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When I first decided to review Rollei Low Contrast developer (RLC), I doubted my choice. The list of available films remained short and some I could not find to purchase for the review. And most of the films on the list were technical films, which don’t always suit my photography. But I went ahead anyway after coming up with a decent list and getting my hands on a roll of Kodak Technical Pan and seeing the results from my good friend John Meadows. RLC is a strong developer if you have a contrasty film, fine-grained, and super sharp because the developer will make sure youRead More →

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When it comes to fine-grain developing, the developer that most people reach for today is Kodak Xtol. But Xtol is one of the newest developers to come out of Kodak, before Xtol if you wanted to tame that grain, you reached for Microdol-X. While I’m unsure as to when Microdol-X was first released by Kodak, I’ve found images online of the powder coming in cans rather than pouches. The logo style is that of 1935, so I’m guessing it was released at some point in the mid-1930s at the earliest. I stumbled across Microdol-X while visiting Pittsburg back in 2015, while my main goal wasRead More →

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Many Kodak films have gained almost a cult following over the course of their run, and while many are general purpose films, Kodak produced many film stocks designed for specific tasks, and one such film is Technical Pan. Designed specifically for technical, scientific, and military applications the film can work as a high-contrast pictorial film and is one of the more unique film stocks I’ve had the pleasure to shoot. While it was out of production well before the official discontinuation date in 2004 due to the finding of a large master roll the film remains rather stable due to its lack of a boxRead More →

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There is a certain class to folders; they have a sleek look that harkens back to the early days of photography. These cameras offer a slim, compact option to bring medium format when space is at a premium. I would have loved to have brought a folder to Europe in 2015 to have a medium format option. Especially in places like the Waterloo battlefield, Amsterdam, Antwerp, and Bruges, but I could not find the right one. The full name of this camera, the Zeiss Ikon Super-Ikonta C 531/2, would have been the perfect camera with a big 6×9 negative, rangefinder focus, and slim size. ForRead More →

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I remember the first time I saw the Pentax 645; it was at Belle Art Camera in Hamilton, Ontario. It was sitting there in all its medium format beauty with the 75mm f/2.8 lens. The store employee told me all about the camera, what it did, how it worked. And I was looking to up my medium format game. The price was right, so I dropped the cash and left with a camera that would come with me on future trips, projects, and even some weddings. As a camera, the Pentax 645 is a workhorse and a working man’s camera, it has everything you wantRead More →

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I was remiss in posting about this year’s Photostock back in June! As with last year, it was a fantastic time, more so for me this year, as I stayed at the Birchwood to party it up with the group late into the night. Late nights and early mornings. Three things make Photostock great. The Place, the People, and the Community. So the photos I took reflect the first two items, the Place and the People. The third one can be shown in the photos. However, video drives the point home. This group of photographers shoots a wide range of cameras and techniques, yet weRead More →

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Nothing says end of summer for Toronto like the Canadian National Exibition. I usually make an effort to attend on the labour day weekend to take in the airshow, saldy this year the light was horrible so my airshow photos just didn’t turn out that well. But I took a chance to wander around the grounds a little more this time around to do some street photography of the crowds and came out with some wonderful candid shots of the many people who attend the CNE! A Great overlook of the CNE midway from the Atlantis Complex at Ontario Place A big part of theRead More →