If there is one developer that is the closest thing to a magic bullet in my chemistry set, that developer is Pyrocat-HD. While Rodinal is the oldest commercial developer, Pyro based developers pre-date Rodinal into the early days of photography, being used back in the days when plate-based photographic media were the norm. And while the developers changed overtime, Pyrocat-HD is among the newest in the category being developed by Sandy King as an improvement over PMK Pyro. Sandy promotes the developer as giving 1/3rd of a stop in film speed with about 10-15% less developing time. Along with consistent staining action and lower toxicity.Read More →

The idea of a small light meter is nothing new, ever since the concept of an exposure meter that clip onto the camera through an accessory shoe (or hot shoe). When I was shooting a Barnack Leica, I used one such meter, the Voigtlander VCII. A fantastic meter, easy to use, a little restrictive at times, but never missed a beat. I don’t recall what happened to mine. It either stopped working or got lost on an adventure on in my one move. When my good friend and regular of the Toronto Film Shooters Meetup, Matt Bechberger, let me know he aimed to release hisRead More →

As everyone knows things right now are weird. And while we can’t get out and shoot as a community it doesn’t mean we can’t get out and shoot. There’s a certain calming factor knowing that other photographers who are able can get out and participate in World Wide Pinhole Photography Day back on the 26th of April. Pinhole and I haven’t always gotten along but I enjoyed it enough last year and had a lovely experience with a custom made pinhole camera. It was enough to get me pumped for the 2020 version of WPPD. This year I decided to stick to 35mm and NikonRead More →

There are new developers, there are old developers, and then there is Rodinal. First released in 1891 by Agfa, Rodinal is the brainchild of the Doctor, not that Doctor, but Dr Momme Anderesen who disliked the reliance on hydroquinone in the traditional film developers of the day. Instead, he began work on using Aromatic Amines in 1880 before settling on p-aminophenol. The result is the developer we call today Rodinal. And for much of its life was a closely guarded secret by Agfa, at least until the patent expired. And while today Agfa exists, Rodinal has taken on many different forms, but the same formula.Read More →

There are small cameras, and then there are small cameras. And if you’re used to cameras like the Minolta TC-1 or Olympus XA series, the Rollei 35 T is not a tiny camera. About the size of a package of cigarettes, the Rollei 35 is a camera I once avoided for a couple of reasons. It’s small, and it’s a scale focus viewfinder camera. However, after seeing some fantastic results from my good friend Bill Smith who recently got a Rollei 35 S, I decided to bite the bullet. And I have to say I’m not disappointed, even though the camera is a Singapore madeRead More →

There are many figured in our history that changed the course of Canadian History, think Sir John A. MacDonald, William Lyon MacKenzie, Robert Baldwin, Louis LaFontaine. However, all these men owe their contributions to a single person, Robert Gourlay. Gourlay’s presence in Upper Canada would ignite the spark of reform here in Upper Canada. Upper Canada in the early 19th-Century was a vast rural backwater. Urban centres were few and far between cities that we know today were little more than muddy villages in the middle of the vast forest. The undeveloped nature of the Province gave those in control, the colonial elite, access toRead More →

Through 2016 I did a 52-Roll project where I shot the Rollei RPX films for each week, out of the three flavours available my personal favourite remained RPX 25, a spiritual successor to the iconic Agfa APX 25. These days in film photography there aren’t many offerings below ASA-100, Pan F+ is a solid choice, but sometimes you want something sharp, fine-grained, and slow. And for that, you have Rollei RPX 25. While the thin polyester base might make it hard to handle in the bag and widely thin in sheet formats, the results are worth the trouble. Film Specs Type: Panchromatic B&W Film Base:Read More →

Here, at the end of history, we know that the war that is The Great War would only last one more year until on the 11th day of the 11th month at the 11th hour the guns across Europe would fall silent. But one hundred years ago they did not know that. The men and women who served, in another 100 years will they names be read aloud by the public? Will their names still be remembered? Will our grandchildren know of the sacrifice of those who died 200 years before? Will there be the same fanfare of sober celebration? I don’t know about then,Read More →

Not doing an overall film project over the course of the year has not stopped me from getting out and shooting and it’s freed me up to join in on the year’s film contests that the fine folks over at Emulsive have put on, well, for the most part, I joined in on their TMax Party for the two months, although I missed the Acros Party. But with the sun finally starting to shine I decided to make a point to get in on the Summer Film Party. Running the three summer months here in North America with June being the first up. Now theRead More →

One more shot, one more shot! While today such a call is commonplace in the day where the number of images you can get is dependent on how fast your camera’s shutter works and how large and fast the memory card that you have in your camera is, but back in the early 20th Century, asking for one more shot could mean sacrificing one in the future. But many iconic images and photographers worked with large format cameras and the idea of a Press Camera pre-dates the camera I’m reviewing today by nearly three decades. While the Crown Graphic is not as well known asRead More →