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When it comes to metering for precision, there is nothing better than a spot meter, but most spot meters these days are expensive, both new and on the used market. The first and only spot meter I’ve used is the Pentax Spotmeter V. This analogue 1° spot meter has become the accessory that always gets thrown in my bag when I’m out with my Crown Graphic Hasselblad or Mamiya for precision tripod-based work. The meter served me through almost my entire War of 1812 project, Canadian Confederation and most recently, the Railway project. A simple easy to use device that allowed me to execute aRead More →

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It’s funny that for this year’s 52-roll project, the city of Toronto that has in the past featured prominently has taken more of a minor role this time around. With all the restrictions placed on us this year, I have found myself purposefully avoiding the city. But when my friend John Meadows asked me to be a part of his project, I jumped on a visit to Toronto. After spending time at The Only, I decided to take the hour and a half walk from Greektown on the Danforth to downtown Toronto to stock up on supplies at Downtown Camera. Having already told the grandRead More →

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And now for something completely different. I know I’m better known for my reviews of film-based cameras, but I have reviewed a digital camera here before, back when I got the camera that this one replaced. In fact, the Nikon D750 marks two, not three things. First, it marks a return to an SLR as my digital camera; second, it marks the return to the Nikon Digital system. And finally, a digital camera that I like using a lot. It’s not to say the a6000 was an unenjoyable camera to operate; the only complaint was that the system continued to be limited. Yes, I couldRead More →

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I kept typing the title “If I left the Zoom”, which is also appropriate these days, but there’s nothing to do with Zoom this week. Instead, the title comes from the third studio album from one of my favourite bands, Jars of Clay. But like zoom, this week also has nothing to do with Jars of Clay. Instead, we’re heading to the Toronto Zoo. The Toronto Zoo is a spot I haven’t been to since my last 52-Roll project on an early date with my (then future) wife, Heather. The first Zoo in the city of Toronto was the Riverdale Zoo that opened in 1873.Read More →

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When it comes to Historic Fort York in Toronto, most people will associate with the Anglo-American War of 1812, which isn’t wrong. The fort is home to the most extensive collection of original buildings from the era and is among the oldest buildings in the city. But this week, we’re moving ahead by a century into the fort’s role during Canada’s involvement in the First World War. When Canada found itself at war in 1914, it had only served once overseas during the Second Boer War. Canada’s involvement in that colonial conflict resulted in a great deal of reform within the Militia. The Militia hadRead More →

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If there’s one thing that I have missed over the past two years, it’s a historical reenactment. And while most if not all War of 1812 events in Canada have again been cancelled, I have managed to satiate my desire for some historical reenactment and, more importantly, photography. Earlier this year I attended a small event in Milton with the 11th Swiss Rifles, a reenactment unit that portrays a typical Swiss Rifle unit during World War One. So when a larger event came up at Toronto’s historic Fort York, I jumped at the chance to see some friends, as you’ll quickly find in the hobbyRead More →

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When it comes to slide film, Fuji Sensia introduced me to the medium, but it was Astia that made me love slide film. Sitting neatly in the worlds of Velvia 100 and Provia 100, Astia is often an overlooked member of the Fujichrome family, with more people going towards Velvia for rich saturated colours or Provia for a more natural tonality. But Astia was a happy medium between the two; you get a stronger contrast than Provia and more natural colours than Velvia. Astia quickly became my go-to slide film for trips and events where I wanted the magic of slide film with a bitRead More →

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When you read the datasheet for Adox Silvermax Developer, you almost can think that this is the secret cypher key to unlock the best possible results when using Adox Silvermax film as the developer is used to unlock a secret silver reserve in Silvermax films and use it to the best photographic potential. Now I’m no language expert, especially German, but I feel that something got lost in translation. (Checks translation), okay, dormant reserves. Either way, this developer is best used with Silvermax films, as it couples with the specialised sensitiser used in that film’s production. But don’t let that stop you as the developerRead More →

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I’m a big fan of Eastman Double-X; it’s a beautiful mid-speed film that offers up amazing latitude and forgiveness along with a lovely grain structure. But for the longest time, it has only been available in 135 (35mm) format because, well, that is generally what cinematographers shoot motion pictures in. Still, it has great potential in medium format. There had been an attempt to have the film produced in 120 format but never went anywhere. At least until earlier this summer, when Cinestill put out the word, they had their BwXX in 120. BwXX is Cinestill’s Eastman Double-X branding and is the same stuff you’veRead More →

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There have always been certain locations that have appeared in all my projects; one of them is the city of Toronto. But that’s the weird part about running a project that relies on some freedom of movement when that freedom has been curtailed. You often have to find new locations to visit. But it took twenty-nine weeks to make it out into Toronto. But it was a weird way of going into the city. I didn’t take public transit, I went early, and I drove in, right into the core of Toronto. Something I don’t often do, because well, I don’t particularly appreciate driving inRead More →