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Oh Emulsive, I think through your little contests you’re going to keep film alive ensuring that everyone goes out and buys the stuff to join in these fun little games. After joining in on the Summer Film Parties, the next step is the Delta Def Jam. Wait What? Like the TMax Party, Delta Def Jam celebrates Ilford’s tabular grained film, known as Delta. Also of note, the Delta series of film comes in 100, 400, and 3200. Now when it comes to the Delta series I really only like one of the film stocks, Delta 100, although I may play with Delta 400 see ifRead More →

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If you’ve used any of the modern Bronica cameras, you’ve mostly used them all. And that is the beauty of them because of they all act, behave and feel the same in both operation and general, cosmetic details. The only difference is the size of the negative. And while I’ve reviewed the smaller of the three, the ETRS earlier this year, I now switch up to the largest of the three the GS-1. As I’ve mentioned before, I’m not a fan of Bronica cameras, but I like the GS-1 and would easily rate it higher than the Mamiya as it stands up easier on fieldRead More →

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One of my favourite photographic events to attend are the Doors Open tours we have in Ontario. Two cities pull out the stops the first being Hamilton the second being Toronto. While of late, Hamilton has been sort of disappointing, but it has also been the one that I have attended the most. But my attendance is a little bit of a Birthday tradition for me as it always falls on the weekend closest to my birthday. Sadly this year’s event was soured a little with rain, so I only managed to get to four locations, of which I’ll be sharing three here today asRead More →

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Found in a mysterious factory in Rochester, New York, the Debonair, or the FPP Plastic Filmstastic 120 Debonair is one of the strangest cameras I’ve reviewed for this blog series. But also one of the more fun ones to use. This funky toy camera is one of many Holga/Diana clones that started to pop up in the late 20th century. It uses 120 roll film in a 6×4.5 format but portrait orientation, light weight and produces actually really fun results with the nice soft plasic “Super” lens. And to make this review extra special the images shot were done on World Toy Camera Days theRead More →

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If there is a single camera out there that most people will associate with professional film photographers, it is the Hasselblad V-System. Designed and built in Sweeden, the Hasselblad is the luxury camera of the medium format market. While the 500c is the original model to use a leaf shutter, it is a good entry point into the Hasselblad system if you can find one at the right price. Thankfully I was able to find a complete setup (lens, finder, back) for a reasonable price, but soon found that there is a certain cost to owning a Hasselblad system. And the fact you can’t justRead More →

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When it comes to SLRs, I spent a lot of time looking for inexpensive cameras in systems that I had never touched before. I had a vague idea of Konica cameras and their SLRs. On a trip to Burlington Camera, I happened across the Autoreflex T4, and Joan told me how these were underrated but that the optics were where the camera shone. Other than that, the camera isn’t much of anything. Basic, simple, and took amazingly sharp images. Disclaimer: This is an old review, and is scheduled for an update and may look funny during that update. However, due to a large number ofRead More →

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The Yashica FR-I is another one of those late 20th century 35mm SLR, based on the Yashica FR and Contax RTS it’s an aperture priority camera which already gives it a plus in my books. And with the C/Y mount you have a pile of great lenses available. However the camera itself has, at least for me, some usability issues that really turned me off the camera as a whole. Disclaimer: This is an old review, while I am striving to update my reviews to include more images and improved details. Sadly I have insufficient resources to update this review and it will contain incompleteRead More →

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If there is an icon of Nikon’s durability and commitment to quality the Nikon FM2 is that camera. With one of the most extended production periods of any Nikon camera (1982-2001), the FM2 is a no-nonsense, mechanical camera that can take any punishment you throw at it. I picked up the FM2n originally as a gift to a friend, but quickly fell in love with the camera and promptly purchased an older FM for the friend and kept the FM2n for my own. The FM2n became a constant companion. The Dirt Make: Nikon Model: FM2n Type: 35mm, Single Lens Reflex Lens: Interchangeable, Nikon F-Mount Shutter:Read More →

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What is it about Soviet-made cameras that attract such a cult following? I mean they are notorious for breaking, or just being of poor quality right off the factory line. But what is the mark of quality? For the West, we look at cameras such as the Leica and Hasselblad which are precision built cameras with a great deal of research, development, and quality checks before they get into the hands of photographers. But for the Soviets, it was something that could be quickly built, easily repaired, and put into everyone’s hand. And the FED-2 has that mark of quality. But these were far criesRead More →

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There’s something strange about the Smena 8M, it wasn’t my first experience with Soviet cameras and certainly wasn’t going to be my last. But the Smena 8m made me both loved and despised the cameras from the Soviet bloc. The camera is simple to the point of being demining, a chunk of plastic that has little to offer a photographer. Other than a strange joy and annoyance in general operation. Every time I used it, I wanted to give it away, tossing more images than those I kept. Yet now looking back at the three rolls I shot through the camera the resulting photos aren’tRead More →