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Among film photography circles there are several cameras that rate as a cult camera, others as rare and a select few that rate as both Rare and Cult, the Contax 645 AF is in that category. I had never even known a person who also owned one, so when I was offered to use one for review, I jumped at the chance. The Contax 645 is a fantastic camera, but sadly it suffered the fate of being far too late in the game and would have done far better if Kyocera had released a digital back for the camera and got into the MF digitalRead More →

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The Welland Canal had brought expansion and growth to the Niagara Region, along the canal work camps flourished into settlements, villages, and towns. But the canal remained under private control, and to maintain the wooden infrastructure they needed income from ship traffic and the fees paid to transit the canal. The trouble with the wooden structures is that they were getting old and starting to fall apart and by the start of the troubles of 1837 many of the locks could no longer function. And with the canal at standstill ships could not transit therefore no money would come to the canal, so the locksRead More →

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It’s not every day that a new film jumps into the market without some pre-release hype, but leave it to CatLABS to slip under the radar with new film stock. In their description of the film, they state that it is in the spirit of Panatomic-X so who am I to skip over the film, I wanted to shoot it now! The film is rated at ASA-80 so a couple stops faster than the classic Kodak emulsion but something I could work with and even pull if needed. I think the film comes from the New55 Atomic-X which is also has a little bit ofRead More →

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As you well know, I’m a huge fan of Kodak Panatomic-X and by far it is the one film I would like to see come back in some modern form. And while I can give TMax 100 a similar look, what if I could find that look I’m fond of in a modern new film? Well, I feel I can find that in CatLABS X Film 80 and sure it’s not an ASA-32 film, but what if I pulled it? I mean I got stable images out of TMax 100 at nearly a two-stop full, in this case, it’s only about a stop and aRead More →

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We’ve discussed large format on several occasions on CCR in the past, however, we’ve never done a basics episode for those wanting to get into large format. Well never fear, that is exactly what Alex and James are going to discuss today, so grab your notebook and ready to go big! Camera Types You can put all large format cameras into a single category of ‘large format’ or simply ‘view camera’ because you are mostly using a piece of ground glass to look directly through the lens so it’s almost what you see is what you get. However, there are differences between these view camerasRead More →

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John Lambton is the single man who shaped our view of the rebellions of 1837-8 for better or worse and can take the blame for the general mistrust between English and French Canada, born on the 12th of April 1792 in the City of Westminster, where the centre of the British Parliament sits even to this day. He knew little of his father who passed away in 1797 when John was only five. His mother quickly remarried but his step-father had little desire in raising John and his brother. Instead, the boys were raised by a family friend. Nevertheless, John was well off, being theRead More →

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According to the Kodak Datasheets on Eastman Fine Grain Duplicating Positive Film, which I will refer to from now on as Eastman 2366, is a low-speed duplicating film intended for making master positives from black-and-white camera negatives. Eastman 2366 is a blue-sensitive black-and-white film has very high resolution and provides very high acutance. In other words, this is not a film for regular photographic use. But what’s the fun in that? I first came across Eastman 2366 among other specialised Motion Picture Film from the Film Photography Project but to develop these as negatives using standard chemistry, while possible it’s hard to find times toRead More →

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Me debunk an American myth? And take my life in my hands? Where the great plains begin At the hundredth meridian At the hundredth meridian Where the great plains begin As a Canadian, I’m ashamed to say the furthest west I’ve ever travelled in our remarkable country is Sault Ste. Marie, Ontario. But after getting married two years ago, I gained a whole new branch of the family and my wife, and I decided that it was high time I met them. And earlier in the month, Heather and I went out beyond the hundredth meridian and dived deep into the great plains. While notRead More →

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The sheer amount of aid rendered to the Canadian Rebels and the fact that many raids by the rebels came from the United States again proved that Canada remained open to invasion as it always had before the rebellions and even before the War of 1812. It also showed that the post-war practice of reducing colonial garrisons as a cost-saving measure might not have been the best option indicated in the fact that Bond-Head sent all the regular troops in Upper Canada to shore up Colborne in Lower Canada. While the militia enjoyed many victories in 1837 but these were against poorly armed and leadRead More →

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On today’s episode, John is going to dig into one of his favourites if not rare and annoying cameras in his collection, the Kodak Medalist. A unique camera with a unique place in the history of camera equipment and the American photographic industry. The Medalist grew out of the need for a high-quality camera that was both robust and American built for the US Military. The year was 1939, World War Two had started with the Japanese invasion of mainland China and the Nazi invasion of eastern Europe. And while America remained neutral, war production cut off the source of high-quality cameras from these twoRead More →