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I’m usually on the ball with things like this, but I’ll be perfectly honest, Expired Film Day(s) nearly slipped past my radar. And to think, I even had a roll of film waiting to be used just for this specific day. Back last summer I got a couple of rolls of Kodak Tri-X that expired back in 1982 that were manufactured here at Kodak Canada and were from the exact same lot. There were actually several rolls but I only got two, another two went to another member of the Toronto Film Shooters community. We both commented that this may have been the first timeRead More →

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Long before Europeans arrived in what would become Canada, the land was far from empty. Thankfully these days we do have a record of the history of our region, passed down now only through the oral history of those peoples and archaeological evidence. Here in Milton we still maintain that link to the pre-contact past in the form of a 15th-century village built by the Haudenosaunee or People of the Long House. If that name seems strange to you, that’s okay, you better know them as the Iroquois. Archaeological digs discovered in 1971 the remains of this village after the area once home to theRead More →

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What is home? It’s a question that many people have asked and those well versed in philosophy and have come up with many answers. Is home where you live, or where you were born? Or maybe it’s where your parents live? If you’re looking for that answer here, you’re in the wrong place. This is a project about my home, a town called Milton. The sign that welcomed people to Milton has changed a lot since I first arrived here with my parents; my dad wanted to deface the sign by painting a giant one making the population 30,001. He didn’t, and that sign isRead More →

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The first SLR camera I owned, a Minolta SR-T 102, came with the non-X version of this lens. Aside from a Kiron zoom lens, the Rokkor PF 50/1.7, was the lens that lived on that camera. And when I got the newer version, I made sure that even though I gave up my Minolta bodies, I kept a lot of my good Rokkor glass. And I’m glad I did, while these days I use the 45/2 pancake more, I make sure never to let this general-purpose, everyday use, fast prime that will never let you down. Lens Specifications Make: Minolta Model: MC Rokkor-X PF 1:1.7Read More →

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There were plenty of photographers out there who seemed happy that Kodak ColorPlus 200 came to the North American market. But the real question among many was what is the film stock exactly? If you look at the box lots of the standard text is not only in a foreign language but even in foreign characters. Once I opened up the box and popped out the canister, the mystery would be solved, the film canister clearly says Kodacolor 200! Kodacolor itself is an old film stock and was Kodak’s first colour negative film released and produced from 1940 to 1963. The next version, Kodacolor-X wasRead More →

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When it comes to basic bare-bones developers, you don’t get any more simple than Kodak D-76. Kodak D-76 is the common factor between professional and student photographers and everyone in between. It’s a staple in most darkrooms, you can develop film and prints with it, and for me, it was the first developer I ever used for both film and prints. And for a while, I had stopped using Kodak D-76 in my processing, but after I started reviewing films, I got back into the stuff. The reason it gives what you expect, a baseline. It also is relatively inexpensive and economical for long termRead More →

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When it comes to Kodak’s film catalogue, there are many films in it that we have never seen much of in North America. Among those, the one that confused me the most was ProImage 100. Despite the name, Kodak documents in no way claim that ProImage 100 is a professional film, but then again what makes a professional film? Maybe because it does not come in sheet film format, like Ektar and Portra? That said, I feel ProImage 100 is a great film to shoot in a professional setting, the soft contrast, excellent colour rendition, and slow speed make it a fantastic hybrid of PortraRead More →

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If you think this Portra 800 is a new film, then you’d be wrong. There’s used to be a huge range of Portra films, but today there are only three films in the Portra range. Still, Portra 800 is overshadowed by Portra 160 and Portra 400. I mean, I had heard some talk about Portra 800, but always dismissed it as one of the older films and stuck with Portra 400 and pushing it to ASA-800 when I needed that extra boost. And I can honestly say I used to tell people to not bother with the film stock. But after shooting it, I’m gladRead More →

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The film that started the whole Svema craze with the Film Photography Project, Svema Foto 200. Свема is a film stock that is relatively unknown here in North America unless you are of course fans of the Film Photography Podcast. The name comes from the combination of two Russian words, Светочувствительные Материалы, translated means Photosensitive Materials. While Svema collapsed when the Soviet Union died in the 1990s, another Eastern European film manufacture, Astrum, continues the legacy of Svema using some of the old machinery in a new factory in Shostka, Ukraine. Now I did try a roll or two of Foto 200 when it firstRead More →

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I had been wondering how long it had been since I had last visited the Halton County Radial Railway Museum, well it hasn’t yet been a decade since my last trip in 2011. So when I heard that a group of folks from the Toronto Film Shooters were heading to a TTC Streetcar barn open house, I had the urge to go and photograph streetcars as well. The trouble was that I had to be at church at 3 pm on Saturday to run sound for a wedding. A trip into the city would be out of the question, then I remembered that I hadRead More →