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When I hear the name Miranda I think of two things first and foremost, number one is Star Trek and the venerable Miranda Class that first appeared in Star Trek II: The Wrath of Khan and has remained a staple of the Federation Starfleet (I prefer the roll bar version) the second is Shakespeare which is where the class name takes its inspiration from. But when it comes to cameras, the Miranda brand is one that doesn’t get much respect, despite being an innovative company that sadly lacked the level of quality assurance that the bigger names could provide. I first learned about Miranda camerasRead More →

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So far in this ongoing series, I have only focused on my written content, mainly because there continues to be an influx of AI-generated blog posts. But this isn’t the only area where AI is starting to get in the way of real creative content. AI videos are a thing with avatars that can act and look like real-life people. Also, the number of ‘faceless’ videos with obviously generated images and voices is large. I’m happy that my channel is AI-generated content-free and always will be! Let’s dig into the process of how I go about creating a YouTube video. In the case of thisRead More →

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The simple matter was that neither the Americans nor the British were ready for a renewed conflict in North America. The British were fully committed to the invasion of Europe in the Peninsular War, secured Portugal, and invaded French-occupied Spain when the war broke out in North America. While many in the United States wanted to teach the British a lesson, they were not in the best position to fight a war. Even as the declaration of war made its way through the US Congress, the plans and preparations for the war were being made. The American plan was a coordinated three-prong assault across theRead More →

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Developing your film at home is both rewarding and frustrating at the same time and to add on an extra layer of complexity there is a lot of developers out there that you can use, especially in the black & white field. While certainly not as much as there used to be, there is still an excellent selection of developers to suit almost every person’s need, without having to dive deep into building your developers from base chemicals. Ultimately every photographer has a different taste but if you’re starting out with home development the choices may seem a little overwhelming so I’ll be breaking downRead More →

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You will have to pry my Rolleiflex from my cold dead hands. But as wonderful as they are to use and the top-notch images, they aren’t the cheapest camera. But the folks at Rollei (Franke & Heidecke) realised that the cost of their cameras put them out of reach of many photographers. Enter the Rolleicord, the low-cost TLR, in the greater Rollei ecosystem, is the lowest tier, with the 2.8 Rolleiflexs at the top, followed by the 3.5 Rolleiflexes next and then Rolleicord. But that doesn’t mean you should turn your nose up at these cameras. While they never reached the same level of technologicalRead More →

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This past year has been a lot of fun looking at different cameras. While some of these cameras I will have already released a review, others will be coming out next year. But that’s the thing about writing these reviews is that I’m often working 2-3 months ahead of the actual release. I put a lot of work into these reviews, between looking up specs, shooting multiple rolls of film through the cameras and trying to get the best results so I can give a fair and balanced review. But a group in the film photography blogging community decided to put out a series ofRead More →

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The first thing you’re going to think when you take a look at a C220f is that this is going to be a heavy camera, and then you’re going to pick it up and notice that it is relatively light for its size and form factor. I love a good system camera, but outside of the SLR world, there isn’t much in the way of system cameras in the medium format realm. At least until you look up Mamiya’s rather interesting C-Series of TLRs, they are proper TLRs in every way, but it’s also a complete system camera with interchangeable lenses, grips, and finders; theRead More →

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I’ll be the first to admit that pinhole photography and I have not gotten along well in the past. It’s a bit hit or miss with me, and I don’t always associate photographic success with the gear I use. Sometimes having the right equipment will make you enjoy the format. Pinhole is one such format. My first attempts were bit misses, using a pinhole body cap adapter on my Pentax 645, and then again on various Nikon cameras. It wouldn’t be until I got my hands on a dedicated pinhole camera that I started to see results that I actually liked. So when I startedRead More →

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I’ll admit, I have a soft spot for manual focus Minolta cameras. And the Minolta lineup is a unique cross-section of camera technology through the post-war 20th Century. All my early experience with photography came in various Minolta cameras, from my family’s Riva Zoom to my first personal camera, the Hi-Matic 7s and the first SLRs in the SR-T 102 X-7a. More recently, the XE-7 has been my Minolta SR-Mount of choice. But the XE-7 lead me down the rabbit hole of the 1970s of Minolta’s technology-sharing agreement with Ernst Leitz because, of course, there was something better. And that something better is the MinoltaRead More →

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Oddly enough this is not the first Praktica SLR that I’ve had in my collection, one of my earliest SLRs that I never actually got around to using was a Praktica Super TL that ended up going into one of the early giveaways for the Film Photography Podcast in their first season along with a LOMO Lubitel 2. So when the LTL showed up at my doorstep, I decided to give the cameras another go. The LTL is, given its age, a bit of an anachronism. By the 1970s, most camera makers west of the iron curtain and Japan used open aperture TTL metering. Yet,Read More →