reviewed one hundred separate film stocks. And that’s because I’ve reviewed some rebadged films; sometimes, I knew it was a rebadge and then made a point not to go after that film stock again, notability ORWO films. I reviewed the four motion picture-specific films from ORWO as their Lomography rebadge. But in the case of Fomapan 100, I reviewed that first as KosmoFoto Mono 100 and then again as Fomapan 100. Agfa AviFotoRead More →

By:
On:
In: Classic Camera Revival
With: 0 Comments

Everyone knows and loves the various cameras: FM, FE, FM2, FM2n, and FE2. But there are a series of cameras that are part of the minor F’s that make some significant technological splashes and some belly flops that are generally not as well known or are out of reach of the average photographers. These cameras were used to experiment with new technologies before they hit the big times with professional cameras. First is the Nikon FG, produced from 1982 to 1984; it was the first camera from Nikon to have full auto-exposure and semi-automatic and metered-manual modes. The Nikon FA, released in 1983, had aRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

I remember not being overly excited about Rollei Paul & Reinhold when it was first announced in September of 2020. I mean, yes, it is great to see a special edition film released to celebrate the 100th Anniversary of a premier and historic camera maker (Franke & Heidecke later Rollei). There was little data on the film at the time, and there are still many gaps. Given that the actual film stock is unknown, it’s either a limited edition run (made in Italy, not Belgium) or a found stock that has been rebranded. Either way, Rollei has been tight-lipped about the film’s source. Given thatRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

I have known about Adox HR-50 for some time but have purposefully avoided including it in past years. Originally released in 2018, HR-50 was one of the new film emulsions to come out of Adox shortly after releasing CHS 100 II (reviewed last month). The reason being that HR-50 is a semi-closed imaging system and I never had good luck with those, as seen by my Adox CMS20 II review. I caught a lot of flack for that one. There is also the trouble with getting the stuff here in Canada. But when I saw that both the film and the dedicated developer, Adox HR-DEVRead More →

By:
On:
In: Film Review Blogs
With: 0 Comments

Consumer film, often film photographers of a certain type will turn their nose up at them, but as someone who started their film journey on consumer film processed in the local 1-hour lab, going back to review these films is a bit of a throwback. Like all modern consumer films from Kodak, Ultramax traces its heritage back to the original Kodacolor film. The original Kodacolor saw production from 1924 to 1963. In 1963, the updated Kodacolor-X increased the film speed from ASA-25 to ASA-64, both these early offerings using the C-22 process, Kodak discontinued Kodacolor-X in 1974. In 1972 Kodak released a new version, KodacolorRead More →

By:
On:
In: Photography
With: 0 Comments

Back in the Summer of 2013 when APUG was the place to get your online fix of the analogue photography community, I noticed a post in the Toronto local board that there weren’t enough meetups for the film photography community. Which was at the time partly true, sure there had been a couple of FPP/APUG meetups in the area in the past, I had even helped coordinate one in 2011. But there had not been anything since. So I took it upon myself to plan these events, at least four, in a year. The first one dropped in July 2013, had a decent turnout andRead More →

By:
On:
In: Photography
With: 0 Comments

Work has been a bit stressful of late and that restless feeling I had about a month into this whole mess we’re still sorting through came back. Either that or I never stopped feeling that way, and it just regressed enough to function. Thankfully I had my form of therapy still available with a lot more options than I did in April. I made a point to ensure I had three days of photography even if I only went out for a short amount of time with a camera and a roll of film. I ended up going out Monday, Tuesday, and Wednesday with WednesdayRead More →

By:
On:
In: How To
With: 2 Comments

If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →

By:
On:
In: Developer Review Blogs
With: 0 Comments

I’ll be the first to admit; I never was a fan of TMax Developer. It was, at least in my mind initially TMax developer was a one-trick pony. Suitable for only modern T-Grain films (TMax, Delta, Acros). But that quickly changed as I started to branch out and trying to see what the developer can do with both modern film grain and classic grain. I discovered that TMax developer is something a little more than a one-trick pony. Technical Details Manufacture: Kodak Name: TMax Developer Primary Developer: Hydroquinone Type: Reusable or One-Shot Mix From: Liquid Handling TMax developer is a liquid, it runs clear andRead More →