It’s the rumble in the professional jungle! Yes, I’m pitting the two mid-1990s pro bodies I have in my toolbox against each other in a friendly competition! This contest isn’t to see which is better than the other, I use and work with both cameras often side-by-side. And honestly I consider them both equally amazing cameras in my mind, I mean look at the glowing reviews I’ve given both cameras. For this little contest, I’ve set a few rules. First, this contest saw completion on the same day, shot-for-shot. Also, I set both to matrix/average metering and full Auto Exposure. In both cases, I mountedRead More →

From the grand bridges spanning the St. Lawerence River, east along QC-175, the homes become older, these give away to even older structures, towered armouries, and then the grand Parliament Building of the National Assembly and in front of you stands the old walled city. The Old City of Quebec is only one of two cities in North America that retains their fortifications. Heather and I decided to make a super-long weekend for ourselves last month and head to one of the oldest cities in Canada, Quebec. Now, this was not the first time I had visited the city, but the last time I spentRead More →

If the Maxxum 5000 was a Crystler Reliant then the Maxxum 7000 is a LeBaron. While both are still k-cars, the 7000 certainly does it with a little more style. While the 7000 marked a major shift in how cameras operated and how a photographer operated them, gone are the dials and leavers of the old generation, screens, buttons, and autofocus now dominated the market. Now the 7000 was not the first autofocus camera, but it was the first autofocus system built that way from the ground up. (Canon, Nikon, and Pentax had built an AF system that used old systems). The Dirt Make: MinoltaRead More →

Next in line is the middle-ground for the RPX line, RPX 100. And frankly, this is another winner in my book. Beautiful tones, fine grain structure and a tremendous latitude! The film is seriously the Portra 400 of the RPX line. I may even go as far to say this film is just a little better than my two favourite mid-speed films, Kodak TMax 100 and Ilford FP4+. Product Highlights Type: Panchromatic B&W Negative Film Base: Polyester (PE) Film Speed: ASA-100, with a Latitude between ASA-25 and ASA-800 Formats Available: 35mm/120 Hasselblad 500c – Carl Zeiss Distagon 50mm 1:4 (Red) – Rollei RPX 100 –Read More →