When it comes to assistance with long processing times or the need for constant agitation, there aren’t that many options out there today. Sure there is the original Jobo system, but these are completely closed systems that often carry a high startup cost. And on the opposite end of the spectrum are the Besler and Unicolor Cibachrome bases and tanks. But what about something new, using modern solutions. Last year I had the chance to try out one such system, the AuRA film processor, and it certainly made an impression on me and my processing. Sadly these aren’t yet for sale, and given the technologyRead More →

After the last TFS meetup I did in November 2021, it’s hard to believe I was able to get back to one so soon, especially one that’s in the city where the group takes its name. Since the birth of my son, I’ve been delegating some of my work out to trusted friends. The photo walks were given over to John Meadows and Bill Smith, who welcomed a couple of additional group members. As much as I enjoy planning out these events, it’s always nice to attend as an attendee. I don’t often drive in the city, relying on public transit to get around. ButRead More →

It’s been a long hot summer, and Alex sits down for a rare CCR Solo show to talk about his experiences with Adox. If you haven’t heard of Adox, then prepare to have your introduction made to the oldest name in film photography chemistry and supplies! While the original 1860s Adox is long gone their name and experience live on with the modern form of the company started by Fotoimpex as a way to preserve not only the intellectual properties of Adox but also Agfa! You can order Adox products and other film photography projects through Fotoimpex. Also, make sure to follow them on FacebookRead More →

When you read the datasheet for Adox Silvermax Developer, you almost can think that this is the secret cypher key to unlock the best possible results when using Adox Silvermax film as the developer is used to unlock a secret silver reserve in Silvermax films and use it to the best photographic potential. Now I’m no language expert, especially German, but I feel that something got lost in translation. (Checks translation), okay, dormant reserves. Either way, this developer is best used with Silvermax films, as it couples with the specialised sensitiser used in that film’s production. But don’t let that stop you as the developerRead More →

You’re probably wondering why I’m reviewing a Nikkormat EL when I’ve reviewed a Nikon FE. The reason is simple; the Nikkormat EL is the FE’s foundation, the original Nikon electronic semi-automatic camera. This means that to understand where the FE comes from, I needed to try out an EL. That was my first mistake; the second mistake was shooting a second roll through the Nikkormat EL. I don’t think this mistake is a bad thing. The camera worked perfectly in both rolls; the mistake was that now I want a Nikkormat EL. It’s an easy-to-use camera, especially if you’ve used an FE or FE2, andRead More →

While these days the old standbys are still excellent choices to develop your film and offer up a great deal of variety there’s something to be said about having a universal one-size-fits-all developer. I first discovered this last year with Adox FX-39 II. But I quickly fell a rabbit hole of similar developers. And I’m not talking about Diafine, but rather Rollei Supergrain. Supergrain is an updated version of Amaloco AM 74. Supergrain offers up a series of dilutions and times that will develop most films at the same associated times. Perfect if you’re shooting a whole bunch of different films but have limited timeRead More →

Out of all communities formed along the Welland Canal, both large and small, the ones that are most important to the Canal are the ports. It’s easy to tell which communities along the Canal remain or are former terminuses or access points onto the Welland Canals as most of them carry the title Port in their name. Welland for example offered through the first two Canals access onto the feeder canal that exited at Port Maitland (which I will not be covering today, sorry). While once-thriving communities with some level of municipal independence all save Port Colborne are a part of a larger city today,Read More →

If you have been doing home film development, then the term stand-development might have crossed your eyes. And when it comes to the process, I’m still relatively new to using stand-developing in my black and white film processing toolkit. While I’ve had some successes when it comes to handling particularly rough or even unknown film stocks, it isn’t a method for all films. So for today’s post, I went out with three different films, Ilford FP4+, Rollei Superpan 200, and Kodak TMax 400. Each shot on a different day, in different conditions, and various cameras. Then I went and soaked all three rolls in aRead More →

Work has been a bit stressful of late and that restless feeling I had about a month into this whole mess we’re still sorting through came back. Either that or I never stopped feeling that way, and it just regressed enough to function. Thankfully I had my form of therapy still available with a lot more options than I did in April. I made a point to ensure I had three days of photography even if I only went out for a short amount of time with a camera and a roll of film. I ended up going out Monday, Tuesday, and Wednesday with WednesdayRead More →

If you took a close look at Robert Baldwin as a man, it might surprise you to think of the amount of change for the good he brought to Canada in our Pre-Confederation history. And while I have encountered many exciting figures throughout this project, I took time to look at each one as a human. Each one presented not as a hero, but as a human complete with their flaws. None stood out to me more than Baldwin. Baldwin had the chance to have all the power he wanted, yet he did not wish to power for his gain but to put government powerRead More →