When I started working on this series, I knew I needed to include a TLR on the list. But the biggest question is which TLR to include, as I’ve had three in my toolkit, all of which have had some impact on my photography. But after some thought, I settled on the Rolleiflex. The reason is that it’s been the longest-serving medium-format camera in my toolkit, and one I’ve been using before it was cool in this film photography resurgence. Does that make me a hipster? Yes, it probably does. At least I don’t wear a beanie. The Rolleiflex is not my first TLR; itRead More →

A few weeks ago, an event that I first attended in 2012 had its final form. Back on the 20th and 21st of June, a group gathered to celebrate the life of Bill Schwab, who had passed away in 2025 while doing what he did best: leading a group of keen photographers to explore the world. Bill was the brains behind an event called Photostock. It started as a small gathering in the woods on his property in Michigan, far from the dirty industrial south, but in the far more beautiful northern parts of the state. And while I’m a fan of an event becomingRead More →

Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

I have far surpassed one hundred and fifty camera reviews and one hundred film reviews, my other two reviews being lenses and developers have only made it to the big fifty this year. If you read my previous post on lens reviews these are my least favourite. And while I rather enjoy creating film and camera reviews the most, developer reviews come in as the third favourite. The reason being is that I have the most amount of freedom connected to their creation. And while I’m working on a full post on how I write developer reviews, this post is about looking back at theRead More →

I’ll admit, I love a good exotic film developer that can develop any film to their ideal conditions. But lets be honest here, some of these developers are expensive, hard to acquire and require rigorous attention to detail to make them work perfectly. And often are so fine tuned they will only work on a handful of film stocks that a also difficult to come by. Sometimes you want a developer that will do its job and nothing more than that. It doesn’t have to be fancy, compensate for over or under exposure. Produce ultra-fine grain, or enhance tonality and edge sharpness. Rather than presentRead More →

Several years ago, when I was starting to branch out in my home film developing, I would try a lot of different, strange, and odd-ball developers. Sure I went with the basics, D-76, HC-110, Rodinal. But as I continued to listen to the Film Photography Podcast, I started to get my hands on stranger items, PMK Pyro being the first speciality developer and from there Pyrocat-HD which has become a fast favourite. But then I heard Matt talk about a developer call FA-1027. The next trip I made to New York City, I popped into B&H and got myself a bottle. Sadly I have onlyRead More →

Do you know that Kodak D-76 has a cousin? Although in the grand timeline of things, I can’t place exactly when the stuff was first released. But if I had to hazard a guess it was sometime in the 1920s. It proved to be a favourite of Ansel Adams along with HC-110. Today Kodak no longer produces D-23 in favourite of the far more shelf-stable D-76, but you can still mix it up from raw chemistry if you know the formula (I’ll be sharing that later) or you can purchase pre-made kits. Personally, I enjoy working with D-23 when I need some compensating capabilities andRead More →

If there is one film developer that I will always go back to and use until they cease production (which isn’t any time soon) that developer is HC-110. Released in 1962 to little fanfare, Kodak HC-110 quickly found traction as being the developer of choice of Ansel Adams and those who use the zone system extensively. Kodak HC-110 is the third black & white developer that I ever used and became my developer of choice. Personally what keeps me coming back to HC-110 is the general-purpose use, the excellent results, economy, stability, and results that it continues to give. Kodak HC-110 has never let meRead More →

While not many people would notice it, but when watching a film, and you come across this amazing sequence in black & white, the rich tones across the board, and just a classic cinematic look and wonder, how can I make my still images look that good! Well if you are watching a film shot on traditional film stock the answer is rather easy, Eastman Double-X 5222. Chances are you’ve seen a film shot on this stock, such as the opening sequence of Casino Royale or Shindler’s List. I first came across Double-X a few years back when I purchased some rolls through the FilmRead More →

Other than the location, one of the best parts of Photostock is the people! This being my fifth event and having missed last year’s event for an awesome reason (having just gotten married), it was good to get back and see old friends to reconnect and to meet new friends in the process. While I did spend more time away from the Birchwood than I did at the hotel itself. The weather on Saturday morning kept me in (both to take in people’s amazing portfolios and the Print Exchange) I managed to capture many of the faces at the event. Photostock is first and foremostRead More →