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If you’ve followed my photography journey, one of the first developers that became a favourite is Kodak HC-110, which switched to Ilfotec HC last year when I finished off my final bottle of the OG HC-110. But sometimes, you have to send in the clones. I’ve been aware of LegacyPro, and other clones HC-110 developers for some time but have never thought to give them a try. But after learning that Ilfotec LC29 is a variant of Ilfotec HC, I made a point to try L110. L110 is HC-110 but in an easier to pour format. To make the point that it will perform exactlyRead More →

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When it comes to Ilford developers here in North America, we have access to most of their chemical stocks. But there is one that is a bit of a unicorn, and that is Ilfotec LC29, and I can’t see why! This is a developer that, despite being close to Ilfotec HC, does not produce images in line with what Ilfotec HC produces, and it is far easier to pour than Ilfotec HC! I splashed it a little bit at how easily it flowed. Right from the start, I knew I had a winner here in LC29 and feel bad that it isn’t readily available hereRead More →

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You can never have too many D-76/ID-11 clones. And while there are tonnes already on the market, plus the capacity to mix one up yourself at home. I want to introduce the latest clone on the market, Flic Film Classic MQ. Flic Film is a new Canadian film lab based in Alberta, Canada. While they focus on re-rolling motion picture film stock, they have a healthy film chemistry group. In addition to their brilliant Black/White & Green, among their offerings is a D-76 clone, Classic MQ (Metol/Hydroquinone). But it is available in the smaller 1L volume rather than mixing up a whole gallon of stockRead More →

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It’s not often that something new hits the market, especially something that comes out of Canada. If you haven’t heard of Flic Film, that’s okay; I only recently discovered this Canadian film lab out of Alberta in 2021. They mainly focus on selling rebranded motion picture films, the Eastman Vision3 series and Eastman Double-X; they have a chemistry production side. But their chemistry has a twist; they’re working on making it more environmentally safe. And that should come as no surprise given they are based out of Alberta with many rural properties and reliance on septic systems. And that is where Black/White & Green (B/WRead More →

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When it comes to basic bare-bones developers, you can’t get any simpler these days than Metol and Hydroquinone. And there are a lot of these developers out there, my first developer review, Kodak D-76, is one such developer, and there are numerous clones of the developer. Each has its little takes on this foundational developer. So it only makes sense that I review several different options, so today, I will be talking about Ilford ID-11. Often called the British D-76, ID-11, while at its core is the same as D-76, it does have a few things that set it apart from the colonists over inRead More →

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The year was 2013, a new voice had recently joined the Film Photography Podcast, one Mat Marrash. Mat had dived headfirst into the world of film photography and had not looked back and begun speaking about a type of developer I had never heard of before, Pyro developers. Well, I was instantly interested, having myself dived headfirst into the wonderful world of home B&W development. I was also looking for something outside the normal D-76, HC-110, and Rodinal developers. Well, this Pyrocat-HD stuff seemed interesting, but getting it shipped to Canada proved difficult at the time, so with a trip to New York City inRead More →

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If there’s one thing that is always uncertain these days is the availability and quality of photochemistry. At the same time, some companies have had no issues with maintaining their normal level of quality. As manufacturers of the materials and chemistries shift away from the originals, things get a little grey. Thankfully some are willing to take a chance and help keep things going, and one such company is Adox. While most of their chemical offerings are based on formulas from other firms, Rodinal, FX-39, and Atomal spring to mind. Adox XT-3 is a new offering, backwards engineers from Kodak Xtol a well-loved Ascorbic AcidRead More →

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Being in North America and raised on Kodak and Ilford developers, I did not even know that Atomal existed, other than seeing it listed on the Massive Dev chart and just passing it by as another European developer. But when I was hunting for more Rollei developers at Freestyle, I came across Atomal 49 as an ‘other people purchased’ listing. I was excited to give this a shot, and after mixing it up, I posted in a Film Photography Chat group on Facebook and asked if anyone else had used the stuff. The response was overwhelming how many people used the stuff. However, the bestRead More →

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I need to start learning that when it comes to black and white developers, all of this has happened before, all of this will happen again. Take, for example, Rollei Low-Speed, RLS is a modern rebranding of LP-CUBE XS. There’s very little information about both developers online outside of official documentation. But it also has some interesting notes and is the first time using a film described as a deep layer developer. But the one thing I am familiar with is a developer that works best at speed less than the box. In fact, the amount of reduction in film speed is what I sawRead More →

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When I first decided to review Rollei Low Contrast developer (RLC), I doubted my choice. The list of available films remained short and some I could not find to purchase for the review. And most of the films on the list were technical films, which don’t always suit my photography. But I went ahead anyway after coming up with a decent list and getting my hands on a roll of Kodak Technical Pan and seeing the results from my good friend John Meadows. RLC is a strong developer if you have a contrasty film, fine-grained, and super sharp because the developer will make sure youRead More →